The Murder on the Links by Agatha Christie (read novel full TXT) đ
- Author: Agatha Christie
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He spoke so gravely, and with such assurance, that I could not fail to be convinced. But I essayed one final objection:
âAnd the match and cigarette end found near the body? What of them.â
A light of pure enjoyment lit up Poirotâs face.
âPlanted! Deliberately planted there for Giraud or one of his tribe to find! Ah, he is smart, Giraud, he can do his tricks! So can a good retriever dog. He comes in so pleased with himself. For hours he has crawled on his stomach. âSee what I have found,â he says. And then again to me: âWhat do you see here?â Me, I answer, with profound and deep truth, âNothing.â And Giraud, the great Giraud, he laughs, he thinks to himself, âOh, that he is imbecile, this old one!â But we shall see.ââŠâ
But my mind had reverted to the main facts.
âThen all this story of the masked menâ?â
âIs false.â
âWhat really happened?â
Poirot shrugged his shoulders.
âOne person could tell usâMadame Renauld. But she will not speak. Threats and entreaties would not move her. A remarkable woman that, Hastings. I recognized as soon as I saw her that I had to deal with a woman of unusual character. At first, as I told you, I was inclined to suspect her of being concerned in the crime. Afterwards I altered my opinion.â
âWhat made you do that?â
âHer spontaneous and genuine grief at the sight of her husbandâs body. I could swear that the agony in that cry of hers was genuine.â
âYes,â I said thoughtfully, âone cannot mistake these things.â
âI beg your pardon, my friendâone can always be mistaken. Regard a great actress, does not her acting of grief carry you away and impress you with its reality? No, however strong my own impression and belief, I needed other evidence before I allowed myself to be satisfied. The great criminal can be a great actor. I base my certainty in this case, not upon my own impression, but upon the undeniable fact that Mrs. Renauld actually fainted. I turned up her eyelids and felt her pulse. There was no deceptionâthe swoon was genuine. Therefore I was satisfied that her anguish was real and not assumed. Besides, a small additional point not without interest, it was unnecessary for Mrs. Renauld to exhibit unrestrained grief. She had had one paroxysm on learning of her husbandâs death, and there would be no need for her to simulate another such a violent one on beholding his body. No, Mrs. Renauld was not her husbandâs murderess. But why has she lied? She lied about the wrist watch, she lied about the masked menâshe lied about a third thing. Tell me, Hastings, what is your explanation of the open door?â
âWell,â I said, rather embarrassed, âI suppose it was an oversight. They forgot to shut it.â
Poirot shook his head, and sighed.
âThat is the explanation of Giraud. It does not satisfy me. There is a meaning behind that open door which for a moment I cannot fathom.â
âI have an idea,â I cried suddenly.
âA la bonne heure! Let us hear it.â
âListen. We are agreed that Mrs. Renauldâs story is a fabrication. Is it not possible, then, that Mr. Renauld left the house to keep an appointmentâpossibly with the murdererâleaving the front door open for his return. But he did not return, and the next morning he is found, stabbed in the back.â
âAn admirable theory, Hastings, but for two facts which you have characteristically overlooked. In the first place, who gagged and bound Madame Renauld? And why on earth should they return to the house to do so? In the second place, no man on earth would go out to keep an appointment wearing his underclothes and an overcoat. There are circumstances in which a man might wear pajamas and an overcoatâbut the other, never!â
âTrue,â I said, rather crest-fallen.
âNo,â continued Poirot, âwe must look elsewhere for a solution of the open door mystery. One thing I am fairly sure ofâthey did not leave through the door. They left by the window.â
âWhat?â
âPrecisely.â
âBut there were no footmarks in the flower bed underneath.â
âNoâand there ought to have been. Listen, Hastings. The gardener, Auguste, as you heard him say, planted both those beds the preceding afternoon. In the one there are plentiful impressions of his big hobnailed bootsâin the other, none! You see? Some one had passed that way, some one who, to obliterate their footprints, smoothed over the surface of the bed with a rake.â
âWhere did they get a rake?â
âWhere they got the spade and the gardening gloves,â said Poirot impatiently. âThere is no difficulty about that.â
âWhat makes you think that they left that way, though? Surely it is more probable that they entered by the window, and left by the door.â
âThat is possible of course. Yet I have a strong idea that they left by the window.â
âI think you are wrong.â
âPerhaps, mon ami.â
I mused, thinking over the new field of conjecture that Poirotâs deductions had opened up to me. I recalled my wonder at his cryptic allusions to the flower bed and the wrist watch. His remarks had seemed so meaningless at the moment and now, for the first time, I realized how remarkably, from a few slight incidents, he had unravelled much of the mystery that surrounded the case. I paid a belated homage to my friend. As though he read my thoughts, he nodded sagely.
âMethod, you comprehend! Method! Arrange your facts. Arrange your ideas. And if some little fact will not fit inâdo not reject it but consider it closely. Though its significance escapes you, be sure that it is significant.â
âIn the meantime,â I said, considering, âalthough we know a great deal more than we did, we are no nearer to solving the mystery of who killed Mr. Renauld.â
âNo,â said Poirot cheerfully. âIn fact we are a great deal further off.â
The fact seemed to afford him such peculiar satisfaction that I gazed at him in wonder. He met my eye and smiled.
âBut yes, it is better so. Before, there was at all events a clear theory as to how and by whose hands he met his death. Now that is all gone. We are in darkness. A hundred conflicting points confuse and worry us. That is well. That is excellent. Out of confusion comes forth order. But if you find order to start with, if a crime seems simple and above-board, eh bien, mĂ©fiez vous! It is, how do you say it?âcooked! The great criminal is simpleâbut very few criminals are great. In trying to cover up their tracks, they invariably betray themselves. Ah, mon ami, I would that some day I could meet a really great criminalâone who commits his crime, and thenâdoes nothing! Even I, Hercule Poirot, might fail to catch such a one.â
But I had not followed his words. A light had burst upon me.
âPoirot! Mrs. Renauld! I see it now. She must be shielding somebody.â
From the quietness with which Poirot received my remark, I could see that the idea had already occurred to him.
âYes,â he said thoughtfully. âShielding some oneâor screening some one. One of the two.â
I saw very little difference between the two words, but I developed my theme with a good deal of earnestness. Poirot maintained a strictly non-committal attitude, repeating:
âIt may beâyes, it may be. But as yet I do not know! There is something very deep underneath all this. You will see. Something very deep.â
Then, as we entered our hotel, he enjoined silence on me with a gesture.
We lunched with an excellent appetite. I understood well enough that Poirot did not wish to discuss the tragedy where we could so easily be overheard. But, as is usual when one topic fills the mind to the exclusion of everything else, no other subject of interest seemed to present itself. For a while we ate in silence, and then Poirot observed maliciously:
âEh bien! And your indiscretions! You recount them not?â
I felt myself blushing.
âOh, you mean this morning?â I endeavoured to adopt a tone of absolute nonchalance.
But I was no match for Poirot. In a very few minutes he had extracted the whole story from me, his eyes twinkling as he did so.
âTiens! A story of the most romantic. What is her name, this charming young lady?â
I had to confess that I did not know.
âStill more romantic! The first rencontre in the train from Paris, the second here. Journeys end in loversâ meetings, is not that the saying?â
âDonât be an ass, Poirot.â
âYesterday it was Mademoiselle Daubreuil, today it is MademoiselleâCinderella! Decidedly you have the heart of a Turk, Hastings! You should establish a harem!â
âItâs all very well to rag me. Mademoiselle Daubreuil is a very beautiful girl, and I do admire her immenselyâI donât mind admitting it. The otherâs nothingâdonât suppose I shall ever see her again. She was quite amusing to talk to just for a railway journey, but sheâs not the kind of girl I should ever get keen on.â
âWhy?â
âWellâit sounds snobbish perhapsâbut sheâs not a lady, not in any sense of the word.â
Poirot nodded thoughtfully. There was less raillery in his voice as he asked:
âYou believe, then, in birth and breeding?â
âI may be old-fashioned, but I certainly donât believe in marrying out of oneâs class. It never answers.â
âI agree with you, mon ami. Ninety-nine times out of a hundred, it is as you say. But there is always the hundredth time! Still, that does not arise, as you do not propose to see the lady again.â
His last words were almost a question, and I was aware of the sharpness with which he darted a glance at me. And before my eyes, writ large in letters of fire, I saw the words âHĂŽtel du Phare,â and I heard again her voice saying âCome and look me upâ and my own answering with empressement: âI will.â
Well, what of it? I had meant to go at the time. But since then, I had had time to reflect. I did not like the girl. Thinking it over in cold blood, I came definitely to the conclusion that I disliked her intensely. I had got hauled over the coals for foolishly gratifying her morbid curiosity, and I had not the least wish to see her again.
I answered Poirot lightly enough.
âShe asked me to look her up, but of course I shanât.â
âWhy âof courseâ?â
âWellâI donât want to.â
âI see.â He studied me attentively for some minutes. âYes. I see very well. And you are wise. Stick to what you have said.â
âThat seems to be your invariable advice,â I remarked, rather piqued.
âAh, my friend, have faith in Papa Poirot. Some day, if you permit, I will arrange you a marriage of great suitability.â
âThank you,â I said laughing, âbut the prospect leaves me cold.â
Poirot sighed and shook his head.
âLes Anglais!â he murmured. âNo methodâabsolutely none whatever. They leave all to chance!â He frowned, and altered the position of the salt cellar.
âMademoiselle Cinderella is staying at the HĂŽtel dâAngleterre you told me, did you not?â
âNo. HĂŽtel du Phare.â
âTrue, I forgot.â
A momentâs misgiving shot across my mind. Surely I had never mentioned any hotel to Poirot. I looked across at him, and felt reassured. He was cutting his bread into neat little squares, completely absorbed in his task. He must have fancied I had told him where the girl was staying.
We had coffee outside facing the sea. Poirot smoked one of his tiny cigarettes, and then drew his watch from his pocket.
âThe train to Paris leaves at 2:25,â he observed. âI should be starting.â
âParis?â I cried.
âThat is what I said, mon ami.â
âYou are going to Paris? But why?â
He replied very seriously.
âTo look for the murderer of M. Renauld.â
âYou think he is in Paris?â
âI am quite certain that he is not. Nevertheless, it is there that I must look for him. You do not understand, but I will explain it all to you in good time. Believe me, this journey to Paris is
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