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Robert R. Livingston to John Stevens “Albany, 11th March, 1812.
“I did not, till yesterday, receive yours of the 5th of February; where it has loitered on the road I am at a loss to say. I had before read your very ingenious propositions as to the railway communication. I fear, however, on mature reflection, that they will be liable to serious objections, and ultimately more expensive than a canal. They must be double, so as to prevent the danger of two such heavy bodies meeting. The walls on which they are placed must at least be four feet below the surface, and three above, and must be clamped with iron, and even then, would hardly sustain so heavy a weight as you propose moving at the rate of four miles an hour on wheels. As to wood, it would not last a week; they must be covered with iron, and that too very thick and strong. The means of stopping these heavy carriages without a great shock, and of preventing them from running upon each other (for there would be many on the road at once) would be very difficult. In case of accidental stops, or the necessary stops to take wood and water &c many accidents would happen. The carriage of condensed water would be very troublesome. Upon the whole, I fear the expense would be much greater than that of canals, without being so convenient.”*
* John Stevens, “Documents Tending to Prove the Superior Advantages of RailWays and Steam-Carriages over Canal Navigation” (1819). Reprinted in “The Magazine of History with Notes and Queries”, Extra Number 54 (1917).
Stevens, of course, could not convince the commissioners. “The Communication from John Stevens, Esq.,” was referred to a committee, who reported in March: “That they have considered the said communication with the attention due to a gentleman whose scientific researches and knowledge of mechanical powers entitle his opinions to great respect, and are sorry not to concur in them.”
Stevens, however, kept up the fight. He published all the correspondence, hoping to get aid from Congress for his design, and spread his propaganda far and wide. But the War of 1812 soon absorbed the attention of the country. Then came the Erie Canal, completed in 1825, and the extension into the Northwest of the great Cumberland Road. From St. Louis steamboats churned their way up the Missouri, connecting with the Santa Fe Trail to the Southwest and the Oregon Trail to the far Northwest. Horses, mules, and oxen carried the overland travelers, and none yet dreamed of being carried on the land by steam.
Back East, however, and across the sea in England, there were a few dreamers. Railways of wooden rails, sometimes covered with iron, on which wagons were drawn by horses, were common in Great Britain; some were in use very early in America. And on these railways, or tramways, men were now experimenting with steam, trying to harness it to do the work of horses. In England, Trevithick, Blenkinsop, Ericsson, Stephenson, and others; in America, John Stevens, now an old man but persistent in his plans as ever and with able sons to help him, had erected a circular railway at Hoboken as early as 1826, on which he ran a locomotive at the rate of twelve miles an hour. Then in 1828 Horatio Allen, of the Delaware and Hudson Canal Company, went over to England and brought back with him the Stourbridge Lion. This locomotive, though it was not a success in practice, appears to have been the first to turn a wheel on a regular railway within the United States. It was a seven days’ wonder in New York when it arrived in May, 1829. Then Allen shipped it to Honesdale, Pennsylvania, where the Delaware and Hudson Canal Company had a tramway to bring down coal from the mountains to the terminal of the canal.
On the crude wooden rails of this tramway Allen placed the Stourbridge Lion and ran it successfully at the rate of ten miles an hour. But in actual service the Stourbridge Lion failed and was soon dismantled.
Pass now to Rainhill, England, and witness the birth of the modern locomotive, after all these years of labor. In the same year of 1829, on the morning of the 6th of October, a great crowd had assembled to see an extraordinary race—a race, in fact, without any parallel or precedent whatsoever. There were four entries but one dropped out, leaving three: The Novelty, John Braithwaite and John Ericsson; The Sanspareil, Timothy Hackworth; The Rocket, George and Robert Stephenson. These were not horses; they were locomotives. The directors of the London and Manchester Railway had offered a prize of five hundred pounds for the best locomotive, and here they were to try the issue.
The contest resulted in the triumph of Stephenson’s Rocket. The others fell early out of the race. The Rocket alone met all the requirements and won the prize. So it happened that George Stephenson came into fame and has ever since lived in popular memory as the father of the locomotive. There was nothing new in his Rocket, except his own workmanship. Like Robert Fulton, he appears to have succeeded where others failed because he was a sounder engineer, or a better combiner of sound principles into a working, whole, than any of his rivals.
Across the Atlantic came the news of Stephenson’s remarkable success. And by this time railroads were beginning in various parts of the United States: the Mohawk and Hudson, from Albany to Schenectady; the Baltimore and Ohio; the Charleston and Hamburg in South Carolina; the Camden and Amboy, across New Jersey.
Horses, mules, and even sails, furnished the power for these early railroads. It can be imagined with what interest the owners of these roads heard that at last a practicable locomotive was running in England.
This news stimulated the directors of the Baltimore and Ohio to try the locomotive. They had not far to go for an experiment, for Peter Cooper, proprietor of the Canton Iron Works in Baltimore, had already designed a small locomotive, the Tom Thumb. This was placed on trial in August, 1830, and is supposed to have been the first American-built locomotive to do work on rails, though nearly coincident with it was the Best Friend of Charleston, built by the West Point Foundry, New York, for the Charleston and Hamburg Railroad. It is often difficult, as we have seen, to say which of two or several things was first. It appears as though the little Tom Thumb was the first engine built in America, which actually pulled weight on a regular railway, while the much larger Best Friend was the first to haul cars in regular daily service.
The West Point Foundry followed its first success with the West Point, which also went into service on the Charleston and Hamburg Railroad, and then built for the newly finished Mohawk and Hudson (the first link in the New York Central Lines) the historic De Witt Clinton. This primitive locomotive and the cars it drew may be seen today in the Grand Central Station in New York.
Meanwhile, the Stevens brothers, sons of John Stevens, were engaged in the construction of the Camden and Amboy Railroad. The first locomotive to operate on this road was built in England by George Stephenson. This was the John Bull, which arrived in the summer of 1831 and at once went to work. The John Bull was a complete success and had a distinguished career. Sixty-two years old, in 1893, it went to Chicago, to the Columbian Exposition, under its own steam. The John Bull occupies a place today in the National Museum at Washington.
With the locomotive definitely accepted, men began to turn their minds towards its improvement and development, and locomotive building soon became a leading industry in America. At first the British types and patterns were followed, but it was not long before American designers began to depart from the British models and to evolve a distinctively American type. In the development of this type great names have been written into the industrial history of America, among which the name of Matthias Baldwin of Philadelphia probably ranks first. But there have been hundreds of great workers in this field. From Stephenson’s Rocket and the little Tom Thumb of Peter Cooper, to the powerful “Mallets” of today, is a long distance—not spanned in ninety years save by the genius and restless toil of countless brains and hands.
If the locomotive could not remain as it was left by Stephenson and Cooper, neither could the stationary steam engine remain as it was left by James Watt and Oliver Evans. Demands increasing and again increasing, year after year, forced the steam engine to grow in order to meet its responsibilities. There were men living in Philadelphia in 1876, who had known Oliver Evans personally; at least one old man at the Centennial Exhibition had himself seen the Oruktor Amphibolos and recalled the consternation it had caused on the streets of the city in 1804. It seemed a far cry back to the Oruktor from the great and beautiful engine, designed by George Henry Corliss, which was then moving all the vast machinery of the Centennial Exhibition. But since then achievements in steam have dwarfed even the great work of Corliss. And to do a kind of herculean task that was hardly dreamed of in 1876 another type of engine has made its entrance: the steam turbine, which sends its awful energy, transformed into electric current, to light a million lamps or to turn ten thousand wheels on distant streets and highways.
CHAPTER IV. SPINDLE, LOOM, AND NEEDLE IN NEW ENGLAND
The major steps in the manufacture of clothes are four: first to harvest and clean the fiber or wool; second, to card it and spin it into threads; third, to weave the threads into cloth; and, finally to fashion and sew the cloth into clothes. We have already seen the influence of Eli Whitney’s cotton gin on the first process, and the series of inventions for spinning and weaving, which so profoundly changed the textile industry in Great Britain, has been mentioned. It will be the business of this chapter to tell how spinning and weaving machinery was introduced into the United States and how a Yankee inventor laid the keystone of the arch of clothing machinery by his invention of the sewing machine.
Great Britain was determined to keep to herself the industrial secrets she had gained. According to the economic beliefs of the eighteenth century, which gave place but slowly to the doctrines of Adam Smith, monopoly rather than cheap production was the road to success. The laws therefore forbade the export of English machinery or drawings and specifications by which machines might be constructed in other countries. Some men saw a vast prosperity for Great Britain, if only the mystery might be preserved.
Meanwhile the stories of what these machines could do excited envy in other countries, where men desired to share in the industrial gains. And, even before Eli Whitney’s cotton gin came to provide an abundant supply of raw material, some Americans were struggling to improve the old hand loom, found in every house, and to make some sort of a spinning machine to replace the spinning wheel by which one thread at a time was laboriously spun.
East Bridgewater, Massachusetts, was the scene of one of the earliest of these experiments. There in 1786 two Scotchmen, who claimed to understand Arkwright’s mechanism, were employed to make spinning machines, and about the same time another attempt was made at Beverly. In
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