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He wasn't very pleased to talk about his luck, and inquisitive people got but little out of him on the subject; but, of course, Parsons and Hacker spoke free and often on the subject, for 'twas the greatest adventure as had ever come to them in their lives; and, from telling the tale over and over old Parsons got to talk about it as if he'd seen the ghost himself.
Then, after he'd chewed over the matter for a space of three or four months, and spring was come again, Jonathan Drake went off one night to White Works, just the same as he used to do when he was courting Hyssop Burges; and there was the little party as usual, with Mrs. Stonewer knitting, and Farmer reading yesterday's newspaper, and Hyssop sewing in her place by her aunt.
“Well!” says Farmer Jimmy, “wonders never cease! And to see you again here be almost so big a wonder as that they tell about of the old miser's tea-things. I'm sure we all give you joy, Jonathan; and I needn't tell you as we was cruel pleased to hear about it.”
The young man thanked them very civilly, and said how 'twas a coorious come-along-of-it, and he didn't hardly know what to think of the matter even to that day.
“I should reckon 'twas a bit of nonsense what I'd dreamed,” he said; “but money's money, as who should know better than me? And, by the same token, I want a few words with Hyssop if she'm willing to give me ten minutes of her time.”
“You'm welcome, Mr. Drake,” she said.
He started at the surname; but she got up, and they went off just in the usual way to the parlor; and when they was there, she sat down in her old corner of the horsehair sofa and looked at him. But he didn't sit down—not at first. He walked about fierce and talked fierce.
“I'll ax one question afore I go on, and, if the answer's what I fear, I'll trouble you no more,” he said. “In a word, be you tokened again? I suppose you be, for you're not the sort to go begging. Say it quick if 'tis so, and I'll be off and trouble you no further.”
“No, Mr. Drake. I'm free as the day you—you throwed me over,” she answered, in a very quiet little voice.
He snorted at that, but was too mighty thankful to quarrel with the words. She could see he began to grow terrible excited now; and he walked up and down, taking shorter and shorter strides this way and that, like a hungry caged tiger as knows his bit of horse-flesh be on the way.
At last he bursts out again.
“There was a lot of lies told about that old plate us found at Dunnabridge. But the truth of the matter is, that I sold it for three hundred and fifty-four pounds.”
“So Tom Parsons told uncle. A wonderful thing; and we sat up all night talking about it, Mr. Drake.”
“For God's sake call me 'Jonathan'!” he cried out; “and tell me—tell me what the figure of your legacy was. You must tell me—you can't withhold it. 'Tis life or death—to me.”
She'd never seen him so excited, but very well knowed what was in his mind.
“If you must know, you must,” she answered. “I thought I told you when—when——”
“No, you didn't. I wouldn't bide to hear. Whatever 'twas, you'd got more than me, and that was all I cared about; but now, if by good fortune 'tis less than mine, you understand——”
“Of course 'tis less. A hundred and eighty pound and the interest—a little over two hundred in all—is what I've gotten.”
“Thank God!” he said.
Then he axed her if she could marry him still, or if she knew too much about his ways and his ideas to care about doing so.
And she took him again.
You see, Hyssop Burges was my mother, and when father died I had the rights of the story from her. By that time the old people at White Works and Tom Parsons was all gone home, and the secret remained safe enough with Hyssop herself.
The great difficulty was to put half her money and more, slap into Jonathan's hands without his knowing how it got there; and, even when the game with the ghost was hit upon, 'twas hard to know how to do it clever. Hyssop wanted to hide golden sovereigns at Dunnabridge; but her uncle, with wonnerful wit, pointed out that they'd all be dated; and to get three hundred sovereigns and more a hundred years old could never have been managed. Then old Thomas, who was in the secret, of course, and played the part of Miser Brimpson, and got five pounds for doing it so clever, and another five after from his master, when the stuff was found—he thought upon trinkums and jewels; and finally Mrs. Stonewer, as had a friend in the business, said that Sheffield plate would do the trick. And she was right. The plate was bought for three hundred and eighty pound, and kept close at White Works till 'twas known that Jonathan meant to go away and bide away some days. Then my mother drove across with it; and Thomas made the cases wi' old rotten boards, and they drove a slant hole under the cobbles, and got all vitty again long afore young Drake came back home.
“Me and Jonathan was wedded in the fall of that year,” said my mother to me when she told the tale. “And, come the next New Year's Night, he was at our chamber window as the clock struck twelve, and bided there looking out into the yard for an hour, keen as the hawk that he was. He thought I must be asleep; but well I knowed he was seeking for an old man in a beaver hat wi' a long white beard, and well I knowed he'd never see him again. Of course your father took good care not to tell me the next morning that he'd been on the lookout for the ghost.”
And my mother, in her own last days, oft dwelt on that trick; and sometimes she'd say, as the time for meeting father got nearer and nearer, “I wonder if 'twill make any difference in heaven, where no secrets be hid?” And, knowing father so well as I had, I felt very sure as it might make a mighty lot of difference. So, in my crafty way, I hedged, and told mother that, for my part, I felt sartain there were some secrets that wouldn't even be allowed to come out at Judgment Day, for fear of turning heaven into t'other place; and that this was one of 'em. She always used to fret at that, however.
“I want for it to come out,” she'd say. “And, if Jonathan don't know, I shall certainly tell him. I've kept it in long enough, and I can't trust myself to do it no more. He've got to know, and, with all eternity to get over it and forgive me in, I have a right to be hopeful that he will.”
Hyssop Drake died in that fixed resolve; and I'm sure I trust that, when 'tis my turn to join my parents again, I shall find no shadow between 'em. But there's a lot of doubt about it—knowing father.
[1] Skuat, windfall.
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From Harper's Bazar, June, 1909. By permission of Harper's Bazar.
The Haunted Photograph By RUTH McENERY STUARTTo the ordinary observer it was just a common photograph of a cheap summer hotel. It hung sumptuously framed in plush, over the Widow Morris's mantel, the one resplendent note in an otherwise modest home, in a characteristic Queen Anne village.
One had only to see the rapt face of its owner as she sat in her weeds before the picture, which she tearfully pronounced “a strikin' likeness,” to sympathize with the townsfolk who looked askance at the bereaved woman, even while they bore with her delusion, feeling sure that her sudden sorrow had set her mind agog.
When she had received the picture through the mail, some months before the fire which consumed the hotel—a fire through which she had not passed, but out of which she had come a widow—she proudly passed it around among the friends waiting with her at the post-office, replying to their questions as they admired it:
“Oh, yes! That's where he works—if you can call it work. He's the head steward in it. All that row o' winders where you see the awnin's down, they're his—an' them that ain't down, they're his, too—that is to say, it's his jurisdiction.
“You see, he's got the whip hand over the cook an' the sto'eroom, an' that key don't go out o' his belt unless he knows who's gettin' what—an' he's firm. Morris always was. He's like the iron law of the Ephesians.”
“What key?”
It was an old lady who held the picture at arm's length, the more closely to scan it, who asked the question. She asked it partly to know, as neither man nor key appeared in the photograph, and partly to parry the “historic allusion”—a disturbing sort of fire for which Mrs. Morris was rather noted and which made some of her most loyal townsfolk a bit shy of her.
“Oh, I ain't referrin' to the picture,” she hastened to explain. “I mean the keys thet he always carries in his belt. The reg'lar joke there is to call him 'St. Peter,' an' he takes it in good part, for, he declares, if there is such a thing as a similitude to the kingdom o' Heaven in a hotel, why, it's in the providential supply department which, in a manner, hangs to his belt. He always humors a joke—'specially on himself.”
No one will ever know through what painful periods of unrequited longing the Widow Morris had sought solace in this, her only cherished “relic,” after the “half hour of sky-works” which had made her, in her own vernacular, “a lonely, conflagrated widow, with a heart full of ashes,” before the glad moment when it was given her to discern in it an unsuspected and novel value. First had come, as a faint gleam of comfort, the reflection that although her dear lost one was not in evidence in the picture, he had really been inside the building when the photograph was taken, and so, of course, he must be in there yet!
At first she experienced a slight disappointment that her man was not visible, at door or window. But it was only a passing regret. It was really better to feel him surely and broadly within—at large in the great house, free to pass at will from one room to another. To have had him fixed, no matter how effectively, would have been a limitation. As it was, she pressed the picture to her bosom as she wondered if, perchance, he would not some day come out of his hiding to meet her.
It was a muffled pleasure and tremulously entertained at first, but the very whimsicality of it was an appeal to her sensitized imagination, and so, when finally the thing did really happen, it is small wonder that it came somewhat as a shock.
It appears that one day, feeling particularly lonely
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