Life of St. Francis of Assisi by Paul Sabatier (best novels of all time txt) 📖

/> We must not, however, exaggerate the legendary side of the Fioretti: there are not more that two or three of these stories of which the kernel is not historic and easy to find. The famous episode of the wolf of Gubbio, which is unquestionably the most marvellous of all the series, is only, to speak the engraver's language, the third state of the story of the robbers of Monte Casale[31] mingled with a legend of the Verna.

The stories crowd one another in this book like flocks of memories that come upon us pell-mell, and in which insignificant details occupy a larger place than the most important events; our memory is, in fact, an overgrown child, and what it retains of a man is generally a feature, a word, a gesture. Scientific history is trying to react, to mark the relative value of facts, to bring forward the important ones, to cast into shade that which is secondary. Is it not a mistake? Is there such a thing as the important and the secondary? How is it going to be marked?

The popular imagination is right: what we need to retain of a man is the expression of countenance in which lives his whole being, a heart-cry, a gesture that expresses his personality. Do we not find all of Jesus in the words of the Last Supper? And all of St. Francis in his address to brother wolf and his sermon to the birds?

Let us beware of despising these documents in which the first Franciscans are described as they saw themselves to be. Unfolding under the Umbrian sky at the foot of the olives of St. Damian, or the firs of the March of Ancona, these wild flowers have a perfume and an originality which we look for in vain in the carefully cultivated flowers of a learned gardener.


APPENDICES OF THE FIORETTI

In the first of these appendices the compiler has divided into five chapters all the information on the stigmata which he was able to gather. It is easy to understand the success of the Fioretti. The people fell in love with these stories, in which St. Francis and his companions appear both more human and more divine than in the other legends; and they began very soon to feel the need of so completing them as to form a veritable biography.[32]

The second, entitled Life of Brother Ginepro, is only indirectly connected with St. Francis; yet it deserves to be studied, for it offers the same kind of interest as the principal collection, to which it is doubtless posterior. In these fourteen chapters we find the principal features of the life of this Brother, whose mad and saintly freaks still furnish material for conversation in Umbrian monasteries. These unpretending pages discover to us one aspect of the Franciscan heart. The official historians have thought it their duty to keep silence upon this Brother, who to them appeared to be a supremely indiscreet personage, very much in the way of the good name of the Order in the eyes of the laics. They were right from their point of view, but we owe a debt of gratitude to the Fioretti for having preserved for us this personality, so blithe, so modest, and with so arch a good nature. Certainly St. Francis was more like Ginepro than like Brother Elias or St. Bonaventura.[33]

The third, Life of Brother Egidio, appears to be on the whole the most ancient document on the life of the famous Ecstatic that we possess. It is very possible that these stories might be traced to Brother Giovanni, to whom the Three Companions appeal in their prologue.

In the defective texts given us in the existing editions we perceive the hand of an annotator whose notes have slipped into the text,[34] but in spite of that this life is one of the most important of the secondary texts. This always itinerant brother, one of whose principal preoccupations is to live by his labor, is one of the most original and agreeable figures in Francis's surroundings, and it is in lives of this sort that we must seek the true meaning of some of the passages of the Rule, and precisely in those that have had the most to suffer from the enterprise of exegetes.

The fourth includes the favorite maxims of Brother Egidio; they have no other importance than to show the tendencies of the primitive Franciscan teaching. They are short, precise, practical counsels, saturated with mysticism, and yet in them good sense never loses its rights. The collection, just as it is in the Fioretti, is no doubt posterior to Egidio, for in 1385 Bartolommeo of Pisa furnished a much longer one.[35]


VI. CHRONICLE OF THE XXIV. GENERALS[36]

We find here at the end of the life of Francis that of most of his companions, and the events that occurred under the first twenty-four generals.

It is a very ordinary work of compilation. The authors have sought to include in it all the pieces which they had succeeded in collecting, and the result presents a very disproportioned whole. A thorough study of it might be interesting and useful, but it would be possible only after its publication. This cannot be long delayed: twice (at intervals of fifteen months) when I have desired to study the Assisi manuscript it was found to be with the Franciscans of Quaracchi, who were preparing to print it.

It is difficult not to bring the epoch in which this collection was closed near to that when Bartolommeo of Pisa wrote his famous work. Perhaps the two are quite closely related.

This chronicle was one of Glassberger's favorite sources.


VII. THE CONFORMITIES OF BARTOLOMMEO OF PISA[37]

The Book of the Conformities, to which Brother Bartolommeo of Pisa devoted more than fifteen years of his life,[38] appears to have been read very inattentively by most of the authors who have spoken of it.[39] In justice to them we must add that it would be hard to find a work more difficult to read; the same facts reappear from ten to fifteen times, and end by wearying the least delicate nerves.

It is to this no doubt that we must attribute the neglect to which it has been left. I do not hesitate, however, to see in it the most important work which has been made on the life of St. Francis. Of course the author does not undertake historical criticism as we understand it to-day, but if we must not expect to find him a historian, we can boldly place him in the front rank of compilers.[40]

If the Bollandists had more thoroughly studied him they would have seen more clearly into the difficult question of the sources, and the authors who have come after them would have been spared numberless errors and interminable researches.

Starting with the thought that Francis's life had been a perfect imitation of that of Jesus, Bartolommeo attempted to collect, without losing a single one, all the instances of the life of the Poverello scattered through the diverse legends still known at that time.

He regretted that Bonaventura, while borrowing the narratives of his predecessors, had often abridged them,[41] and himself desired to preserve them in their original bloom. Better situated than any one for such a work, since he had at his disposal the archives of the Sacro Convento of Assisi, it may be said that he has omitted nothing of importance and that he has brought into his work considerable pieces from nearly all the legends which appeared in the thirteenth and fourteenth centuries; they are there only in fragments, it is true, but with perfect accuracy.[42]

When his researches were unsuccessful he avows it simply, without attempting to fill out the written testimonies with his own conjectures.[43] He goes farther, and submits the documents he has before him to a real testing, laying aside those he considers uncertain.[44] Finally he takes pains to point out the passages in which his only authority is oral testimony.[45]

As he is almost continually citing the legends of Celano, the Three Companions, and Bonaventura, and as the citations prove on verification to be literally accurate, as well as those of the Will, the divers Rules, or the pontifical bulls, it seems natural to conclude that he was equally accurate with the citations which we cannot verify, and in which we find long extracts from works that have disappeared.[46]

The citations which he makes from Celano present no difficulty; they are all accurate, corresponding sometimes with the First sometimes with the Second Legend.[47]

Those from the Legend of the Three Companions are accurate, but it appears that Bartolommeo drew them from a text somewhat different from that which we have.[48]

With the citations from the Legenda Antiqua the question is complicated and becomes a nice one. Was there a work of this name? Certain authors, and among them the Bollandist Suysken, seem to incline toward the negative, and believe that to cite the Legenda Antiqua is about the same as to refer vaguely to tradition. Others among contemporaries have thought that after the approbation and definitive adoption of Bonaventura's Legenda Major by the Order the Legends anterior to that, and especially that of Celano, were called Legenda Antiqua . The Conformities permit us to look a little closer into the question. We find, in fact, passages from the Legenda Antiqua which reproduce Celano's First Life.[49] Others present points of contact with the Second, sometimes a literary exactitude,[50] but often these are the same stories told in too different a way for us to consider them borrowed.[51]

Finally there are many of these extracts from the Legenda Antiqua of which we find no source in any of the documents already discussed.[52] This would suffice to show that the two are not to be confounded. It has absorbed them and brought about certain changes while completing them with others.[53]

The study of the fragments which Bartolommeo has preserved to us shows immediately that this collection belonged to the party of the Zealots of Poverty; we might be tempted to see in it the work of Brother Leo.

Most fortunately there is a passage where Bartolommeo di Pisa cites as being by Conrad di Offida a fragment which he had already cited before as borrowed from the Legenda Antiqua .[54] I would not exaggerate the value of an isolated instance, but it seems an altogether plausible hypothesis to make Conrad di Offida the author of this compilation. All that we know of him, of his tendencies, his struggle for the strict observance, accords with what the known fragments of the Legenda Antiqua permit us to infer as to its author.[55]

However this may be, it appears that in this collection the stories have been given us (the principal source being the Legend of Brother Leo or the Three Companions before its mutilation) in a much less abridged form than in the Second Life of Celano. This work is hardly more than a second edition of that of Brother Leo, here and there completed with a few new incidents, and especially with exhortations to perseverance addressed to the persecuted Zealots.[56]


VIII. CHRONICLE OF GLASSBERGER[57]

Evidently this work, written about 1508, cannot be classed among the sources properly so called; but it presents in a convenient form the general history of the Order, and thanks to its citations permits us to verify certain passages in the primitive legends of which Glassberger had the MS. before his eyes. It is thus in particular with the chronicle of Brother Giordano di Giano, which he has inserted almost bodily in his own work.


IX.