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while this is instructive, it teaches us how to behave on special occasions only. You or I might call upon a young woman who did not sit on a divan, who had no tiger-skin rug to put her feet on, and whose parlor had a mantel-piece against which we could not lean comfortably. What are we to do then? As far as they go, the funny papers are excellent, but they don't go far enough. They give us attractive pictures of fashionable dinners, but it is always of the dinner after the game course. Some of us would like to know how society behaves while the soup is being served. We know that after the game course society girls reach across the table and clink wine-glasses with young men, but we do not know what they do before they get to the clink stage. Nowhere is this information given. Etiquette books are silent on the subject, and though I have sought everywhere for information, I do not know to this day how many salted almonds one may consume at dinner without embarrassing one's hostess. Now, if I can't find out, the million can't find out. Wherefore, instead of shutting themselves selfishly up and, by so doing, forcing society finally into dissolution, why cannot some of these people who know what is what give object-lessons to the million; educate them in savoir-faire?

"Last summer there was a play put on at one of our theatres in which there was a scene at a race-track. At one side was a tally-ho coach. For the first week the coach was an utterly valueless accessory, because the people on it were the ordinary supers in the employ of the theatre. They did not know how to behave on a coach, and nobody was interested. The management were suddenly seized with a bright idea. They invited several swell young men who knew how things were done on coaches to come and do these things on their coach. The young men came and imparted a realism to the scene that made that coach the centre of attraction. People who went to that play departed educated in coach etiquette. Now there lies my scheme in a nutshell. If these twenty-five, the Old Guard of society, which dines but never surrenders, will give once a week a social function in some place like Madison Square Garden, to which the million may go merely as spectators, not as participators, is there any doubt that they would fail to be instructed? The Garden will seat eight or ten thousand people. Suppose, for an instance, that a dozen of your best exponents of what is what were to give a dinner in the middle of the arena, with ten thousand people looking on. Do you mean to say that of all that vast audience no one would learn thereby how to behave at a dinner?"

"It is a great scheme," said the Doctor.

"It is!" said the Idiot, "and I venture to say that a course of, say, twelve social functions given in that way would prove so popular that the Garden would turn away every night twice as many people as it could accommodate."

"It would be instructive, no doubt," said the Bibliomaniac; "but how would it expand society? Would you have examinations?"

"Most assuredly," said the Idiot. "At the end of the season I should have a rigid examination of all who chose to apply. I would make them dine in the presence of a committee of expert diners, I would have them pass a searching examination in the Art of Wearing a Dress Suit, in the Science of Entering a Drawing-room, in the Art of Behavior at Afternoon Teas, and all the men who applied should also be compelled to pass a physical examination as an assurance that they were equal to the task of getting an ice for a young lady at a ball."

"Society would get to be too inclusive and would cease to be exclusive," suggested Mr. Whitechoker.

"I think not," said the Idiot. "I should not give a man or a woman the degree of B.S. unless he or she had passed an examination of one hundred per cent."

"B.S.?" queried Mr. Pedagog.

"Yes," returned the Idiot. "Bachelor of Society—a degree which, once earned, should entitle one to recognition as a member of the upper ten anywhere in Christendom."

"It is superb!" cried Mr. Pedagog, enthusiastically.

"Yes," said the Idiot. "At ten cents a function it would beat University Extension out of sight, and, further, it would preserve society. If we lose society we lose caste, and, worse than all, our funny men would have to go out of business, for there would be no fads or Willieboys left to ridicule."

VII
A Beggar's Hand-book

"Mr. Idiot," said the Poet one morning, as the waffles were served, "you are an inventive genius. Why don't you invent an easy way to make a fortune? The trouble with most methods of making money is that they involve too much labor."

"I have thought of that," said the Idiot. "And yet the great fortunes have been made in a way which involved very little labor, comparatively speaking. You, for instance, probably work harder over a yard of poetry that brings you in ten dollars than any of our great railroad magnates have over a mile of railroad which has brought them in a million."

"Which simply proves that it is ideas that count rather than labor," said the Poet.

"Not exactly," said the Idiot. "If you put a hundred ideas into a quatrain you will get less money for it than you would for a two-volume epic in which you have possibly only half an idea. It isn't idea so much as nerve that counts. The man who builds railroads doesn't advance any particular idea, but he shows lots of nerve, and it is nerve that makes wealth. I believe that if you literary men would show more nerve force and spare the public the infliction of what you call your ideas, you would make more money."

"How would you show nerve in writing?" queried the Bibliomaniac.

"If I knew I'd write and make my fortune," said the Idiot. "Unfortunately, I don't know how one can show nerve in writing, unless it be in taking hold of some particularly popular idiosyncrasy of mankind and treating it so contemptuously that every one would want to mob you. If you could get the public mad enough at you to want to mob you they'd read everything you'd write, simply to nourish their wrath, and you'd soon be cutting coupons for a living, and could then afford to take up more ideas—coupon-cutters can afford theories. For my own part, one reason why I do not myself take up literature for a profession is that I have neither the nerve nor the coupons. I'd probably run along in the rut like a majority of the writers of to-day, and wouldn't have the grit to strike out in a new line of my own. Men say, and perhaps very properly, this is the thing that has succeeded in the past. I'll do this. Something else that appears alluring enough in the abstract has never been done, and for that reason I won't do it. There have been clever men before me, men clever enough to think of this something that I fondly imagine is original, and they haven't done it. Doubtless they refrained from doing it for good and sufficient reasons, and I am not going to be fool enough to set my judgment up against theirs. In other words, I lack the nerve to go ahead and write as I feel. I prefer to study past successes, with the result that I am moderately successful only. It's the same way in every line of business. Precedent guides in all things, but where occasionally you find a man courageous enough to cast precedent to the winds, one of two things happens. Either fortune or ruin follows. Hence, the thing to do if you want to make a fortune is to eliminate the possibility of ruin as far as may be. You cannot ruin a man who has nothing. He is down on bed-rock, anyhow; so for a receipt for fortune I should say, start a pauper, show your nerve, and you'll make a pile, or you won't make a pile. If you make it you are fortunate. If you fail to make it you are no more unfortunate than you were before you started."

"For plausibility, Mr. Idiot," said Mr. Pedagog, "you are to me a perfect wonder. I do not think that any one can deny, with confidence born of certainty, the truth of your premises, and it must be admitted that your conclusions are based properly upon those premises, and yet your conclusions are almost invariably utterly absurd, if not absolutely grotesque. Here is a man who says, to make a fortune become a beggar!"

"Precisely," said the Idiot. "There is nothing like having a clean slate to work on. If you are not a beggar you have something, and having something promotes caution and tends to destroy nerve. As a beggar you have everything to gain and nothing to lose, so you can plunge. You can swim better in deep water than in the shallow."

"Well," said the Doctor, "enlighten us on this point. You may not know how to show nerve as a writer—in fact, you confess that you don't. How would you show nerve as a beggar? Would you strive to enforce your demands and degenerate into a common highwayman, or would you simply go in for big profits, and ask passers-by for ten dollars instead of ten cents?"

"He'd probably take a bag of dynamite into a millionaire's office and threaten to blow him to pieces if he didn't give him a house and lot," sneered the Bibliomaniac.

"Not at all," said the Idiot. "That's cowardice, not nerve. If I went into a millionaire's office and demanded a million—or a house and lot even—armed with a bag full of newspapers, pretending it held dynamite, it might be more like nerve; but my beggar would do nothing contrary to the law. He'd simply be nervy, that's all—cheeky, perhaps you'd call it. For instance, I believe that if I were to hire in the elevated cars one of those advertising spaces above the windows, and were to place in that space a placard saying that I was by nature too lazy to work, too fond of life to starve, too poor to live, and too honest to steal, and would be placed in affluence if every man and woman who saw that sign would send me ten cents a week in two-cent postage-stamps for five weeks running, I should receive enough money to enable me to live at the most expensive hotel in town during that period. By living at that hotel and paying my bills regularly I could get credit enough to set myself up in business, and with credit there is practically no limit to the possibilities of fortune. It is simply honest nerve that counts. The beggar who asks you on the street for five cents to keep his family from starving is rebuffed. You don't believe his story, and you know that five cents wouldn't keep a family from starving very long. But the fellow who accosts you frankly for a dime because he is thirsty, and hasn't had a drink for two hours, in nine cases out of ten properly selected ones will get a quarter for his nerve."

"You ought to write a Manual for Beggars," said the Bibliomaniac. "I have no doubt that the Idiot Publishing Company would publish it."

"Yes," said Mr. Pedagog. "A sort of beggar's Don't, for instance. It would be a benefit to all men, as well as a boon to the beggars. That mendicancy is a profession to-day there is no denying, and anything which could make of it a polite calling would be of inestimable value."

"I have had it in mind for some time," said the Idiot, blandly. "I intended to call it Mendicancy Made Easy, or the Beggar's Don't: With Two Chapters on Etiquette for Tramps."

"The chief trouble with such a book I should think," said the Poet, "would be that your beggars and tramps could not afford to buy it."

"That wouldn't interfere with its circulation," returned the Idiot. "It's a poor tramp who can't steal. Every suburban resident in creation would buy a copy of the book out of sheer curiosity. I'd get my royalties from them; the tramps could get the books by helping themselves to the suburbanites' copies as they do to chickens, fire-wood, and pies put out to cool. As for the beggars, I'd have it put into their hands by the people they beg from. When a man comes up to a wayfarer, for instance, and says, 'Excuse me, sir, but could

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