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- Author: Harry Vardon
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The stance for the brassy stroke (see Plate VI.) is generally the same as for the drive, and for reasons already stated my recommendation is that, so far as circumstances will permit,—we are not on the teeing ground when we are playing the brassy,—it should always be the same. If the player feels it to be desirable, he may stand an inch or two nearer to the ball, and perhaps as much behind the ball when he wishes to get well underneath so as to lift it up. The swing should be the same, save that more care should be taken to ensure the grip with the hands being quite tight, for as the club head comes into contact with the turf before taking the ball, the club may turn in the hands and cause a slice or pull unless perfect control be kept over it.
A more important question is, where and how to hit the ball. If it is lying fairly well, it is only necessary to skim the top of the turf and take it cleanly. There is no necessity in such a case, as is too often imagined by inexperienced players, to delve down into the turf so that the ball may be lifted up. If the stroke is played naturally, in the way I have indicated, the loft on the face of the brassy is quite sufficient to give the necessary amount of rise to the ball as it leaves the club. But if, as so often happens, the ball is just a trifle cupped, a different attitude must be adopted towards it. It is now desired that the club should come down to the turf about an inch behind the ball, and with this object in view the eyes should be directed to that point, but as in addressing the ball the said point may be covered by the head of the club, the sight should be set, not really on to the top of the club head, but to an imaginary spot just at the side of the ball, so that when the club is drawn back the turf and the point to look at come into full view and retain the attention of the eyes until the stroke has been made. When the club is swung down on to that spot, its head will plough through the turf and be well under the ball by the time it reaches it, and the desired rise will follow. Swing in the same manner as for the drive. The commonest fault in the playing of this stroke comes from the instinct of the player to try to scoop out the ball from its resting-place, and in obedience to this instinct down goes the right shoulder when the club is coming on to the ball. In the theory of the beginner this course of procedure may seem wise and proper, but he will inevitably be disappointed with the result, and in time he will come to realise that all attempts to scoop must fail. What the club cannot do in the ordinary way when pushed through the turf as I have indicated, cannot be done at all, and it is dangerous to the stroke and dangerous to one's game to trifle with the grand principles.
When the ball is really badly cupped, a moment must be given for inspection and consideration, for the situation is an awkward one. At the first glance an iron club is usually suggested, but there are many times when the golfer prefers to take the brassy if there is a reasonable chance of its proving effective. In a case of this sort the ordinary methods of brassy play must necessarily be departed from. What is wanted is a jabbing-out stroke, and to effect it properly the sight must be set (as before) and the club come down on a spot almost two inches behind the ball. There must be no timidity about hitting the ground or anxiety about the follow-through, for in this case the follow-through, as we have understood it so far, is next to an impossibility, and must not be sought for. In the upward swing the club should be taken out straighter than usual, that is to say, the club head should be kept more closely to the A line, and it should not be carried so far back as if an ordinary shot were being played. Obviously the club must be held with an absolutely firm grip, and for the proper execution of a shot like this the shaft should be exceptionally strong and stiff. If there is the least suggestion of whip in it the ball is not extricated in the same way, and moreover there is sometimes a danger of breaking a slender stick. However, if the golfer only carries one brassy in his bag—and the average player will seldom carry two—this stroke might as well be risked, when the necessity for it arises, with the brassy that is carried for all-round work.
Beyond these few observations there is little more to be said about simple brassy play, although it is so difficult to master thoroughly, so supremely important to a good game, and so full of variety and interest. In the use of no club is constant and strenuous practice better rewarded by improvement in play and strokes gained.
The man with the spoon is coming back again to the links, and this seems to be the most convenient opportunity for a few remarks on play with this club—the baffy, as it is frequently called. One rarely mentions the spoon without being reminded of the difficulty as to the nomenclature of golf which beset a certain Frenchman on his first introduction to the game. "They zay to me," he complained, "'Will you take ze tee?' and I answer, 'Ah, oui,' but they give me no tea, but make a leetle hill with the sand. Then they zay, 'Will you take the spoon?' They have give me no tea, but no matter. I answer again, 'Ah, oui, monsieur,' but they give no spoon either. So I give up the thought of the tea, and play with the new club that they do give to me." However, that is neither here nor there. The baffy, or spoon, is a very useful club, which at one time was a great favourite with many fine players, and if it has of late years been largely superseded by the cleek, it is still most valuable to those players who are not so skilful or reliable with this latter instrument as they would like to be. The baffy demands, for the achievement of such success as it can afford, a fairly good lie, and when this is given it is a tolerably easy club to play with. A good lie is essential because of its wooden head and long face, which prevent it from getting down to the ball when the latter is at all cupped, as the cleek would do, or as the brassy may be made to do when the jab shot is played. The baffy with its long face cannot be burrowed into the turf so easily, nor can it nick in between the ball and the side of the cup, but it makes a bridge over it, as it were, and thus takes the ball right on the top and moves it only a few yards. A cleek would take the turf and the ball and make a good hit. Therefore, when the lie is not reasonably perfect, the baffy is of little use, though in favourable circumstances it is a useful stick. The shaft should be slightly longer than that of the cleek, but appreciably shorter than that of the brassy, and it should be fairly stiff. Its face, as already remarked, is much longer than that of the brassy, and it is given several degrees more loft.
The method of play with the spoon is very much the same as with the brassy, with only such modifications as are apparently necessary. For example, the club being shorter, the feet will be placed slightly nearer to the ball; and although the baffy calls for a fairly long swing, the player will find that he is naturally indisposed to take the club head so far round to his back as he was with the other and longer wooden clubs. In other respects, the upward and downward swing, the grip, the follow-through, and everything else are the same. With many players the club is a particular favourite for the tee shot at short holes of, say, 140 to 160 yards length with a tolerably high bunker guarding the green—a type of hole very frequently encountered, and which simply calls for steady, sure play to get the bogey 3. The baffy does its work very well in circumstances of this kind, and the ball is brought up fairly quickly upon the green; but the man who is skilled with his irons will usually prefer one of them for the stroke, and will get the coveted 2 as often as the man with the spoon.
CHAPTER VIIISPECIAL STROKES WITH WOODEN CLUBS
The master stroke in golf—Intentional pulling and slicing—The contrariness of golf—When pulls and slices are needful—The stance for the slice—The upward swing—How the slice is made—The short sliced stroke—Great profits that result—Warnings against irregularities—How to pull a ball—The way to stand—The work of the right hand—A feature of the address—What makes a pull—Effect of wind on the flight of the ball—Greatly exaggerated notions—How wind increases the effect of slicing and pulling—Playing through a cross wind—The shot for a head wind—A special way of hitting the ball—A long low flight—When the wind comes from behind.
Which is the master stroke in golf? That is an engaging question. Is it the perfect drive, with every limb, muscle, and organ of the body working in splendid harmony with the result of despatching the ball well beyond two hundred yards in a straight line from the tee? No, it is not that, for there are some thousands of players who can drive what is to all intents and purposes a perfect ball without any unusual effort. Is it the brassy shot which is equal to a splendid drive, and which, delivering the ball in safety over the last hazard, places it nicely upon the green, absolving the golfer from the necessity of playing any other approach? No, though that is a most creditable achievement. Is it the approach over a threatening bunker on to a difficult green where the ball can
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