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he considered his just right to the realm, he was also half distracted at the thought of his sister's disgraceful connection with Caesar. His excitement and distress, and the exertions and efforts to which they aroused him, awakened a strong sympathy in his cause among the people, and Caesar found himself involved in a very serious contest, in which his own life was brought repeatedly into the most imminent danger, and which seriously threatened the total destruction of his power. He, however, braved all the difficulty and dangers, and recklessly persisted in the course he had taken, under the influence of the infatuation in which his attachment to Cleopatra held him, as by a spell.

The Pharos.
Great splendor of the Pharos.

The war in which Caesar was thus involved by his efforts to give Cleopatra a seat with her brother on the Egyptian throne, is called in history the Alexandrine war. It was marked by many strange and romantic incidents. There was a light-house, called the Pharos, on a small island opposite the harbor of Alexandria, and it was so famed, both on account of the great magnificence of the edifice itself, and also on account of its position at the entrance to the greatest commercial port in the world, that it has given its name, as a generic appellation, to all other structures of the kind--any light-house being now called a Pharos, just as any serious difficulty is called a Gordian knot. The Pharos was a lofty tower--the accounts say that it was five hundred feet in height, which would be an enormous elevation for such a structure--and in a lantern at the top a brilliant light was kept constantly burning, which could be seen over the water for a hundred miles. The tower was built in several successive stories, each being ornamented with balustrades, galleries, and columns, so that the splendor of the architecture by day rivaled the brilliancy of the radiation which beamed from the summit by night. Far and wide over the stormy waters of the Mediterranean this meteor glowed, inviting and guiding the mariners in; and both its welcome and its guidance were doubly prized in those ancient days, when there was neither compass nor sextant on which they could rely. In the course of the contest with the Egyptians, Caesar took possession of the Pharos, and of the island on which it stood; and as the Pharos was then regarded as one of the seven wonders of the world, the fame of the exploit, though it was probably nothing remarkable in a military point of view, spread rapidly throughout the world.

It is captured by Caesar.

And yet, though the capture of a light-house was no very extraordinary conquest, in the course of the contests on the harbor which were connected with it Caesar had a very narrow escape from death. In all such struggles he was accustomed always to take personally his full share of the exposure and the danger. This resulted in part from the natural impetuosity and ardor of his character, which were always aroused to double intensity of action by the excitement of battle, and partly from the ideas of the military duty of a commander which prevailed in those days. There was besides, in this case, an additional inducement to acquire the glory of extraordinary exploits, in Caesar's desire to be the object of Cleopatra's admiration, who watched all his movements, and who was doubly pleased with his prowess and bravery, since she saw that they were exercised for her sake and in her cause.

Situation of the Pharos.
Caesar's personal danger.
Caesar's narrow escape.

The Pharos was built upon an island, which was connected by a pier or bridge with the main land. In the course of the attack upon this bridge, Caesar, with a party of his followers, got driven back and hemmed in by a body of the enemy that surrounded them, in such a place that the only mode of escape seemed to be by a boat, which might take them to a neighboring galley. They began, therefore, all to crowd into the boat in confusion, and so overloaded it that it was obviously in imminent danger of being upset or of sinking. The upsetting or sinking of an overloaded boat brings almost certain destruction upon most of the passengers, whether swimmers or not, as they seize each other in their terror, and go down inextricably entangled together, each held by the others in the convulsive grasp with which drowning men always cling to whatever is within their reach. Caesar, anticipating this danger, leaped over into the sea and swam to the ship. He had some papers in his hand at the time--plans, perhaps, of the works which he was assailing. These he held above the water with his left hand, while he swam with the right. And to save his purple cloak or mantle, the emblem of his imperial dignity, which he supposed the enemy would eagerly seek to obtain as a trophy, he seized it by a corner between his teeth, and drew it after him through the water as he swam toward the galley. The boat which he thus escaped from soon after went down, with all on board.

The Alexandrian library.
Burning of the Alexandrian library.

During the progress of this Alexandrine war one great disaster occurred, which has given to the contest a most melancholy celebrity in all subsequent ages: this disaster was the destruction of the Alexandrian library. The Egyptians were celebrated for their learning, and, under the munificent patronage of some of their kings, the learned men of Alexandria had made an enormous collection of writings, which were inscribed, as was the custom in those days, on parchment rolls. The number of the rolls or volumes was said to be seven hundred thousand; and when we consider that each one was written with great care, in beautiful characters, with a pen, and at a vast expense, it is not surprising that the collection was the admiration of the world. In fact, the whole body of ancient literature was there recorded. Caesar set fire to some Egyptian galleys, which lay so near the shore that the wind blew the sparks and flames upon the buildings on the quay. The fire spread among the palaces and other magnificent edifices of that part of the city, and one of the great buildings in which the library was stored was reached and destroyed. There was no other such collection in the world; and the consequence of this calamity has been, that it is only detached and insulated fragments of ancient literature and science that have come down to our times. The world will never cease to mourn the irreparable loss.

Caesar returns to Rome.

Notwithstanding the various untoward incidents which attended the war in Alexandria during its progress, Caesar, as usual, conquered in the end. The young king Ptolemy was defeated, and, in attempting to make his escape across a branch of the Nile, he was drowned. Caesar then finally settled the kingdom upon Cleopatra and a younger brother, and, after remaining for some time longer in Egypt, he set out on his return to Rome.

Cleopatra's Barge.
Cleopatra's Barge.


Subsequent adventures of Cleopatra.

The subsequent adventures of Cleopatra were as romantic as to have given her name a very wide celebrity. The lives of the virtuous pass smoothly and happily away, but the tale, when told to others, possesses but little interest or attraction; while those of the wicked, whose days are spent in wretchedness and despair, and are thus full of misery to the actors themselves, afford to the rest of mankind a high degree of pleasure, from the dramatic interest of the story.

Her splendid barge.
Anthony and Octavius.
Death of Cleopatra.

Cleopatra led a life of splendid sin, and, of course, of splendid misery. She visited Caesar in Rome after his return thither. Caesar received her magnificently, and paid her all possible honors; but the people of Rome regarded her with strong reprobation. When her young brother, whom Caesar had made her partner on the throne, was old enough to claim his share, she poisoned him. After Caesar's death, she went from Alexandria to Syria to meet Antony, one of Caesar's successors, in a galley or barge, which was so rich, so splendid, so magnificently furnished and adorned, that it was famed throughout the world as Cleopatra's barge. A great many beautiful vessels have since been called by the same name. Cleopatra connected herself with Antony, who became infatuated with her beauty and her various charms as Caesar had been. After a great variety of romantic adventures, Antony was defeated in battle by his great rival Octavius, and, supposing that he had been betrayed by Cleopatra, he pursued her to Egypt, intending to kill her. She hid herself in a sepulcher, spreading a report that she had committed suicide, and then Antony stabbed himself in a fit of remorse and despair. Before he died, he learned that Cleopatra was alive, and he caused himself to be carried into her presence and died in her arms. Cleopatra then fell into the hands of Octavius, who intended to carry her to Rome to grace his triumph. To save herself from this humiliation, and weary with a life which, full of sin as it had been, was a constant series of sufferings, she determined to die. A servant brought in an asp for her, concealed in a vase of flowers, at a great banquet. She laid the poisonous reptile on her naked arm, and died immediately of the bite which it inflicted.





CHAPTER X. CAESAR IMPERATOR.

Caesar again at Rome.
Combinations against him.
Veni, vidi, vici.

Although Pompey himself had been killed, and the army under his immediate command entirely annihilated, Caesar did not find that the empire was yet completely submissive to his sway. As the tidings of his conquests spread over the vast and distant regions which were under the Roman rule--although the story itself of his exploits might have been exaggerated--the impression produced by his power lost something of its strength, as men generally have little dread of remote danger. While he was in Egypt, there were three great concentrations of power formed against him in other quarters of the globe: in Asia Minor, in Africa, and in Spain. In putting down these three great and formidable arrays of opposition, Caesar made an exhibition to the world of that astonishing promptness and celerity of military action on which his fame as a general so much depends. He went first to Asia Minor, and fought a great and decisive battle there, in a manner so sudden and unexpected to the forces that opposed him that they found themselves defeated almost before they suspected that their enemy was near. It was in reference to this battle that he wrote the inscription for the banner, "Veni, vidi, vici" The words may be rendered in English, "I came, looked, and conquered," though the peculiar force of the expression, as well as the alliteration, is lost in any attempt to translate it.

Caesar made dictator.

In the mean time, Caesar's prosperity and success had greatly strengthened his cause at Rome. Rome was supported in a great measure by the contributions brought home from the provinces by the various military heroes who were sent out to govern them; and, of course, the greater and more successful was the conqueror, the better was he qualified for stations of highest authority in the estimation of the inhabitants of the city. They made Caesar dictator even while he was away, and appointed Mark Antony his master of horse. This was the same Antony whom we have already mentioned as having been connected with Cleopatra after Caesar's death. Rome, in fact, was filled with the fame of Caesar's exploits, and, as he crossed the Adriatic and advanced toward the city, he found himself the object of universal admiration and applause.

Opposition of Cato.
Pompey's sons.

But he could not yet be contented to

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