Frenzied Fiction by Stephen Leacock (most motivational books .txt) 📖

disappointment showed in our face. It often does. We felt that it was altogether right and wholesome that our great novels of to-day should be written in this fashion with the help of goats, dogs, hogs and young bulls. But we felt, too, that it was not for us.

We permitted ourselves one further question.

“At what time,” we said, “do you rise in the morning?”

“Oh anywhere between four and five,” said the Novelist.

“Ah, and do you generally take a cold dip as soon as you are up—even in winter?”

“I do.”

“You prefer, no doubt,” we said, with a dejection that we could not conceal, “to have water with a good coat of ice over it?”

“Oh, certainly!”

We said no more. We have long understood the reasons for our own failure in life, but it was painful to receive a renewed corroboration of it. This ice question has stood in our way for forty-seven years.

The Great Novelist seemed to note our dejection.

“Come to the house,” he said, “my wife will give you a cup of tea.”

In a few moments we had forgotten all our troubles in the presence of one of the most charming chatelaines it has been our lot to meet.

We sat on a low stool immediately beside Ethelinda Afterthought, who presided in her own gracious fashion over the tea-urn.

“So you want to know something of my methods of work?” she said, as she poured hot tea over our leg.

“We do,” we answered, taking out our little book and recovering something of our enthusiasm. We do not mind hot tea being poured over us if people treat us as a human being.

“Can you indicate,” we continued, “what method you follow in beginning one of your novels?”

“I always begin,” said Ethelinda Afterthought, “with a study.”

“A study?” we queried.

“Yes. I mean a study of actual facts. Take, for example, my Leaves from the Life of a Steam Laundrywoman—more tea?”

“No, no,” we said.

“Well, to make that book I first worked two years in a laundry.”

“Two years!” we exclaimed. “And why?”

“To get the atmosphere.”

“The steam?” we questioned.

“Oh, no,” said Mrs. Afterthought, “I did that separately. I took a course in steam at a technical school.”

“Is it possible?” we said, our heart beginning to sing again. “Was all that necessary?”

“I don’t see how one could do it otherwise. The story opens, as no doubt you remember—tea?—in the boiler room of the laundry.”

“Yes,” we said, moving our leg—“no, thank you.”

“So you see the only possible point d’appui was to begin with a description of the inside of the boiler.”

We nodded.

“A masterly thing,” we said.

“My wife,” interrupted the Great Novelist, who was sitting with the head of a huge Danish hound in his lap, sharing his buttered toast with the dog while he adjusted a set of trout flies, “is a great worker.”

“Do you always work on that method?” we asked.

“Always,” she answered. “For Frederica of the Factory I spent six months in a knitting mill. For Marguerite of the Mud Flats I made special studies for months and months.”

“Of what sort?” we asked.

“In mud. Learning to model it. You see for a story of that sort the first thing needed is a thorough knowledge of mud—all kinds of it.”

“And what are you doing next?” we inquired.

“My next book,” said the Lady Novelist, “is to be a study—tea?—of the pickle industry—perfectly new ground.”

“A fascinating field,” we murmured.

“And quite new. Several of our writers have done the slaughter-house, and in England a good deal has been done in jam. But so far no one has done pickles. I should like, if I could,” added Ethelinda Afterthought, with the graceful modesty that is characteristic of her, “to make it the first of a series of pickle novels, showing, don’t you know, the whole pickle district, and perhaps following a family of pickle workers for four or five generations.”

“Four or five!” we said enthusiastically. “Make it ten! And have you any plan for work beyond that?”

“Oh, yes indeed,” laughed the Lady Novelist. “I am always planning ahead. What I want to do after that is a study of the inside of a penitentiary.”

“Of the inside?” we said, with a shudder.

“Yes. To do it, of course, I shall go to jail for two or three years!”

“But how can you get in?” we asked, thrilled at the quiet determination of the frail woman before us.

“I shall demand it as a right,” she answered quietly. “I shall go to the authorities, at the head of a band of enthusiastic women, and demand that I shall be sent to jail. Surely after the work I have done, that much is coming to me.”

“It certainly is,” we said warmly.

We rose to go.

Both the novelists shook hands with us with great cordiality. Mr. Afterthought walked as far as the front door with us and showed us a short cut past the beehives that could take us directly through the bull pasture to the main road.

We walked away in the gathering darkness of evening very quietly. We made up our mind as we went that novel writing is not for us. We must reach the penitentiary in some other way.

But we thought it well to set down our interview as a guide to others.