Critical and Historical Essays - Volume 2 by Thomas Babington Macaulay (classic fiction txt) 📖

timid, young orphan; a coarse sea captain; an ugly insolent fop, blazing in a superb court dress; another fop, as ugly and as insolent, but lodged on Snow Hill, and tricked out in second-hand finery for the Hampstead ball; an old woman, all wrinkles and rouge, flirting her fan with the air of a miss of seventeen, and screaming in a dialect made up of vulgar French and vulgar English; a poet lean and ragged, with a broad Scotch accent. By degrees these shadows acquired stronger and stronger consistence; the impulse which urged Frances to write became irresistible; and the result was the History of Evelina.

Then came, naturally enough, a wish, mingled with many fears, to appear before the public; for, timid as Frances was, and bashful, and altogether unaccustomed to hear her own praises, it is clear that she wanted neither a strong passion for distinction, nor a just confidence in her own powers. Her scheme was to become, if possible, a candidate for fame, without running any risk of disgrace. She had not money to bear the expense of printing. It was therefore necessary that some bookseller should be induced to take the risk; and such a bookseller was not readily found. Dodsley refused even to look at the manuscript unless he were intrusted with the name of the author. A publisher in Fleet Street, named Lowndes, was more complaisant. Some correspondence took place between this person and Miss Burney, who took the name of Grafton, and desired that the letters addressed to her might be left at the Orange Coffee-house. But, before the bargain was finally struck, Fanny thought it her duty to obtain her father's consent. She told him that she had written a book, that she wished to have his permission to publish it anonymously, but that she hoped that he would not insist upon seeing it. What followed may serve to illustrate what we meant when we said that Dr. Burney was as bad a father as so good-hearted a man could possibly be. It never seems to have crossed his mind that Fanny was about to take a step on which the whole happiness of her life might depend, a step which might raise her to an honourable eminence, or cover her with ridicule and contempt. Several people had already been trusted, and strict concealment was therefore not to be expected. On so grave an occasion, it was surely his duty to give his best counsel to his daughter, to win her confidence, to prevent her from exposing herself if her book were a bad one, and, if it were a good one, to see that the terms which she had made with the publisher were likely to be beneficial to her. Instead of this, he only stared, burst out a- laughing, kissed her, gave her leave to do as she liked, and never even asked the name of her work. The contract with Lowndes was speedily concluded. Twenty pounds were given for the copyright, and were accepted by Fanny with delight. Her father's inexcusable neglect of his duty happily caused her no worse evil than the loss of twelve or fifteen hundred pounds.

After many delays Evelina appeared in January 1778. Poor Fanny was sick with terror, and durst hardly stir out of doors. Some days passed before anything was heard of the book. It had, indeed, nothing but its own merits to push it into public favour. Its author was unknown. The house by which it was published was not, we believe, held in high estimation. No body of partisans had been engaged to applaud. The better class of readers expected little from a novel about a young lady's entrance into the world. There was, indeed, at that time a disposition among the most respectable people to condemn novels generally: nor was this disposition by any means without excuse; for works of that sort were then almost always silly, and very frequently wicked.

Soon, however, the first faint accents of praise began to be heard. The keepers of the circulating libraries reported that everybody was asking for Evelina, and that some person had guessed Anstey to be the author. Then came a favourable notice in the London Review; then another still more favourable in the Monthly. And now the book found its way to tables which had seldom been polluted by marble-covered volumes. Scholars and statesmen, who contemptuously abandoned the crowd of romances to Miss Lydia Languish and Miss Sukey Saunter, were not ashamed to own that they could not tear themselves away from Evelina. Fine carriages and rich liveries, not often seen east of Temple Bar, were attracted to the publisher's shop in Fleet Street. Lowndes was daily questioned about the author, but was himself as much in the dark as any of the questioners. The mystery, however, could not remain a mystery long. It was known to brothers and sisters, aunts and cousins: and they were far too proud and too happy to be discreet. Dr. Burney wept over the book in rapture. Daddy Crisp shook his fist at his Fannikin in affectionate anger at not having been admitted to her confidence. The truth was whispered to Mrs. Thrale; and then it began to spread fast.

The book had been admired while it was ascribed to men of letters long conversant with the world, and accustomed to composition. But when it was known that a reserved, silent young woman had produced the best work of fiction that had appeared since the death of Smollett, the acclamations were redoubled. What she had done was, indeed, extraordinary. But, as usual, various reports improved the story till it became miraculous. Evelina, it was said, was the work of a girl of seventeen. Incredible as this tale was, it continued to be repeated down to our own time. Frances was too honest to confirm it. Probably she was too much a woman to contradict it; and it was long before any of her detractors thought of this mode of annoyance. Yet there was no want of low minds and bad hearts in the generation which witnessed her first appearance. There was the envious Kenrick and the savage Wolcot, the asp George Steevens, and the polecat John Williams. It did not, however, occur to them to search the parish register of Lynn, in order that they might be able to twit a lady with having concealed her age. That truly chivalrous exploit was reserved for a bad writer of our own time, whose spite she had provoked by not furnishing him with materials for a worthless edition of Boswell's Life of Johnson, some sheets of which our readers have doubtless seen round parcels of better books.

But we must return to our story. The triumph was complete. The timid and obscure girl found herself on the highest pinnacle of fame. Great men, on whom she had gazed at a distance with humble reverence, addressed her with admiration, tempered by the tenderness due to her sex and age. Burke, Windham, Gibbon, Reynolds, Sheridan, were among her most ardent eulogists. Cumberland acknowledged her merit, after his fashion, by biting his lips and wriggling in his chair whenever her name was mentioned. But it was at Streatham that she tasted, in the highest perfection, the sweets of flattery, mingled with the sweets of friendship. Mrs. Thrale, then at the height of prosperity and popularity, with gay spirits, quick wit, showy though superficial acquirements, pleasing though not refined manners, a singularly amiable temper, and a loving heart, felt towards Fanny as towards a younger sister. With the Thrales Johnson was domesticated. He was an old friend of Dr. Burney; but he had probably taken little notice of Dr. Burney's daughters, and Fanny, we imagine, had never in her life dared to speak to him, unless to ask whether he wanted a nineteenth or a twentieth cup of tea. He was charmed by her tale, and preferred it to the novels of Fielding, to whom, indeed, he had always been grossly unjust. He did not, indeed, carry his partiality so far as to place Evelina by the side of Clarissa and Sir Charles Grandison; yet he said that his little favourite had done enough to have made even Richardson feel uneasy. With Johnson's cordial approbation of the book was mingled a fondness, half gallant half paternal, for the writer; and this fondness his age and character entitled him to show without restraint. He began by putting her hand to his lips. But he soon clasped her in his huge arms, and implored her to be a good girl. She was his pet, his dear love, his dear little Burney, his little character-monger. At one time, he broke forth in praise of the good taste of her caps. At another time he insisted on teaching her Latin. That, with all his coarseness and irritability, he was a man of sterling benevolence, has long been acknowledged. But how gentle and endearing his deportment could be, was not known till the Recollections of Madame D'Arblay were published.

We have mentioned a few of the most eminent of those who paid their homage to the author of Evelina. The crowd of inferior admirers would require a catalogue as long as that in the second book of the Iliad. In that catalogue would be Mrs. Cholmondeley, the sayer of odd things, and Seward, much given to yawning, and Baretti, who slew the man in the Haymarket, and Paoli, talking broken English, and Langton, taller by the head than any other member of the club, and Lady Millar, who kept a vase wherein fools were wont to put bad verses, and Jerningham who wrote verses fit to be put into the vase of Lady Millar, and Dr. Franklin, not, as some have dreamed, the great Pennsylvanian Dr. Franklin, who could not then have paid his respects to Miss Burney without much risk of being hanged, drawn and quartered, but Dr. Franklin the less,

Aias Meion outi todos ge dsos Telamonios Aias Alla polu meion.

It would not have been surprising if such success had turned even a strong head, and corrupted even a generous and affectionate nature. But, in the Diary, we can find no trace of any feeling inconsistent with a truly modest and amiable disposition. There is, indeed, abundant proof that Frances enjoyed with an intense, though a troubled joy, the honours which her genius had won; but it is equally clear that her happiness sprang from the happiness of her father, her sister, and her dear Daddy Crisp. While flattered by the great, the opulent, and the learned, while followed along the Steyne at Brighton, and the Pantiles at Tunbridge Wells, by the gaze of admiring crowds, her heart seems to have been still with the little domestic circle in Saint Martin's Street. If she recorded with minute diligence all the compliments, delicate and coarse, which she heard wherever she turned, she recorded them for the eyes of two or three persons who had loved her from infancy, who had loved her in obscurity, and to whom her fame gave the purest and most exquisite delight. Nothing can be more unjust than to confound these outpourings of a kind heart, sure of perfect sympathy, with the egotism of a bluestocking, who prates to all who come near her about her own novel or her own volume of sonnets.

It was natural that the triumphant issue of Miss Burney's first venture should tempt her to try a second. Evelina, though it had raised her fame, had added nothing to her fortune. Some of her friends urged her to write for the stage. Johnson promised to give her his advice as to the composition. Murphy, who was supposed to understand the temper of the pit as well as any man of his time, undertook to instruct her as to stage effect. Sheridan declared that