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oken his neck."

"Not I. He has only fainted. The better for him if he never came out of it again."

I felt a hand within my tunic.

"Matteo is right," said a voice. "His heart beats like a hammer. Let him lie and he will soon find his senses."

I waited for a minute or so and then I ventured to take a stealthy peep from between my lashes. At first I could see nothing, for I had been so long in darkness and it was but a dim light in which I found myself. Soon, however, I made out that a high and vaulted ceiling covered with painted gods and goddesses was arching over my head. This was no mean den of cut-throats into which I had been carried, but it must be the hall of some Venetian palace. Then, without movement, very slowly and stealthily I had a peep at the men who surrounded me. There was the gondolier, a swart, hard-faced, murderous ruffian, and beside him were three other men, one of them a little, twisted fellow with an air of authority and several keys in his hand, the other two

the wasted hand which had dropped helplessly at his side. He had evidently died without a sound or a movement--died as quietly as he would have gone to sleep. Indeed, he looked as if he had just laid his old head against the padding of the chair and dropped asleep, and Pratt, who had seen death before, knew that he would never wake again. He waited a moment, listening in the silence. Once he touched the old man's hand; once, he bent nearer, still listening. And then, without hesitation, and with fingers that remained as steady as if nothing had happened, he unbuttoned Antony Bartle's coat, and drew a folded paper from the inner pocket.

CHAPTER II

IN TRUST

As quietly and composedly as if he were discharging the most ordinary of his daily duties, Pratt unfolded the document, and went close to the solitary gas jet above Eldrick's desk. What he held in his hand was a half-sheet of ruled foolscap paper, closely covered with writing,

en grand seigneur, offered him his hospitality, here, at Charmerace, for three weeks."

"That was truly ducal," said Marie.

"But he is always like that," said Sonia.

"Oh, he's all right in that way, little as he cares about society," said Germaine. "Well, by a miracle my father got cured of his rheumatism here. Jacques fell in love with me; papa made up his mind to buy the chateau; and I demanded the hand of Jacques in marriage."

"You did? But you were only sixteen then," said Marie, with some surprise.

"Yes; but even at sixteen a girl ought to know that a duke is a duke. I did," said Germaine. "Then since Jacques was setting out for the South Pole, and papa considered me much too young to get married, I promised Jacques to wait for his return."

"Why, it was everything that's romantic!" cried Marie.

"Romantic? Oh, yes," said Germaine; and she pouted. "But between ourselves, if I'd known that he was going to stay all that time at the South Pole--"

"That's

balmy breeze fanned my cheek, and I thought of home, and the garden at the back of my father's cottage, with its luxuriant flowers, and the sweet-scented honey-suckle that my dear mother trained so carefully upon the trellised porch. But the roaring of the surf put these delightful thoughts to flight, and I was back again at sea, watching the dolphins and the flying-fish, and reefing topsails off the wild and stormy Cape Horn. Gradually the roar of the surf became louder and more distinct. I thought of being wrecked far far away from my native land, and slowly opened my eyes to meet those of my companion Jack, who, with a look of intense anxiety, was gazing into my face.

"Speak to us, my dear Ralph," whispered Jack, tenderly, "are you better now?"

I smiled and looked up, saying, "Better; why, what do you mean, Jack? I'm quite well"

"Then what are you shamming for, and frightening us in this way?" said Peterkin, smiling through his tears; for the poor boy had been really under the impressi

et used to come mornings and evenings. And all the day the girl sat trying to think of names to say to it when it came at night. But she never hit on the right one. And as it got towards the end of the month, the impet began to look so maliceful, and that twirled that's tail faster and faster each time she gave a guess.

At last it came to the last day but one. The impet came at night along with the five skeins, and that said,

"What, ain't you got my name yet?"

"Is that Nicodemus?" says she.

"Noo, t'ain't," that says.

"Is that Sammle?" says she.

"Noo, t'ain't," that says.

"A-well, is that Methusalem?" says she.

"Noo, t'ain't that neither," that says.

Then that looks at her with that's eyes like a coal o' fire, and that says: "Woman, there's only to-morrow night, and then you'll be mine!" And away it flew.

Well, she felt that horrid. However, she heard the king coming along the passage. In he came, and when he sees the five skeins, he says, s

ate. Doris stared at it, her hand to her mouth. "My God, what is it?" She looked up at him, bright-eyed.

"Well, open it."

Doris tore the ribbon and paper from the square package with her sharp nails, her bosom rising and falling. Larry stood watching her as she lifted the lid. He lit a cigarette and leaned against the wall.

"A cuckoo clock!" Doris cried. "A real old cuckoo clock like my mother had." She turned the clock over and over. "Just like my mother had, when Pete was still alive." Her eyes sparkled with tears.

"It's made in Germany," Larry said. After a moment he added, "Carl got it for me wholesale. He knows some guy in the clock business. Otherwise I wouldn't have--" He stopped.

Doris made a funny little sound.

"I mean, otherwise I wouldn't have been able to afford it." He scowled. "What's the matter with you? You've got your clock, haven't you? Isn't that what yo

nimated grace-- The portrait well the lover's voice supplies; Speaks all his heart must feel, his tongue would say: Yet ah! not all his heart must sadly feel! How oft the flow'ret's silken leaves conceal The drug that steals the vital spark away! And who that gazes on that angel-smile, Would fear its charm, or think it could beguile!

These lines were not inscribed to any person; Emily therefore could not apply them to herself, though she was undoubtedly the nymph of these shades. Having glanced round the little circle of her acquaintance without being detained by a suspicion as to whom they could be addressed, she was compelled to rest in uncertainty; an uncertainty which would have been more painful to an idle mind than it was to hers. She had no leisure to suffer this circumstance, trifling at first, to swell into importance by frequent remembrance. The little vanity it had excited (for the incertitude which forbade her to presume upon having inspired the sonnet, forbade her also to disbelieve it) pa

Good evening."

Adam hastened with long strides, Gyp close to his heels, out of theworkyard, and along the highroad leading away from the village and downto the valley. As he reached the foot of the slope, an elderly horseman,with his portmanteau strapped behind him, stopped his horse when Adamhad passed him, and turned round to have another long look at thestalwart workman in paper cap, leather breeches, and dark-blue worstedstockings.

Adam, unconscious of the admiration he was exciting, presently struckacross the fields, and now broke out into the tune which had all daylong been running in his head:

Let all thy converse be sincere,
Thy conscience as the noonday clear;
For God's all-seeing eye surveys
Thy secret thoughts, thy works and ways.

Chapter II

The Preaching

About a quarter to seven there was an unusual appearance of excitementin the village of Hayslope, and through the whole length of itslittle street, from the