The Mysteries of Udolpho by Ann Ward Radcliffe (english novels to improve english TXT) 📖

desire, that I may never hear his name repeated, and that you will get the better of those foolish sorrows and whims, and look like other people, and not appear with that dismal countenance, as if you were ready to cry.

For, though you say nothing, you cannot conceal your grief from my penetration. I can see you are ready to cry at this moment, though I am reproving you for it; aye, even now, in spite of my commands.’

Emily, having turned away to hide her tears, quitted the room to indulge them, and the day was passed in an intensity of anguish, such as she had, perhaps, never known before. When she withdrew to her chamber for the night, she remained in the chair where she had placed herself, on entering the room, absorbed in her grief, till long after every member of the family, except herself, was retired to rest. She could not divest herself of a belief, that she had parted with Valancourt to meet no more; a belief, which did not arise merely from foreseen circumstances, for, though the length of the journey she was about to commence, the uncertainty as to the period of her return, together with the prohibitions she had received, seemed to justify it, she yielded also to an impression, which she mistook for a presentiment, that she was going from Valancourt for ever. How dreadful to her imagination, too, was the distance that would separate them—

the Alps, those tremendous barriers! would rise, and whole countries extend between the regions where each must exist! To live in adjoining provinces, to live even in the same country, though without seeing him, was comparative happiness to the conviction of this dreadful length of distance.

Her mind was, at length, so much agitated by the consideration of her state, and the belief, that she had seen Valancourt for the last time, that she suddenly became very faint, and, looking round the chamber for something, that might revive her, she observed the casements, and had just strength to throw one open, near which she seated herself. The air recalled her spirits, and the still moonlight, that fell upon the elms of a long avenue, fronting the window, somewhat soothed them, and determined her to try whether exercise and the open air would not relieve the intense pain that bound her temples. In the chateau all was still; and, passing down the great staircase into the hall, from whence a passage led immediately to the garden, she softly and unheard, as she thought, unlocked the door, and entered the avenue. Emily passed on with steps now hurried, and now faltering, as, deceived by the shadows among the trees, she fancied she saw some person move in the distant perspective, and feared, that it was a spy of Madame Montoni. Her desire, however, to revisit the pavilion, where she had passed so many happy hours with Valancourt, and had admired with him the extensive prospect over Languedoc and her native Gascony, overcame her apprehension of being observed, and she moved on towards the terrace, which, running along the upper garden, commanded the whole of the lower one, and communicated with it by a flight of marble steps, that terminated the avenue.

Having reached these steps, she paused a moment to look round, for her distance from the chateau now increased the fear, which the stillness and obscurity of the hour had awakened. But, perceiving nothing that could justify it, she ascended to the terrace, where the moonlight shewed the long broad walk, with the pavilion at its extremity, while the rays silvered the foliage of the high trees and shrubs, that bordered it on the right, and the tufted summits of those, that rose to a level with the balustrade on the left, from the garden below. Her distance from the chateau again alarming her, she paused to listen; the night was so calm, that no sound could have escaped her, but she heard only the plaintive sweetness of the nightingale, with the light shiver of the leaves, and she pursued her way towards the pavilion, having reached which, its obscurity did not prevent the emotion, that a fuller view of its well-known scene would have excited. The lattices were thrown back, and shewed beyond their embowered arch the moonlight landscape, shadowy and soft; its groves, and plains extending gradually and indistinctly to the eye, its distant mountains catching a stronger gleam, and the nearer river reflecting the moon, and trembling to her rays.

Emily, as she approached the lattice, was sensible of the features of this scene only as they served to bring Valancourt more immediately to her fancy. ‘Ah!’ said she, with a heavy sigh, as she threw herself into a chair by the window, ‘how often have we sat together in this spot—often have looked upon that landscape! Never, never more shall we view it together—never—never more, perhaps, shall we look upon each other!’

Her tears were suddenly stopped by terror—a voice spoke near her in the pavilion; she shrieked—it spoke again, and she distinguished the well-known tones of Valancourt. It was indeed Valancourt who supported her in his arms! For some moments their emotion would not suffer either to speak. ‘Emily,’ said Valancourt at length, as he pressed her hand in his. ‘Emily!’ and he was again silent, but the accent, in which he had pronounced her name, expressed all his tenderness and sorrow.

‘O my Emily!’ he resumed, after a long pause, ‘I do then see you once again, and hear again the sound of that voice! I have haunted this place—these gardens, for many—many nights, with a faint, very faint hope of seeing you. This was the only chance that remained to me, and thank heaven! it has at length succeeded—I am not condemned to absolute despair!’

Emily said something, she scarcely knew what, expressive of her unalterable affection, and endeavoured to calm the agitation of his mind; but Valancourt could for some time only utter incoherent expressions of his emotions; and, when he was somewhat more composed, he said, ‘I came hither, soon after sun-set, and have been watching in the gardens, and in this pavilion ever since; for, though I had now given up all hope of seeing you, I could not resolve to tear myself from a place so near to you, and should probably have lingered about the chateau till morning dawned. O how heavily the moments have passed, yet with what various emotion have they been marked, as I sometimes thought I heard footsteps, and fancied you were approaching, and then again—perceived only a dead and dreary silence! But, when you opened the door of the pavilion, and the darkness prevented my distinguishing with certainty, whether it was my love—my heart beat so strongly with hopes and fears, that I could not speak. The instant I heard the plaintive accents of your voice, my doubts vanished, but not my fears, till you spoke of me; then, losing the apprehension of alarming you in the excess of my emotion, I could no longer be silent. O Emily! these are moments, in which joy and grief struggle so powerfully for pre-eminence, that the heart can scarcely support the contest!’

Emily’s heart acknowledged the truth of this assertion, but the joy she felt on thus meeting Valancourt, at the very moment when she was lamenting, that they must probably meet no more, soon melted into grief, as reflection stole over her thoughts, and imagination prompted visions of the future. She struggled to recover the calm dignity of mind, which was necessary to support her through this last interview, and which Valancourt found it utterly impossible to attain, for the transports of his joy changed abruptly into those of suffering, and he expressed in the most impassioned language his horror of this separation, and his despair of their ever meeting again. Emily wept silently as she listened to him, and then, trying to command her own distress, and to sooth his, she suggested every circumstance that could lead to hope. But the energy of his fears led him instantly to detect the friendly fallacies, which she endeavoured to impose on herself and him, and also to conjure up illusions too powerful for his reason.

‘You are going from me,’ said he, ‘to a distant country, O how distant!—to new society, new friends, new admirers, with people too, who will try to make you forget me, and to promote new connections!

How can I know this, and not know, that you will never return for me-

-never can be mine.’ His voice was stifled by sighs.

‘You believe, then,’ said Emily, ‘that the pangs I suffer proceed from a trivial and temporary interest; you believe—’

‘Suffer!’ interrupted Valancourt, ‘suffer for me! O Emily—how sweet—how bitter are those words; what comfort, what anguish do they give! I ought not to doubt the steadiness of your affection, yet such is the inconsistency of real love, that it is always awake to suspicion, however unreasonable; always requiring new assurances from the object of its interest, and thus it is, that I always feel revived, as by a new conviction, when your words tell me I am dear to you; and, wanting these, I relapse into doubt, and too often into despondency.’ Then seeming to recollect himself, he exclaimed, ‘But what a wretch am I, thus to torture you, and in these moments, too!

I, who ought to support and comfort you!’

This reflection overcame Valancourt with tenderness, but, relapsing into despondency, he again felt only for himself, and lamented again this cruel separation, in a voice and words so impassioned, that Emily could no longer struggle to repress her own grief, or to sooth his. Valancourt, between these emotions of love and pity, lost the power, and almost the wish, of repressing his agitation; and, in the intervals of convulsive sobs, he, at one moment, kissed away her tears, then told her cruelly, that possibly she might never again weep for him, and then tried to speak more calmly, but only exclaimed, ‘O Emily—my heart will break!—I cannot—cannot leave you! Now—I gaze upon that countenance, now I hold you in my arms! a little while, and all this will appear a dream. I shall look, and cannot see you; shall try to recollect your features—and the impression will be fled from my imagination;—to hear the tones of your voice, and even memory will be silent!—I cannot, cannot leave you! why should we confide the happiness of our whole lives to the will of people, who have no right to interrupt, and, except in giving you to me, have no power to promote it? O Emily! venture to trust your own heart, venture to be mine for ever!’ His voice trembled, and he was silent; Emily continued to weep, and was silent also, when Valancourt proceeded to propose an immediate marriage, and that at an early hour on the following morning, she should quit Madame Montoni’s house, and be conducted by him to the church of the Augustines, where a friar should await to unite them.

The silence, with which she listened to a proposal, dictated by love and despair, and enforced at a moment, when it seemed scarcely possible for her to oppose it;—when her heart was softened by the sorrows of a separation, that might be eternal, and her reason obscured by the illusions of love and terror, encouraged him to hope, that it would not be rejected. ‘Speak, my Emily!’ said Valancourt eagerly, ‘let me hear your voice, let me hear you confirm my fate.’

she spoke not; her cheek was cold, and her senses seemed to fail her, but she did not faint. To Valancourt’s terrified imagination she appeared to be dying; he called upon her name, rose to go to the chateau for assistance, and then, recollecting her situation, feared to go, or to leave her for a moment.