Alexander the Great by Jacob Abbott (books under 200 pages txt) 📖
- Author: Jacob Abbott
- Performer: -
Book online «Alexander the Great by Jacob Abbott (books under 200 pages txt) 📖». Author Jacob Abbott
Phocion.
When, therefore, the rumor arrived at Athens—for at first it was a mere rumor—that Alexander was dead in Babylon, the whole city was thrown into a state of the most tumultuous joy. The citizens assembled in the public places, and congratulated and harangued each other with expressions of the greatest exultation. They were for proclaiming their independence and declaring war against Macedon on the spot. Some of the older and more sagacious of their counselors were, however, more composed and calm. They recommended a little delay, in order to see whether the news was really true. Phocion, in particular, who was one of the prominent statesmen of the city, endeavored to quiet the excitement of the people. "Do not let us be so precipitate," said he. "There is time enough. If Alexander is really dead to-day, he will be dead to-morrow, and the next day, so that there will be time enough for us to act with deliberation and discretion."
Just and true as this view of the subject was, there was too much of rebuke and satire in it to have much influence with those to whom it was addressed. The people were resolved on war. They sent commissioners into all the states of the Peloponnesus to organize a league, offensive and defensive, against Macedon. They recalled Demosthenes from his banishment, and adopted all the necessary military measures for establishing and maintaining their freedom. The consequences of all this would doubtless have been very serious, if the rumor of Alexander's death had proved false; but, fortunately for Demosthenes and the Athenians, it was soon abundantly confirmed.
Grand reception of Demosthenes.
The return of Demosthenes to the city was like the triumphal entry of a conqueror. At the time of his recall he was at the island of Ægina, which is about forty miles southwest of Athens, in one of the gulfs of the Ægean Sea. They sent a public galley to receive him, and to bring him to the land. It was a galley of three banks of oars, and was fitted up in a style to do honor to a public guest. Athens is situated some distance back from the sea, and has a small port, called the Piræus, at the shore—a long, straight avenue leading from the port to the city. The galley by which Demosthenes was conveyed landed at the Piræus. All the civil and religious authorities of the city went down to the port, in a grand procession, to receive and welcome the exile on his arrival, and a large portion of the population followed in the train, to witness the spectacle, and to swell by their acclamations the general expression of joy.
Destination of Alexander's body.
In the mean time, the preparations for Alexander's funeral had been going on, upon a great scale of magnificence and splendor. It was two years before they were complete. The body had been given, first, to be embalmed, according to the Egyptian and Chaldean art, and then had been placed in a sort of sarcophagus, in which it was to be conveyed to its long home. Alexander, it will be remembered, had given directions that it should be taken to the temple of Jupiter Ammon, in the Egyptian oasis, where he had been pronounced the son of a god. It would seem incredible that such a mind as his could really admit such an absurd superstition as the story of his divine origin, and we must therefore suppose that he gave this direction in order that the place of his interment might confirm the idea of his superhuman nature in the general opinion of mankind. At all events, such were his orders, and the authorities who were left in power at Babylon after his death, prepared to execute them.
It was a long journey. To convey a body by a regular funeral procession, formed as soon after the death as the arrangements could be made, from Babylon to the eastern frontiers of Egypt, a distance of a thousand miles, was perhaps as grand a plan of interment as was ever formed. It has something like a parallel in the removal of Napoleon's body from St. Helena to Paris, though this was not really an interment, but a transfer. Alexander's was a simple burial procession, going from the palace where he died to the proper cemetery—a march of a thousand miles, it is true, but all within his own dominions The greatness of it resulted simply from the magnitude of the scale on which every thing pertaining to the mighty here was performed, for it was nothing but a simple passage from the dwelling to the burial-ground on his own estates, after all.
Its construction and magnitude.
A very large and elaborately constructed carriage was built to convey the body. The accounts of the richness and splendor of this vehicle are almost incredible. The spokes and staves of the wheels were overlaid with gold, and the extremities of the axles, where they appeared outside at the centers of the wheels, were adorned with massive golden ornaments. The wheels and axle-trees were so large, and so far apart, that there was supported upon them a platform or floor for the carriage twelve feet wide and eighteen feet long. Upon this platform there was erected a magnificent pavilion, supported by Ionic columns, and profusely ornamented, both within and without, with purple and gold. The interior constituted an apartment, more or less open at the sides, and resplendent within with gems and precious stones. The space of twelve feet by eighteen forms a chamber of no inconsiderable size, and there was thus ample room for what was required within. There was a throne, raised some steps, and placed back upon the platform, profusely carved and gilded. It was empty; but crowns, representing the various nations over whom Alexander had reigned, were hung upon it. At the foot of the throne was the coffin, made, it is said, of solid gold, and containing, besides the body, a large quantity of the most costly spices and aromatic perfumes, which filled the air with their odor. The arms which Alexander wore were laid out in view, also, between the coffin and the throne.
Column of mules.
On the four sides of the carriage were basso relievos, that is, sculptured figures raised from a surface, representing Alexander himself, with various military concomitants. There were Macedonian columns, and Persian squadrons, and elephants of India, and troops of horse, and various other emblems of the departed hero's greatness and power. Around the pavilion, too, there was a fringe or net-work of golden lace, to the pendents of which were attached bells, which tolled continually, with a mournful sound, as the carriage moved along. A long column of mules, sixty-four in number, arranged in sets of four, drew this ponderous car. These mules were all selected for their great size and strength, and were splendidly caparisoned. They had collars and harnesses mounted with gold, and enriched with precious stones.
Before the procession set out from Babylon an army of pioneers and workmen went forward to repair the roads, strengthen the bridges, and remove the obstacles along the whole line of route over which the train was to pass. At length, when all was ready, the solemn procession began to move, and passed out through the gates of Babylon. No pen can describe the enormous throngs of spectators that assembled to witness its departure, and that gathered along the route, as it passed slowly on from city to city, in its long and weary way.
Notwithstanding all this pomp and parade, however, the body never reached its intended destination. Ptolemy, the officer to whom Egypt fell in the division of Alexander's empire, came forth with a grand escort of troops to meet the funeral procession as it came into Egypt. He preferred, for some reason or other, that the body should be interred in the city of Alexandria. It was accordingly deposited there, and a great monument was erected over the spot. This monument is said to have remained standing for fifteen hundred years, but all vestiges of it have now disappeared. The city of Alexandria itself, however, is the conqueror's real monument; the greatest and best, perhaps, that any conqueror ever left behind him. It is a monument, too, that time will not destroy; its position and character, as Alexander foresaw, by bringing it a continued renovation, secure its perpetuity.
Conclusion.
Alexander earned well the name and reputation of the Great. He was truly great in all those powers and capacities which can elevate one man above his fellows. We can not help applauding the extraordinary energy of his genius, though we condemn the selfish and cruel ends to which his life was devoted. He was simply a robber, but yet a robber on so vast a scale, that mankind, in contemplating his career, have generally lost sight of the wickedness of his crimes in their admiration of the enormous magnitude of the scale on which they were perpetrated.
Footnotes:
[A] At the commencement of Chapter iii.
[B] There are different statements in respect to the size of this island, varying from three to nine miles in circumference.
[C] It was the birth of an infant that caused her death, exhausted and worn down as she doubtless was, by her captivity and her sorrows.
[D] A eunuch, a sort of officer employed in Eastern nations in attendance upon ladies of high rank.
[E] It receives its name from a kind of thistle called the caltrop.
[F] The modern Ispahan.
[G] Pylæ Caspiæ on the map, which means the Caspian Gates.
Transcriber's note:1. Minor changes have been made to correct typesetters' errors, and to ensure consistent spelling and punctuation in this etext; otherwise, every effort has been made to remain true to the original book.
2. The sidenotes used in this text were originally published as banners in the page headers, and have been moved to the relevant paragraph for the reader's convenience.
***END OF THE PROJECT GUTENBERG EBOOK ALEXANDER THE GREAT***
******* This file should be named 30624-h.txt or 30624-h.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/0/6/2/30624
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without
Comments (0)