An Old-fashioned Girl by Louisa M. Alcott (fun to read .txt) 📖

their way out, sitting at a table piled with work, and sewing away with an energy that made the gray curls vibrate.

"Saint Mehitable, I call her. Now, there is a rich woman who knew how to get happiness out of her money," said Polly, as they walked away. "She was poor till she was nearly fifty; then a comfortable fortune was left her, and she knew just how to use it. That house was given her, but instead of living in it all alone, she filled it with poor gentlefolks who needed neat, respectable homes, but could n't get anything comfortable for their little money. I 'm one of them, and I know the worth of what she does for me. Two old widow ladies live below me, several students overhead, poor Mrs. Kean and her lame boy have the back parlor, and Jenny the little bedroom next Miss Mills. Each pays what they can; that 's independent, and makes us feel better but that dear woman does a thousand things that money can't pay for, and we feel her influence all through the house. I 'd rather be married, and have a home of my own; but next to that, I should like to be an old maid like Miss Mills."

Polly's sober face and emphatic tone made Fanny laugh, and at the cheery sound a young girl pushing a baby-carriage looked round and smiled.

"What lovely eyes!" whispered Fanny.

"Yes, that 's little Jane," returned Polly, adding, when she had passed, with a nod and a friendly "Don't get tired, Jenny," "we help one another at our house, and every fine morning Jenny takes Johnny Kean out when she goes for her own walk. That gives his mother time to rest, does both the children good, and keeps things neighborly. Miss Mills suggested it, and Jenny is so glad to do anything for anybody, it 's a pleasure to let her."

"I 've heard of Miss Mills before. But I should think she would get tired to death, sitting there making hoods and petticoats day after day," said Fanny, after thinking over Jenny's story for a few minutes, for seeing the girl seemed to bring it nearer, and make it more real to her.

"But she don't sit there all the time. People come to her with their troubles, and she goes to them with all sorts of help, from soap and soup, to shrouds for the dead and comfort for the living. I go with her sometimes, and it is more exciting than any play, to see and hear the lives and stories of the poor."

"How can you bear the dreadful sights and sounds, the bad air, and the poverty that can't be cured?"

"But it is n't all dreadful. There are good and lovely things among them, if one only has eyes to see them. It makes me grateful and contented, shows me how rich I am, and keeps me ready to do all I can for these poor souls."

"My good Polly!" and Fanny gave her friends arm an affectionate squeeze, wondering if it was this alone that had worked the change in Polly.

"You have seen two of my new friends, Miss Mills and Jenny, now I 'll show you two more," said Polly, presently, as they reached a door, and she led the way up several flights of public stairs. "Rebecca Jeffrey is a regularly splendid girl, full of talent; she won't let us call it genius; she will be famous some day, I know, she is so modest, and yet so intent on her work. Lizzie Small is an engraver, and designs the most delightful little pictures. Becky and she live together, and take care of one another in true Damon and Pythias style. This studio is their home, they work, eat, sleep, and live here, going halves in everything. They are all alone in the world, but as happy and independent as birds; real friends, whom nothing will part."

"Let a lover come between them, and their friendship won't last long," said Fanny.

"I think it will. Take a look at them, and you 'll change your mind," answered Polly, tapping at a door, on which two modest cards were tacked.

"Come in!" said a voice, and obeying, Fanny found herself in a large, queerly furnished room, lighted from above, and occupied by two girls. One stood before a great clay figure, in a corner. This one was tall, with a strong face, keen eyes, short, curly hair, and a fine head. Fanny was struck at once by this face and figure, though the one was not handsome, and the other half hidden by a great pinafore covered with clay. At a table where the light was clearest, sat a frail-looking girl, with a thin face, big eyes, and pale hair, a dreamy, absorbed little person, who bent over a block, skillfully wielding her tools.

"Becky and Bess, how do you do? This is my friend, Fanny Shaw. We are out on a rampage; so go on with your work, and let us lazy ones look on and admire."

As Polly spoke, both girls looked up and nodded, smilingly; Bess gave Fan the one easy-chair; Becky took an artistic survey of the new-comer, with eyes that seemed to see everything; then each went on with her work, and all began to talk.

"You are just what I want, Polly. Pull up your sleeve, and give me an arm while you sit; the muscles here are n't right, and you 've got just what I want," said Becky, slapping the round arm of the statue, at which Fan was gazing with awe.

"How do you get on?" asked Polly, throwing off her cloak, and rolling up her sleeves, as if going to washing.

"Slowly. The idea is working itself clear, and I follow as fast as my hands can. Is the face better, do you think?" said Becky, taking off a wet cloth, and showing the head of the statue.

"How beautiful it is!" cried Fanny, staring at it with increased respect.

"What does it mean to you?" asked Rebecca, turning to her with a sudden shine in her keen eyes.

"I don't know whether it is meant for a saint or a muse, a goddess or a fate; but to me it is only a beautiful woman, bigger, lovelier, and more imposing than any woman I ever saw," answered Fanny, slowly, trying to express the impression the statue made upon her.

Rebecca smiled brightly, and Bess looked round to nod approvingly, but Polly clapped her hands, and said, "Well done, Fan! I did n't think you 'd get the idea so well, but you have, and I 'm proud of your insight. Now I 'll tell you, for Becky will let me, since you have paid her the compliment of understanding her work. Some time ago we got into a famous talk about what women should be, and Becky said she 'd show us her idea of the coming woman. There she is, as you say, bigger, lovelier, and more imposing than any we see nowadays; and at the same time, she is a true woman. See what a fine forehead, yet the mouth is both firm and tender, as if it could say strong, wise things, as well as teach children and kiss babies. We could n't decide what to put in the hands as the most appropriate symbol. What do you say?"

"Give her a sceptre: she would make a fine queen," answered Fanny.

"No, we have had enough of that; women have been called queens a long time, but the kingdom given them is n't worth ruling," answered Rebecca.

"I don't think it is nowadays," said Fanny, with a tired sort of sigh.

"Put a man's hand in hers to help her along, then," said Polly, whose happy fortune it had been to find friends and helpers in father and brothers.

"No; my woman is to stand alone, and help herself," said Rebecca, decidedly.

"She 's to be strong-minded, is she?" and Fanny's lip curled a little as she uttered the misused words.

"Yes, strong-minded, strong-hearted, strong-souled, and strong-bodied; that is why I made her larger than the miserable, pinched-up woman of our day. Strength and beauty must go together. Don't you think these broad shoulders can bear burdens without breaking down, these hands work well, these eyes see clearly, and these lips do something besides simper and gossip?"

Fanny was silent; but a voice from Bess's corner said, "Put a child in her arms, Becky."

"Not that even, for she is to be something more than a nurse."

"Give her a ballot-box," cried a new voice, and turning round, they saw an odd-looking woman perched on a sofa behind them.

"Thank you for the suggestion, Kate. I 'll put that with the other symbols at her feet; for I 'm going to have needle, pen, palette, and broom somewhere, to suggest the various talents she owns, and the ballot-box will show that she has earned the right to use them. How goes it?" and Rebecca offered a clay-daubed hand, which the new-comer cordially shook.

"Great news, girls! Anna is going to Italy!" cried Kate, tossing up her bonnet like a school-boy.

"Oh, how splendid! Who takes her? Has she had a fortune left her? Tell all about it," exclaimed the girls, gathering round the speaker.

"Yes, it is splendid; just one of the beautiful things that does everybody heaps of good, it is so generous and so deserved. You know Anna has been longing to go; working and hoping for a chance, and never getting it, till all of a sudden Miss Burton is inspired to invite the girl to go with her for several years to Italy. Think of the luck of that dear soul, the advantages she 'll have, the good it will do her, and, best of all, the lovely way in which it comes to her. Miss Burton wants, her as a friend, asks nothing of her but her company, and Anna will go through fire and water for her, of course. Now, is n't that fine?"

It was good to see how heartily these girls sympathized in their comrade's good fortune. Polly danced all over the room, Bess and Becky hugged one another, and Kate laughed with her eyes full, while even Fanny felt a glow of, pride and pleasure at the kind act.

"Who is that?" she whispered to Polly, who had subsided into a corner.

"Why, it Is Kate King, the authoress. Bless me, how rude not to introduce you! Here, my King, is an admirer of yours, Fanny Shaw, and my well beloved friend," cried Polly, presenting Fan, who regarded the shabby young woman with as much respect, as if she had been arrayed in velvet and ermine; for Kate had written a successful book by accident, and happened to be the fashion, just then.

"It 's time for lunch, girls, and I brought mine along with me, it 's so much jollier to eat in sisterhood. Let 's club together, and have a revel," said Kate, producing a bag of oranges, and several big, plummy buns.

"We 've got sardines, crackers, and cheese," said Bess, clearing off a table with all speed.

"Wait a bit, and I 'll add my share," cried Polly, and catching up her cloak, she ran off to the grocery store near by.

"You 'll be shocked at our performances, Miss Shaw, but you can call it a picnic, and never tell what dreadful things you saw us do," said Rebecca, polishing a paint knife by rubbing