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the practical wisdom of the inner life, and the stanza which I quote has a certain Wordsworthian flavour about it. It will not make a complete sentence, but must yet stand by itself:

Knowing the heart of man is set to be
The centre of this world, about the which
These revolutions of disturbances
Still roll; where all th' aspects of misery
Predominate; whose strong effects are such
As he must bear, being powerless to redress;
And that unless above himself he can
Erect himself, how poor a thing is man!

Later in the decade, comes Sir Henry Wotton. It will be seen that I have arranged my singers with reference to their birth, not to the point of time at which this or that poem was written or published. The poetic influences which work on the shaping fantasy are chiefly felt in youth, and hence the predominant mode of a poet's utterance will be determined by what and where and amongst whom he was during that season. The kinds of the various poems will therefore probably fall into natural sequence rather after the dates of the youth of the writers than after the years in which they were written.

Wotton was better known in his day as a politician than as a poet, and chiefly in ours as the subject of one of Izaak Walton's biographies. Something of artistic instinct, rather than finish, is evident in his verses. Here is the best and the best-known of the few poems recognized as his:


THE CHARACTER OF A HAPPY LIFE.

How happy is he born and taught,
That serveth not another's will;
Whose armour is his honest thought,
And silly truth his highest skill;

Whose passions not his masters are;
Whose soul is still prepared for death,
Untiéd to the world with care
Of prince's grace or vulgar breath;

Who hath his life from humours freed;
Whose conscience is his strong retreat;
Whose state can neither flatterers feed,
Nor ruin make accusers great;

Who envieth none whom chance doth raise
Or vice; who never understood
How swords give slighter wounds than praise.
Nor rules of state, but rules of good;

Who God doth late and early pray
More of his grace than gifts to lend;
And entertains the harmless day
With a well-chosen book or friend.

This man is free from servile bands
Of hope to rise, or fear to fall:
Lord of himself, though not of lands
And having nothing, yet hath all.

Some of my readers will observe that in many places I have given a reading different from that in the best-known copy of the poem. I have followed a manuscript in the handwriting of Ben Jonson.[70] I cannot tell whether Jonson has put the master's hand to the amateur's work, but in every case I find his reading the best.

Sir John Davies must have been about fifteen years younger than Sir Fulk Grevill. He was born in 1570, was bred a barrister, and rose to high position through the favour of James I.-gained, it is said, by the poem which the author called Nosce Teipsum ,[71] but which is generally entitled On the Immortality of the Soul , intending by immortality the spiritual nature of the soul, resulting in continuity of existence. It is a wonderful instance of what can be done for metaphysics in verse, and by means of imagination or poetic embodiment generally. Argumentation cannot of course naturally belong to the region of poetry, however well it may comport itself when there naturalized; and consequently, although there are most poetic no less than profound passages in the treatise, a light scruple arises whether its constituent matter can properly be called poetry. At all events, however, certain of the more prosaic measures and stanzas lend themselves readily, and with much favour, to some of the more complex of logical necessities. And it must be remembered that in human speech, as in the human mind, there are no absolute divisions: power shades off into feeling; and the driest logic may find the heroic couplet render it good service.

Sir John Davies's treatise is not only far more poetic in image and utterance than that of Lord Brooke, but is far more clear in argument and firm in expression as well. Here is a fine invocation:

O Light, which mak'st the light which makes the day!
Which sett'st the eye without, and mind within;
Lighten my spirit with one clear heavenly ray,
Which now to view itself doth first begin.

* * * * *

Thou, like the sun, dost, with an equal ray,
Into the palace and the cottage shine;
And show'st the soul both to the clerk and lay, learned and
By the clear lamp of th' oracle divine. [unlearned

He is puzzled enough to get the theology of his time into harmony with his philosophy, and I cannot say that he is always triumphant in the attempt; but here at least is good argument in justification of the freedom of man to sin.

If by His word he had the current stayed
Of Adam's will, which was by nature free,
It had been one as if his word had said,
"I will henceforth that Man no Man shall be."

* * * * *

For what is Man without a moving mind,
Which hath a judging wit, and choosing will?
Now, if God's pow'r should her election bind,
Her motions then would cease, and stand all still.

* * * * *

So that if Man would be unvariable,
He must be God, or like a rock or tree;
For ev'n the perfect angels were not stable,
But had a fall more desperate than we.

The poem contains much excellent argument in mental science as well as in religion and metaphysics; but with that department I have nothing to do.

I shall now give an outlook from the highest peak of the poem-to any who are willing to take the trouble necessary for seeing what another would show them.

The section from which I have gathered the following stanzas is devoted to the more immediate proof of the soul's immortality.

Her only end is never-ending bliss,
Which is the eternal face of God to see,
Who last of ends and first of causes is;
And to do this, she must eternal be.

Again, how can she but immortal be,
When with the motions of both will and wit,
She still aspireth to eternity,
And never rests till she attains to it?

Water in conduit-pipes can rise no higher
Than the well-head from whence it first doth spring;
Then since to eternal God she doth aspire,
She cannot but be an eternal thing.

At first her mother-earth she holdeth dear,
And doth embrace the world and worldly things;
She flies close by the ground, and hovers here,
And mounts not up with her celestial wings.

Yet under heaven she cannot light on ought
That with her heavenly nature doth agree
She cannot rest, she cannot fix her thought,
She cannot in this world contented be.

For who did ever yet, in honour, wealth,
Or pleasure of the sense, contentment find?
Whoever ceased to wish, when he had health
Or having wisdom, was not vexed in mind

Then as a bee, which among weeds doth fall,
Which seem sweet flowers, with lustre fresh and gay-
She lights on that, and this, and tasteth all,
But, pleased with none, doth rise, and soar away;

So, when the soul finds here no true content,
And, like Noah's dove, can no sure footing take,
She doth return from whence she first was sent,
And flies to him that first her wings did make.

Wit, seeking truth, from cause to cause ascends,
And never rests till it the first attain;
Will, seeking good, finds many middle ends,
But never stays till it the last do gain.

Now God the truth, and first of causes is;
God is the last good end, which lasteth still;
Being Alpha and Omega named for this:
Alpha to wit, Omega to the will.

Since then her heavenly kind she doth display
In that to God she doth directly move,
And on no mortal thing can make her stay,
She cannot be from hence, but from above.

One passage more, the conclusion and practical summing up of the whole:

O ignorant poor man! what dost thou bear,
Locked up within the casket of thy breast?
What jewels and what riches hast thou there!
What heavenly treasure in so weak a chest!

Think of her worth, and think that God did mean
This worthy mind should worthy things embrace:
Blot not her beauties with thy thoughts unclean,
Nor her dishonour with thy passion base.

Kill not her quickening power with surfeitings;
Mar not her sense with sensuality;
Cast not her serious wit on idle things;
Make not her free-will slave to vanity.

And when thou think'st of her eternity,
Think not that death against our nature is;
Think
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