Genre Fiction. Page - 269

s controlled by her it was coldly received and blindly rejected by the governing powers, and there was left only the slower, subtler, but none the less sure, process of working its way among the people to burst in time in rebellion and the destruction of the conservative forces that would repress it.

In the opening years of the nineteenth century the friar orders in the Philippines had reached the apogee of their power and usefulness. Their influence was everywhere felt and acknowledged, while the country still prospered under the effects of the vigorous and progressive administrations of Anda and Vargas in the preceding century. Native levies had fought loyally under Spanish leadership against Dutch and British invaders, or in suppressing local revolts among their own people, which were always due to some specific grievance, never directed definitely against the Spanish sovereignty. The Philippines were shut off from contact with any country but Spain, and even this communication was restricted and ca

ets with sweets war not, joy delights in joy:
Why lov'st thou that which thou receiv'st not gladly,
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tuned sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering;
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing:
Whose speechless song being many, seeming one,
Sings this to thee: 'Thou single wilt prove none.'

IX

Is it for fear to wet a widow's eye,
That thou consum'st thy self in single life?
Ah! if thou issueless shalt hap to die,
The world will wail thee like a makeless wife;
The world will be thy widow and still weep
That thou no form of thee hast left behind,
When every private widow well may keep
By children's eyes, her husband's shape

the New Jardeen Incident."

A frozen silence followed the last five words. Hunter thought, So that's what the little weasel was fishing for....

Rockford quietly laid down his fork. Val's face turned grim. Lyla looked up in quick alarm and said to Narf:

"Let's not--"

"Don't misunderstand me, gentlemen," Narf's loud voice went on. "I believe the commander of the Terran cruiser wouldn't have ordered it to fire upon the Verdam cruiser over a neutral world such as New Jardeen if he had been his rational self. Cold-war battle nerves. So he shot down the Verdam cruiser and its nuclear converters exploded when it fell in the center of Colony City. Force of a hydrogen bomb--forty thousand innocent people gone in a microsecond. Not the commander's fault, really--fault of the military system that failed to screen out its unstable officers."

"Yes, your lordship. But is it possible"--Sonig spoke very thoughtfully--"for a political power, which is of such a nature that i

ter took up the portfolio, opened it, put it down, hesitated, seemed about to speak. "Perhaps," he whispered doubtfully. Presently he glanced at the door and back to the figure. Then he stole on tiptoe out of the room, glancing at his companion after each elaborate pace.

He closed the door noiselessly. The house door was standing open, and he went out beyond the porch, and stood where the monkshood rose at the corner of the garden bed. From this point he could see the stranger through the open window, still and dim, sitting head on hand. He had not moved.

A number of children going along the road stopped and regarded the artist curiously. A boatman exchanged civilities with him. He felt that possibly his circumspect attitude and position looked peculiar and unaccountable. Smoking, perhaps, might seem more natural. He drew pipe and pouch from his pocket, filled the pipe slowly.

"I wonder," ... he said, with a scarcely perceptible loss of complacency. "At any rate one must give him a chance

d at Zeb, whose face was blue and whose hair was pink, and gave a little laugh that sounded a bit nervous.

"Isn't it funny?" she said.

The boy was startled and his eyes were big. Dorothy had a green streak through the center of her face where the blue and yellow lights came together, and her appearance seemed to add to his fright.

"I--I don't s-s-see any-thing funny--'bout it!" he stammered.

[Illustration: HORSE, BUGGY AND ALL FELL SLOWLY.]

Just then the buggy tipped slowly over upon its side, the body of the horse tipping also. But they continued to fall, all together, and the boy and girl had no difficulty in remaining upon the seat, just as they were before. Then they turned bottom side up, and continued to roll slowly over until they were right side up again. During this time Jim struggled frantically, all his legs kicking the air; but on finding himself in his former position the horse said, in a relieved tone of voice:

"Well, that's better!"

Dorothy and Z

The Blue Cross

The Secret Garden

The Queer Feet

The Flying Stars

The Invisible Man

The Honour of Israel Gow

The Wrong Shape

The Sins of Prince Saradine

The Hammer of God

The Eye of Apollo

The Sign of the Broken Sword

The Three Tools of Death

Another scholar would greet "the stranger," lead him around the room, and introduce him.

One day it was Abe's turn to do the introducing. He opened the door to find his best friend, Nat Grigsby, waiting outside. Nat bowed low, from the waist. Abe bowed. His buckskin trousers, already too short, slipped up still farther, showing several inches of his bare leg. He looked so solemn that some of the girls giggled. The schoolmaster frowned and pounded on his desk. The giggling stopped.

"Master Crawford," said Abe, "this here is Mr. Grigsby. His pa just moved to these parts. He figures on coming to your school."

Andrew Crawford rose and bowed. "Welcome," he said. "Mr. Lincoln, introduce Mr. Grigsby to the other scholars."

[Illustration]

The children sat on two long benches made of split logs. Abe led Nat down the length of the front bench. Each girl rose and made a curtsy. Nat bowed. Each boy rose and bowed. Nat returned the bow. Abe kept saying funny things under his breath that

little later I heard the stroke of oars, growing nearer and nearer, and the calls of a man. When he was very near I heard him crying, in vexed fashion, "Why in hell don't you sing out?" This meant me, I thought, and then the blankness and darkness rose over me.

CHAPTER II

I seemed swinging in a mighty rhythm through orbit vastness. Sparkling points of light spluttered and shot past me. They were stars, I knew, and flaring comets, that peopled my flight among the suns. As I reached the limit of my swing and prepared to rush back on the counter swing, a great gong struck and thundered. For an immeasurable period, lapped in the rippling of placid centuries, I enjoyed and pondered my tremendous flight.

But a change came over the face of the dream, for a dream I told myself it must be. My rhythm grew shorter and shorter. I was jerked from swing to counter swing with irritating haste. I could scarcely catch my breath, so fiercely

gates.

"What cart?" asked Bibot, roughly.

"Driven by an old hag. . . . A covered cart . . ."

"There were a dozen . . ."

"An old hag who said her son had the plague?"

"Yes . . ."

"You have not let them go?"

"MORBLEU!" said Bibot, whose purple cheeks had suddenly become white with fear.

"The cart contained the CI-DEVANT Comtesse de Tourney and her two children, all of them traitors and condemned to death." "And their driver?" muttered Bibot, as a superstitious shudder ran down his spine.

"SACRE TONNERRE," said the captain, "but it is feared that it was that accursed Englishman himself--the Scarlet Pimpernel."

CHAPTER II

DOVER: "THE FISHERMAN'S REST"

In the kitchen Sally was extremely busy--saucepans and frying-pans were standing in rows on the gigantic hearth, the huge stock-pot stood in a corner, and the jack turned with slow deliberation, and presented alternately to the glow

"So much pettiness," he explained; "so much intrigue! And really, when one has an idea--a novel, fertilising idea--I don't want to be uncharitable, but--"

I am a man who believes in impulses. I made what was perhaps a rash proposition. But you must remember, that I had been alone, play-writing in Lympne, for fourteen days, and my compunction for his ruined walk still hung about me. "Why not," said I, "make this your new habit? In the place of the one I spoilt? At least, until we can settle about the bungalow. What you want is to turn over your work in your mind. That you have always done during your afternoon walk. Unfortunately that's over--you can't get things back as they were. But why not come and talk about your work to me; use me as a sort of wall against which you may throw your thoughts and catch t