The Wit and Humor of America, Volume III. (of X.) by Marshall P. Wilder (classic english novels .TXT) 📖
- Author: Marshall P. Wilder
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"Well," said his father, rather suddenly, "what is it?"
"M," said Rollo, confidently.
"N!" yelled his father, in three-line Gothic.[Pg 451]
"N," echoed Rollo, in lower case nonpareil.
"B-a-n," said his father, "what does that spell?"
"Cat?" suggested Rollo, a trifle uncertainly.
"Cat?" snapped his father, with a sarcastic inflection, "b-a-n, cat! Where were you raised? Ban! B-a-n—Ban! Say it! Say it, or I'll get at you with a skate-strap!"
"B-a-m, band," said Rollo, who was beginning to wish that he had a rain-check and could come back and see the remaining innings some other day.
"Ba-a-a-an!" shouted his father, "B-a-n, Ban, Ban, Ban! Now say Ban!"
"Ban," said Rollo, with a little gasp.
"That's right," his father said, in an encouraging tone; "you will learn to read one of these years if you give your mind to it. All he needs, you see, Mary, is a teacher who doesn't lose patience with him the first time he makes a mistake. Now, Rollo, how do you spell, B-a-n—Ban?"
Rollo started out timidly on c-a—then changed to d-o,—and finally compromised on h-e-n.
Mr. Holiday made a pass at him with Volume I, but Rollo saw it coming and got out of the way.
"B-a-n!" his father shouted, "B-a-n, Ban! Ban! Ban! Ban! Ban! Now go on, if you think you know how to spell that! What comes next? Oh, you're enough to tire the patience of Job! I've a good mind to make you learn by the Pollard system, and begin where you leave off! Go ahead, why don't you? Whatta you waiting for? Read on! What comes next? Why, croft, of course; anybody ought to know that—c-r-o-f-t, croft, Bancroft! What does that apostrophe mean? I mean, what does that punctuation mark between t and s stand for? You don't know? Take that, then! (whack). What comes after Bancroft? Spell it! Spell it, I tell you, and don't be all night about it! Can't, eh? Well, read it then; if you can't[Pg 452] spell it, read it. H-i-s-t-o-r-y-ry, history; Bancroft's History of the United States! Now what does that spell? I mean, spell that! Spell it! Oh, go away! Go to bed! Stupid, stupid child," he added as the little boy went weeping out of the room, "he'll never learn anything so long as he lives. I declare he has tired me all out, and I used to teach school in Trivoli township, too. Taught one whole winter in district number three when Nick Worthington was county superintendent, and had my salary—look here, Mary, what do you find in that English grammar to giggle about? You go to bed, too, and listen to me—if Rollo can't read that whole book clear through without making a mistake to-morrow night, you'll wish you had been born without a back, that's all."
The following morning, when Rollo's father drove away to business, he paused a moment as Rollo stood at the gate for a final good-by kiss—for Rollo's daily good-byes began at the door and lasted as long as his father was in sight—Mr. Holliday said:
"Some day, Rollo, you will thank me for teaching you to read."
"Yes, sir," replied Rollo, respectfully, and then added, "but not this day."
Rollo's head, though it had here and there transient bumps consequent upon foot-ball practice, was not naturally or permanently hilly. On the contrary, it was quite level.
SPELL AND DEFINE:Which end of a rattan hurts the more?—Why does reading make a full man?—Is an occasional whipping good for a boy?—At precisely what age does corporal punishment cease to be effective?—And[Pg 453] why?—State, in exact terms, how much better are grown up people without the rod, than little people with it.—And why?—When would a series of good sound whippings have been of the greatest benefit to Solomon, when he was a godly young man, or an idolatrous old one?—In order to reform this world thoroughly, then, whom should we thrash, the children or the grown-up people?—And why?—If, then, the whipping post should be abolished in Delaware, why should it be retained in the nursery and the school room?—Write on the board, in large letters, the following sentence:
be whipped for breaking a window,
what should be done to a man
thirty-five years old for breaking
the third commandment?
[Pg 454] ELIZABETH ELIZA WRITES A PAPER BY LUCRETIA P. HALE
Elizabeth Eliza joined the Circumambient Club with the idea that it would be a long time before she, a new member, would have to read a paper. She would have time to hear the other papers read, and to see how it was done; and she would find it easy when her turn came. By that time she would have some ideas; and long before she would be called upon, she would have leisure to sit down and write out something. But a year passed away, and the time was drawing near. She had, meanwhile, devoted herself to her studies, and had tried to inform herself on all subjects by way of preparation. She had consulted one of the old members of the Club as to the choice of a subject.
"Oh, write about anything," was the answer,—"anything you have been thinking of."
Elizabeth Eliza was forced to say she had not been thinking lately. She had not had time. The family had moved, and there was always an excitement about something, that prevented her sitting down to think.
"Why not write on your family adventures?" asked the old member.
Elizabeth Eliza was sure her mother would think it made them too public; and most of the Club papers, she observed, had some thought in them. She preferred to find an idea.
So she set herself to the occupation of thinking. She[Pg 455] went out on the piazza to think; she stayed in the house to think. She tried a corner of the china-closet. She tried thinking in the cars, and lost her pocket-book; she tried it in the garden, and walked into the strawberry bed. In the house and out of the house, it seemed to be the same,—she could not think of anything to think of. For many weeks she was seen sitting on the sofa or in the window, and nobody disturbed her. "She is thinking about her paper," the family would say, but she only knew that she could not think of anything.
Agamemnon told her that many writers waited till the last moment, when inspiration came, which was much finer than anything studied. Elizabeth Eliza thought it would be terrible to wait till the last moment, if the inspiration should not come! She might combine the two ways,—wait till a few days before the last, and then sit down and write anyhow. This would give a chance for inspiration, while she would not run the risk of writing nothing.
She was much discouraged. Perhaps she had better give it up? But, no; everybody wrote a paper: if not now, she would have to do it some time!
And at last the idea of a subject came to her! But it was as hard to find a moment to write as to think. The morning was noisy, till the little boys had gone to school; for they had begun again upon their regular course, with the plan of taking up the study of cider in October. And after the little boys had gone to school, now it was one thing, now it was another,—the china-closet to be cleaned, or one of the neighbors in to look at the sewing-machine. She tried after dinner, but would fall asleep. She felt that evening would be the true time, after the cares of the day were over.
The Peterkins had wire mosquito-nets all over the[Pg 456] house,—at every door and every window. They were as eager to keep out the flies as the mosquitoes. The doors were all furnished with strong springs, that pulled the doors to as soon as they were opened. The little boys had practised running in and out of each door, and slamming it after them. This made a good deal of noise, for they had gained great success in making one door slam directly after another, and at times would keep up a running volley of artillery, as they called it, with the slamming of the doors. Mr. Peterkin, however, preferred it to flies.
So Elizabeth Eliza felt she would venture to write of a summer evening with all the windows open.
She seated herself one evening in the library, between two large kerosene lamps, with paper, pen, and ink before her. It was a beautiful night, with the smell of the roses coming in through the mosquito-nets, and just the faintest odor of kerosene by her side. She began upon her work. But what was her dismay! She found herself immediately surrounded with mosquitoes. They attacked her at every point. They fell upon her hand as she moved it to the inkstand; they hovered, buzzing, over her head; they planted themselves under the lace of her sleeve. If she moved her left hand to frighten them off from one point, another band fixed themselves upon her right hand. Not only did they flutter and sting, but they sang in a heathenish manner, distracting her attention as she tried to write, as she tried to waft them off. Nor was this all. Myriads of June-bugs and millers hovered round, flung themselves into the lamps, and made disagreeable funeral-pyres of themselves, tumbling noisily on her paper in their last unpleasant agonies. Occasionally one darted with a rush toward Elizabeth Eliza's head.
If there was anything Elizabeth Eliza had a terror of it was a June-bug. She had heard that they had a tend[Pg 457]ency to get into the hair. One had been caught in the hair of a friend of hers, who had long, luxuriant hair. But the legs of the June-bug were caught in it like fishhooks, and it had to be cut out, and the June-bug was only extricated by sacrificing large masses of the flowing locks.
Elizabeth Eliza flung her handkerchief over her head. Could she sacrifice what hair she had to the claims of literature? She gave a cry of dismay.
The little boys rushed in a moment to the rescue. They flapped newspapers, flung sofa-cushions; they offered to stand by her side with fly-whisks, that she might be free to write. But the struggle was too exciting for her, and the flying insects seemed to increase. Moths of every description—large brown moths, small, delicate white millers—whirled about her, while the irritating hum of the mosquito kept on more than ever. Mr. Peterkin and the rest of the family came in to inquire about the trouble. It was discovered that each of the little boys had been standing in the opening of a wire door for some time, watching to see when Elizabeth Eliza would have made her preparations and would begin to write. Countless numbers of dorbugs and winged creatures of every description had taken occasion to come in. It was found that they were in every part of the house.
"We might open all the blinds and screens," suggested Agamemnon, "and make a vigorous onslaught and drive them all out at once."
"I do believe there are more inside than out now," said Solomon John.
"The wire nets, of course," said Agamemnon, "keep them in now."
"We might go outside," proposed Solomon John, "and drive in all that are left. Then to-morrow morning, when[Pg 458] they are all torpid, kill them and make collections of them."
Agamemnon had a tent which he had provided in case he should ever go to the Adirondacks, and he proposed using it for the night. The little boys were wild for this.
Mrs. Peterkin thought she and Elizabeth Eliza would prefer trying to sleep in the house. But perhaps Elizabeth Eliza would go on with her paper with more comfort out of doors.
A student's lamp was carried out, and she was established on the steps of the back piazza, while screens were all carefully closed to prevent the mosquitoes and insects from flying out. But it was no use. There were outside still swarms of winged creatures that plunged themselves about her, and she had not been there long before a huge miller flung himself into the lamp and put it out. She gave up for the evening.
Still the paper went on. "How fortunate," exclaimed Elizabeth Eliza, "that I did not put it off till the last evening!" Having once begun, she persevered in it at every odd moment of the day. Agamemnon presented her with a volume of "Synonymes," which
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