A History of Art for Beginners and Students by Clara Erskine Clement Waters (grave mercy .txt) 📖

284; portrait by Leslie, 295; and Landseer, 295-296 “Scourging of St. Andrew” (Domenichino), 141 Sculpture, more advanced than painting among Oriental nations, 112; Greek, developed from Egyptian and Assyrian, 13 Sebastian del Piombo, 115, 120-121 Segnier, Chancellor, and Le Brun, 238 Seneca, head by Cespedes, 214 Seville in time of Murillo, 221 Seville Academy of Art, founded by Murillo, 225 Seville school of painting, 208, 213 Shakespeare’s characters, painted by Romney, 268 “Shepherd Boy in a Shower” (Gainsborough), 258 “Shepherds Adoring the Infant Saviour” (Correggio), 135-137 “Shrine of St. Ursula” (Memling), 160-161 “Sibyl (The) and the Emperor” (Van der Weyden), 158-159 Siddons, Mrs., portrait by Reynolds, 255 Signorelli, Luca, 76, 80 Sikyon school, 15-17 Simone, Martini, 69-70 Sirani, Elisabetta, 148-150 “Sistine Madonna” (Raphael), 114 “Slave Ship” (Turner), 288-289 Smith, Sydney, and Landseer, 299 Snyders, Frans, 167 Solario, Andrea, 93 Sosos, 34 Spain, painting in, 207-233 “Sposalizio, Lo” (Raphael), 107-108 “Staffa Madonna” (Raphael), 108 Steen, Jan, 178 Still-life, Dutch excellence in painting, 177 Stirling, quoted, 215, 218, 228 Stone, paintings on, 36 Strada, portrait by Marietta Robusti, 130 Strafford, Earl of. See Wentworth, Thomas Studius. See Ludius Suckling, Sir John, portrait by Vandyck, 174 Suger, Abbot, 53 Sunder, Lucas, 202 “Surrender of Arundel Castle” (Landseer), 293 Swanenburg, J. J. van, instructor of Rembrandt, 181

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Tadius. See Ludius Tafi, A., 64 Tasso, portrait by Bassano, 132 “Temporal Generation of Our Lord” (Vargas), 213 Teniers, David, 178-180 Terburg, Gerhard, 181 Thackeray’s (Miss) “Miss Angel” the story of Angelica Kauffman, 203 Thornbury, quoted, 283 Thornhill, Sir James, 252 “Three Graces” (Palma), 121 “Three Graces” (Raphael), 110 Thurlow, Lord Chancellor, portrait by Romney, 267 Tile-painting, Assyrian, 9-11; Babylonian, 11-12 Timanthes, 15 Tintoretto, 130 Titian, 121-130; and Correggio, 135; his “Last Supper,” 211; instructor of Navarrete, 211; Carreño’s copy of his “St. Margaret,” 212 Tobar, Alonzo Miguel de, 213, 229 Toledo, Coello painter to the Cathedral of, 213 Torrigiano, Piètro, 98 “Tragic Muse” (Reynolds), 255 “Transfiguration” (Raphael), 115 Transitional period, 61 “Trattato della Pittura” (Vinci), 93 “Triumphal Arch of Maximilian” (Dürer), 199 Tulp, Professor, portrait by Rembrandt, 184 Turner, Charles, 280 Turner, J. M. W., 271-292 “Turner’s Annual Tour,” 286

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Uccello, Paolo, 79 “Ulysses Dividing Polyphemus” (Turner), 283 “Ulysses in the Under-world” (Nikias), 17 Umbrian school, 82 Urban VIII. and Claude Lorraine, 236 Utande, Gregorio, 212

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Vænius, Otto, instructor of Rubens, 162 Velde, Adrian van de, 186 Valencia school, 208, 229 Vandyck, Anthony, 168-176; in England, 249 Vargas, Luis de, 213 Varnish, improvements by the Van Eycks in the use of, 156 Vasari, quoted, 75 Vase-painting by the ancients, 36-40 Vatican, decoration by Raphael of the halls of, 111 Vega, Lope de, on Coello, 210; on Navarrete, 211 Velasquez, 215-220; and Murillo, 222, 227 “Venice from the Salute Church” (Turner), 287 Venetian school, 80-82, 118 “Venus” (Titian), 124 “Venus Anadyomene” (Apelles), 19 Vernet, Carle, 245 Vernet, Claude Joseph, 240 Vernet, Horace, 245-248 Veronese, Paul, 131 Verrocchio, Andrea, 79, 84 Vescovi, Marco dei, portrait by Marietta Robusti, 130 Victoria, Queen, and Landseer, 298-299 Vien, Joseph Marie, 240 “Vierge, La, au Panier” (Correggio), 137-139 “View of Rome from the Aventine Hill” (Turner), 287 “Village Festival” (Wilkie), 292 “Village Politicians” (Wilkie), 292 Vincent, instructor of Horace Vernet, 245 Vinci, Leonardo da, 84-93, 99 Virgin, pictures by Murillo of, 227; by Joanes, 229 “Virgen de la Sevilletá” (Murillo), 225 “Vision of St. Jerome” (Parmigianino), 139 Vitruvius, quoted, 20 Volterra, Daniele de, 104 “Von Tromp Returning from Battle” (Turner), 284

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Waagen, Dr., on Turner, 290 Walls. See Mural Washington, George, portrait by Copley, 260 Water, Egyptian painting of, 5 “Water Carrier of Seville” (Velasquez), 216 Watson, Elkanah, portrait by Copley, 262-263 “Watson and the Shark” (Copley), 262 Watteau, Antoine, 239 “Way to Calvary” (Morales), 210 Wellington, Duke of, portrait by Lawrence, 270 Wells and Turner, 278 Welsteed, Rev. William, portrait by Copley, 259 Wentworth, Thomas, portrait by Vandyck, 174 Wentworth, Lady, and Angelica Kauffman, 204 West, Benjamin, 265-266; and Copley, 261 Weyden, Rogier van der, 158-159 Weyden, Rogier van der, the younger, 159-160 Wilkie, Sir David, 292-293 Williams, quoted, 270 Wilson, Richard, 254 "Wilton Family, The" (Vandyck), 174 Winckelmann and Angelica Kauffman, 204 “Wind-Mills” (Hobbema), 188 Window-painting. See Glass Wohlgemuth, Michael, instructor of Dürer, 194 “Woodman and Dog in a Storm” (Gainsborough), 258 Wornum, on Turner, 290 Wouverman, Philip, 187 “Wreck of the Medusa” (Géricault), 244 Wynants, Jan, 187

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Zeuxis, 14-15 Zuccaro, on Cespedes, 214 Zuccato, Sebastian, instructor of Titian, 123 Zurbaran, Francisco, 215

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