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steel bars. "Depend upon it, though, he feels this more than he shows. Why, it's the only friend he ever had in the world--or ever will have, in all probability. However, it's no business of mine," with which comforting reflection he began to whistle as he turned over the pages of the private day-book of the firm.

It is possible that his son's surmise was right, and that the gaunt, unemotional African merchant felt an unwonted heartache as he hailed a hansom and drove out to his friend's house at Fulham. He and Harston had been charity schoolboys together, had roughed it together, risen together, and prospered together. When John Girdlestone was a raw-boned lad and Harston a chubby-faced urchin, the latter had come to look upon the other as his champion and guide. There are some minds which are parasitic in their nature. Alone they have little vitality, but they love to settle upon some stronger intellect, from which they may borrow their emotions and conclusions at second-hand. A strong, vigorous bra

his new book to a man like Tesman, whom he despises. But though Tesman is a ninny, he is, as Hedda says, a "specialist"--he is a competent, plodding student of his subject. Lovborg may quite naturally wish to see how his new method, or his excursion into a new field, strikes the average scholar of the Tesman type. He is, in fact, "trying it on the dog"--neither an unreasonable nor an unusual proceeding. There is, no doubt, a certain improbability in the way in which Lovborg is represented as carrying his manuscript around, and especially in Mrs. Elvsted's production of his rough draft from her pocket; but these are mechanical trifles, on which only a niggling criticism would dream of laying stress.

Of all Ibsen's works, Hedda Gabler is the most detached, the most objective--a character-study pure and simple. It is impossible--or so it seems to me--to extract any sort of general idea from it. One cannot even call it a satire, unless one is prepared to apply that term to the record of a "case" i

ensor and You.

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Craphound =========

Craphound had wicked yard-sale karma, for a rotten, filthy alien bastard. He was too good at panning out the single grain of gold in a raging river of uselessness for me not to like him -- respect him, anyway. But then he found the cowboy trunk. It was two months' rent to me and nothing but some squirrelly alien kitsch-fetish to Craphound.

So I did the unthinkable. I violated the Code. I got into a bidding war with a buddy. Never let them tell you that women poison friendships: in my experience, wounds from women-fights heal quickly; fights over garbage leave nothing behind but scorched earth.

Craphound spotted the sign -- his karma, plus the goggles in his exoskeleton, gave him the advantage when we were doing 80 kmh on some stretch of back-highway in cottage country. He was riding shotgun while I drove, and we had the radio on to the CBC's summer-Saturday programming: eight weekends with eight hours of old radio dramas: "The Shadow,"

naudibly to himself, lifting the page a little at a time and sliding one of the transparent plastic sheets under it, working with minute delicacy. Not the delicacy of the Japanese girl's small hands, moving like the paws of a cat washing her face, but like a steam-hammer cracking a peanut. Field archaeology requires a certain delicacy of touch, too, but Martha watched the pair of them with envious admiration. Then she turned back to her own work, finishing the table of contents.

The next page was the beginning of the first article listed; many of the words were unfamiliar. She had the impression that this must be some kind of scientific or technical journal; that could be because such publications made up the bulk of her own periodical reading. She doubted if it were fiction; the paragraphs had a solid, factual look.

At length, Ivan Fitzgerald gave a short, explosive grunt.

"Ha! Got it!"

She looked up. He had detached the page and was cementing another plastic sheet onto it.

"Well, to make a long story short, I used to find the little man in his place every morning, always with his black bag, and for nigh unto four months never a day passed without his having his three hours' drive and paying his fare like a man at the end of it. I shifted into new quarters on the strength of it, and was able to buy a new set of harness. I don't say as I altogether swallowed the story of the doctors having recommended him on a hot day to go about in a growler with both windows up. However, it's a bad thing in this world to be too knowing, so though I own I felt a bit curious at it never put myself out o' the way to find out what the little game was. One day, I was driving up to my usual place of dropping him--for by this time we had got into the way of going a regular beat every morning--when I saw a policeman waiting, a perky sort of look about him, as if he had some job on hand. When the cab stopped out jumped the little man with his bag right into the arms of the 'bobby.'

"'I arrest you, John Malone,' says the policeman.

"'On what charge?' he answers as cool as a turnip.

"'On the charge of forging Bank of

cy over these wolves?" asked Cormac bluntly.

Skol laughed and drank once more.

"I have something each wishes. They hate each other; I play them against one another. I hold the key to the plot. They do not trust each other enough to move against me. I am Skol Abdhur! Men are puppets to dance on my strings. And women"--a vagrant and curious glint stole into his eyes--"women are food for the gods," he said strangely.

"Many men serve me," said Skol Abdhur, "emirs and generals and chiefs, as you saw. How came they here to Bab-el-Shaitan where the world ends? Ambition--intrigues--women--jealousy--hatred--now they serve the Butcher. And what brought you here, my brother? That you are an outlaw I know--that your life is forfeit to your people because you slew a certain emir of the Franks, one Count Conrad von Gonler. But only when hope is dead do men ride to Bab-el-Shaitan. There are cycles within cycles, outlaws beyond the pale of outlawry, and Bab-el-Shaitan is the end of the world."

"We

nothing to do with anger, felt his blood grow hot at the cowardly trap laid for an innocent girl.

"Old Al won't listen to me," pondered Dale. "An' even if he did, he wouldn't believe me. Maybe nobody will. . . . All the same, Snake Anson won't get that girl."

With these last words Dale satisfied himself of his own position, and his pondering ceased. Taking his rifle, he descended from the loft and peered out of the door. The night had grown darker, windier, cooler; broken clouds were scudding across the sky; only a few stars showed; fine rain was blowing from the northwest; and the forest seemed full of a low, dull roar.

"Reckon I'd better hang up here," he said, and turned to the fire. The coals were red now. From the depths of his hunting-coat he procured a little bag of salt and some strips of dried meat. These strips he laid for a moment on the hot embers, until they began to sizzle and curl; then with a sharpened stick he removed them and ate like a hungry hunter grateful for little

count of howhis wife had died, and how he had been able for manyyears to keep in touch with her. All sorts of detailswere given. I read the book with interest, andabsolute scepticism. It seemed to me an example of howa hard practical man might have a weak side to hisbrain, a sort of reaction, as it were, against thoseplain facts of life with which he had to deal. Wherewas this spirit of which he talked? Suppose a man hadan accident and cracked his skull; his whole characterwould change, and a high nature might become a low one.With alcohol or opium or many other drugs one couldapparently quite change a man's spirit. The spiritthen depended upon matter. These were the argumentswhich I used in those days. I did not realise that itwas not the spirit that was changed in such cases, butthe body through which the spirit worked, just as itwould be no argument against the existence of amusician if you tampered with his violin so thatonly discordant notes could come through.

I was suffic

ay before it. The backbar was a shelf backed by a narrow mirror running well past the middle half, and no higher than necessary to give the bartender a view of the room when he turned around, which he did but seldom. Round card-tables, heavy and crude, were scattered about the room and a row of chairs ran the full length along the other side wall. Several loungers sat at the tables, one of them an eastern tough, judging from his clothes, his peaked cap pulled well down over his eyes. At the farther end was a solid partition painted like a checkerboard and the few black squares which cunningly hid several peep holes were not to be singled out by casual observation. Those who knew said that they were closed on their inner side by black steel plates which hung on oiled pivots and were locked shut by a pin. At a table in front of the checkerboard were four men, one flung forward on it, his head resting on his crossed arms; another had slumped down on the edge of his chair, his chin on his chest, while the other t

did not know. Besides, it is assertedthat Syriac is the language spoken in the midnight meetings at whichuncanny people worship the devil. In medicine he justly preferred Galento Cardan; Cardan, although a learned man, being but an earthworm toGalen.

To sum up, Ursus was not one of those persons who live in fear of thepolice. His van was long enough and wide enough to allow of his lyingdown in it on a box containing his not very sumptuous apparel. He owneda lantern, several wigs, and some utensils suspended from nails, amongwhich were musical instruments. He possessed, besides, a bearskin withwhich he covered himself on his days of grand performance. He calledthis putting on full dress. He used to say, "I have two skins; this isthe real one," pointing to the bearskin.

The little house on wheels belonged to himself and to the wolf. Besideshis house, his retort, and his wolf, he had a flute and a violoncello onwhich he played prettily. He concocted his own elixirs. His wits yieldedhim enough