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gayety for a young girl to shut herself up in a lonesome house for three years, gradually acquiring children, and meantime being “sassed” by her husband because she is not a fluent conversationalist?

Wherein you offend me, Adelbert, is that you persist in breathing the air which human beings and other domestic animals more worthy than yourself are entitled to. There are too many such imitation men at large. There should be a law that would prohibit your getting up and walking on your hind legs and thus imposing on other mammals. If I could run the government for a few weeks, Adelbert, I would compel your style of zoological wonder to climb a tree and stay there.

So you married a woman who was far your inferior, did you? How did you do it? Where did you go to find a woman who could be your inferior and still keep out of the menagerie? Adelbert, I fear you do your wife a great injustice. With just barely enough vitality to hand your name down to posterity and blast the fair future of Dakota by leaving your trade-mark on future generations, you snivel and whine over your blasted life! If your life had been blasted a little harder twenty years ago, the life of your miserable little wife would have been less blasted.

If you had acquired a little more croup twenty years ago, Dakota would have been ahead. Why did you go on year after year, permitting people to believe you were a man, when you could have undeceived them in two minutes by crawling into a hollow log and remaining there?

Your penmanship is very good. It is better than your chances for a bright immortality beyond the grave. Write to me again whenever you feel lonesome or want advice. I was a young married man myself once, and I know what they have to endure. Up to the time of my marriage, I had never known a harsher tone than a flute note; my early life ran quiet as the clear brook by which I sported, and so on. I was a great belle in society, also. I attended all the swell balls and parties in our county for years. Wherever you found fair women and brave men tripping the light bombastic toe, you would also find me. “Sometimes I played second violin, and sometimes I called off.”







To an Embryo Poet.

The following correspondence is now given to the press for the first time, with the consent of the parties:

Wm. Nye, Esq.—Dear Sir-I am a young man, 20 years of age, with fair education and a strong desire to succeed. I have done some writing for the press, having written up a very nice article on progressive euchre, which was a great success and published in our home paper, But it was not copied so much in other papers as I would like to have saw it, and I take my pen in hand at this time to write and ask you what there is in the article enclosed that prevents its being copied abroad all over our broad land. I write just as I hope you would feel perfectly free to write me at any time. I think that writers ought to aid each other. Yours with kind regards,

Algernon L. Tewey.

P.O. Box 202.

I have carefully read and pondered over the dissertation on progressive euchre which you send me, Algernon, and I cannot see why it should not be ravenously seized and copied by the press of the broad, wide land referred to in your letters. If you have time, perhaps it would be well enough to go to the leading journalists of our country and ask them what they mean by it. You might write till your vertebrae fell out of your clothes on the floor, and it would not do half so much good as a personal conference with the editors of America. First prepare your article, then go personally to the editors of the country and call them one by one out into the hall, in a current of cold air, and explain the article to them. In that way you will form pleasant acquaintances and get solid with our leading journalists. You have no idea, Algernon, how lonely and desolate the life of a practical journalist is. Your fresh young face and your fresh young ways, and your charming grammatical improvisations, would delight an editor who has nothing to do from year to year but attend to his business.

Do not try to win the editors of America by writing poems beginning:

Now the merry goatlet jumps, And the trifling yaller dog, With the tin can madly humps Like an acrobatic frog.

At times you will be tempted to write such stuff as this, and mark it with a large blue pencil and send it to the papers of the country, but that is not a good way to do.

Seriously, Algernon, I would suggest that you make a bold dash for success by writing things that other people are not writing, thinking things that other people are not thinking, and saying things that other people are not saying. You will say that this advice is easier to give than to take, and I agree with you. But the tendency of the age is to wear the same style of collar and coat and hat that every other man wears, and to talk and write like other men; and to be frank with you, Algernon, I think it is an infernal shame. If you will look carefully about you, you will see that the preacher, who is talking mostly to dusty pew cushions, is also the preacher who is thinking the thoughts of other men. He is “up-ending” his barrel of sermons annually, and they were made in the first place from the sermons of a man who also “up-ended” his barrel annually. Go where the preacher is talking to full houses, and you will discover that his sermons are full of humanity and originality. They are not written in a library by a man with interchangeable ideas, an automatic cog-wheel thinker, but they are prepared by a man who earnestly and honestly studies the great, aching heart of humanity, and full of sincerity, originality and old-fashioned Christianity, appeals to your better impulses.

How is it with our poetry? As a fellow-traveler and sea-sick tourist across life's tempestuous tide, I ask you, Algernon, who is writing the poetry that will live? Is it the man who is sawing out and sandpapering stanzas of the same general dimensions as some other poet, in which he bewails the fact that he loved a tall, well-behaved, accomplished girl, sixteen hands high, who did not require his love?

Ah, no! He is not the poet whose terra cotta statue will stand in the cemetery, wearing a laurel wreath and a lumpy brow. Show me the poet who is intimate with nature and who studies the little joys and sorrows of the poor; who smells the clover and writes about live, healthy people with ideas and appetites. He is my poet.

I apologize for speaking so earnestly, Algernon, but I saw by your letter that you felt kindly toward me, and rather invited an expression of opinion on my part. So I have written more freely, perhaps, than I otherwise would. We are both writers. Measurably so, at least. You write on progressive euchre, and I write on anything that I can get hold of. So let us agree here and promise each other that, whatever we do, we will not think through the thinker of another man.

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