HORROR books online

Reading books horror If you are looking for a good book horror, you should visit our website. Electronic library is gaining popularity. Influenced by modern technology and the advent of new gadgets, people are increasingly turning to electronic libraries because it allows them to read online everywhere . Every reader thanks to his smartphone, laptop or computer, can visit our website at any time. Reading ebooks help people to make good use of free time. Our elibrary has a huge selection of genres for every taste and request.


Today we want to introduce you horror genre. Horrors are very popular among people who like to tickle their nerves. Main characters in the horror genre are demons, evil spirits, monsters,vampires and ghouls. But it’s very often, when book based on true events, for example psychological thrillers.
In Ancient Greece and Ancient Rome, horrors were told to each other like myths, that carry the story of the death and afterlife. Ancient people believe that reincarnation exists. Modern horror novels are include new fantastical creatures, like ghosts, vampires, werewolves, and witches.



Nowadays it’s very hard to force a person to believe in the truth of history, but modern reader just expects to be frightened and shocked. Horror books on our website are elicit a sense of dread in the reader through frightening images, themes, and situations.
The atmosphere of the book provokes our imagination. If the book will in your mind long time after reading , so the horror writer did his job well. After horror genre books you can even get insomnia or very bad and scary dreams.But that shouldn't stop you from reading horror ebooks. So our electronic library invite you to be a part of the mystery world of free ebooks without registration.




Take a look at the Thriller or Mystery,Crime section where you can find your favorite books

Read books online » Horror » The Shadow Out of Time by H. P. Lovecraft (howl and other poems TXT) 📖

Book online «The Shadow Out of Time by H. P. Lovecraft (howl and other poems TXT) 📖». Author H. P. Lovecraft



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up a perplexing blank with pseudomemories might give rise to strange imaginative vagaries.

This indeed—though an alternative folklore theory finally seemed to me more plausible—was the belief of many of the alienists who helped me in my search for parallel cases, and who shared my puzzlement at the exact resemblances sometimes discovered.

They did not call the condition true insanity, but classed it rather among neurotic disorders. My course in trying to track down and analyze it, instead of vaintly seeking to dismiss or forget it, they heartily endorsed as correct according to the best psychological principles. I especially valued the advice of such physicians as had studied me during my possession by the other personality.

My first disturbances were not visual at all, but concerned the more abstract matters which I have mentioned. There was, too, a feeling of profound and inexplicable horror concerning myself. I developed a queer fear of seeing my own form, as if my eyes would find it something utterly alien and inconceivably abhorrent.

When I did glance down and behold the familiar human shape in quiet grey or blue clothing, I always felt a curious relief, though in order to gain this relief I had to conquer an infinite dread. I shunned mirrors as much as possible, and was always shaved at the barber’s.

It was a long time before I correlated any of these disappointed feelings with the fleeting, visual impressions which began to develop. The first such correlation had to do with the odd sensation of an external, artificial restraint on my memory.

I felt that the snatches of sight I experienced had a profound and terrible meaning, and a frightful connexion with myself, but that some purposeful influence held me from grasping that meaning and that connexion. Then came that queerness about the element of time, and with it desperate efforts to place the fragmentary dream-glimpses in the chronological and spatial pattern.

The glimpses themselves were at first merely strange rather than horrible. I would seem to be in an enormous vaulted chamber whose lofty stone aroinings were well-nigh lost in the shadows overhead. In whatever time or place the scene might be, the principle of the arch was known as fully and used as extensively as by the Romans.

There were colossal, round windows and high, arched doors, and pedestals or tables each as tall as the height of an ordinary room. Vast shelves of dark wood lined the walls, holding what seemed to be volumes of immense size with strange hieroglyphs on their backs.

The exposed stonework held curious carvings, always in curvilinear mathematical designs, and there were chiselled inscriptions in the same characters that the huge books bore. The dark granite masonry was of a monstrous megathic type, with lines of convex-topped blocks fitting the concave-bottomed courses which rested upon them.

There were no chairs, but the tops of the vast pedestals were littered with books, papers, and what seemed to be writing materials—oddly figured jars of a purplish metal, and rods with stained tips. Tall as the pedestals were, I seemed at times able to view them from above. On some of them were great globes of luminous crystal serving as lamps, and inexplicable machines formed of vitreous tubes and metal rods.

The windows were glazed, and latticed with stout-looking bars. Though I dared not approach and peer out them, I could see from where I was the waving tops of singular fern-like growths. The floor was of massive octagonal flagstones, while rugs and hangings were entirely lacking.

Later I had visions of sweeping through Cyclopean corridors of stone, and up and down gigantic inclined planes of the same monstrous masonry. There were no stairs anywhere, nor was any passageway less than thirty feet wide. Some of the structures through which I floated must have towered in the sky for thousands of feet.

There were multiple levels of black vaults below, and never-opened trapdoors, sealed down with metal bands and holding dim suggestions of some special peril.

I seemed to be a prisoner, and horror hung broodingly over everything I saw. I felt that the mocking curvilinear hieroglyphs on the walls would blast my soul with their message were I not guarded by a merciful ignorance.

Still later my dreams included vistas from the great round windows, and from the titanic flat roof, with its curious gardens, wide barren area, and high, scalloped parapet of stone, to which the topmost of the inclined planes led.

There were, almost endless leagues of giant buildings, each in its garden, and ranged along paved roads fully 200 feet wide. They differed greatly in aspect, but few were less than 500 feet square or a thousand feet high. Many seemed so limitless that they must have had a frontage of several thousand feet, while some shot up to mountainous altitudes in the grey, steamy heavens.

They seemed to be mainly of stone or concrete, and most of them embodied the oddly curvilinear type of masonry noticeable in the building that held me. Roofs were flat and garden-covered, and tended to have scalloped parapets. Sometimes there were terraces and higher levels, and wide, cleared spaces amidst the gardens. The great roads held hints of motion, but in the earlier visions I could not resolve this impression into details.

In certain places I beheld enormous dark cylindrical towers which climbed far above any of the other structures. These appeared to be of a totally unique nature and shewed signs of prodigious age and dilapidation. They were built of a bizarre type of square-cut basalt masonry, and tapered slightly toward their rounded tops. Nowhere in any of them could the least traces of windows or other apertures save huge doors be found. I noticed also some lower buildinigs—all crumbling with the weathering of aeons—which resembled these dark, cylindrical towers in basic architecture. Around all these aberrant piles of square-cut masonry there hovered an inexplicable aura of menace and concentrated fear, like that bred by the sealed trapdoors.

The omnipresent gardens were almost terrifying in their strangeness, with bizarre and unfamiliar forms of vegetation nodding over broad paths lined with curiously carven monoliths. Abnormally vast fern-like growths predominated—some green, and some of a ghastly, fungoid pallor.

Among them rose great spectral things resembling calamites, whose bamboo-like trunks towered to fabulous heights. Then there were tufted forms like fabulous cycads, and grotesque dark-green shrubs and trees of coniferous aspect.

Flowers were small, colourless, and unrecognizable, blooming in geometrical beds and at large among the greenery.

In a few of the terrace and roof-top gardens were larger and more blossoms of most offensive contours and seeming to suggest artificial breeding. Fungi of inconceivable size, outlines, and colours speckled the scene in patterns bespeaking some unknown but well-established horticultural tradition. In the larger gardens on the ground there seemed to be some attempt to preserve the irregularities of Nature, but on the roofs there was more selectiveness, and more evidences of the topiary art.

The sides were almost always moist and cloudy, and sometimes I would seem to witness tremendous rains. Once in a while, though, there would be glimpses of the sun—which looked abnormally large—and of the moon, whose markings held a touch of difference from the normal that I could never quite fathom. When—very rarely—the night sky was clear to any extent, I beheld constellations which were nearly beyond recognition. Known outlines were sometimes approximated, but seldom duplicated; and from the position of the few groups I could recognize, I felt I must be in the earth’s southern hemisphere, near the Tropic of Capricorn.

The far horizon was always steamy and indistinct, but I could see that great jungles of unknown tree-ferns, calamites, lepidodendra, and sigillaria lay outside the city, their fantastic frondage waving mockingly in the shifting vapours. Now and then there would be suggestions of motion in the sky, but these my early visions never resolved.

By the autumn of 1914 I began to have infrequent dreams of strange floatings over the city and through the regions around it. I saw interminable roads through forests of fearsome growths with mottled, fluted, and banded trunks, and past other cities as strange as the one which persistently haunted me.

I saw monstrous constructions of black or iridescent tone in glades and clearings where perpetual twilight reigned, and traversed long causeways over swamps so dark that I could tell but little of their moist, towering vegetation.

Once I saw an area of countless miles strewn with age-blasted basaltic ruins whose architecture had been like that of the few windowless, round-topped towers in the haunting city.

And once I saw the sea—a boundless, steamy expanse beyond the colossal stone piers of an enormous town of domes and arches. Great shapeless sugggestions of shadow moved over it, and here and there its surface was vexed ith anomalous spoutings.

Chapter 3

As I have said, it was not immediately that these wild visions began to hold their terrifying quality. Certainly, many persons have dreamed intrinsically stranger things—things compounded of unrelated scraps of daily life, pictures,and reading, and arranged in fantastically novel forms by the unchecked caprices of sleep.

For some time I accepted the visions as natural, even though I had never before been an extravagant dreamer. Many of the vague anomalies, I argued, must have come from trivial sources too numerous to track down; while others seemed to reflect a common text book knowledge of the plants and other conditions of the primitive world of a hundred and fifty million years ago—the world of the Permian or Triassic age.

In the course of some months, however, the element of terror did figure with accumulating force. This was when the dreams began so unfailingly to have the aspect of memories, and when my mind began to link them with my growing abstract disturbances—the feeling of mnemonic restraint, the curious impressions regarding time, and sense of a loathsome exchange with my secondary personality of 1908-13, and, considerably later, the inexplicable loathing of my own person.

As certain definite details began to enter the dreams, their horror increased a thousandfold—until by October, 1915, I felt I must do something. It was then that I began an intensive study of other cases of amnesia and visions, feeling that I might thereby obectivise my trouble and shake clear of its emotional grip.

However, as before mentioned, the result was at first almost exactly opposite. It disturbed me vastly to find that my dreams had been so closely duplicated; especially since some of the accounts were too early to admit of any geological knowledge—and therefore of any idea of primitive landscapes—on the subjects’ part.

What is more, many of these accounts supplied very horrible details and explanations in connexion with the visions of great buildings and jungle gardens—and other things. The actual sights and vague impressions were bad enough, but what was hinted or asserted by some of the other dreamers savored of madness and blasphemy. Worst of all, my own pseudo-memory was aroused to milder dreams and hints of coming revelations. And yet most doctors deemed my course, on the whole, an advisable one.

I studied psychology systematically, and under the prevailing stimulus my son Wingate did the same—his studies leading eventually to his present professorship. In 1917 and 1918 I took special courses at Miskatonic. Meanwhile, my examination of medical, historical, and anthropological records became indefatigable, involving travels to distant libraries, and finally including even a reading of the hideous books of forbidden elder lore in which my secondary personality had been so disturbingly interested.

Some of the latter were the actual copies I had consulted in my altered state, and I was greatly disturbed by certain marginal notations and ostensible corrections of the hideous text in a script and idiom which somehow seemed oddly unhuman.

These markings were mostly in the respective languages of the various books, all of which the writer seemed to know with equal, though obviously

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