A Handful of Stars by Frank Boreham (moboreader .TXT) ๐
- Author: Frank Boreham
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Book online ยซA Handful of Stars by Frank Boreham (moboreader .TXT) ๐ยป. Author Frank Boreham
Some such thought shines through the passage in which Paul tells us how the great words came to him. He was irritated by his thorn; he prayed repeatedly for its removal; but the only answer that he received was this: My grace is sufficient for thee! Grace sufficient for a thorn! It is an almost ludicrous association of ideas!
It is so easy for Bunyan to believe that the divine grace is sufficient for the wide, wide world; it is so difficult to realize that it is sufficient for him!
It is so easy for Wesley to believe in the forgiveness of sins: it is so difficult for him to believe in the forgiveness of his own!
It is so easy for Paul to believe in the grace that is sufficient to redeem a fallen race: it is so difficult for him to believe in the grace that can fortify him to endure his thorn!
And yet, in a fine essay on Great Principles and Small Duties, Dr. James Martineau has shown that it is the lowliest who most need the loftiest; it is the tiny thorn that calls for the most tremendous grace. The gravest mistake ever made by educationalists is, he says, the mistake of supposing that those who know little are good enough to teach those who know less. It is a tragedy, he declares, when the master is only one stage ahead of his pupil. 'The ripest scholarship,' he maintains, 'is alone qualified to instruct the most complete ignorance.' Dr. Martineau goes on to show that a soul occupied with great ideas best performs trivial duties. And, coming to the supreme example of his subject, he points out that 'it was the peculiarity of the Saviour's greatness, not that he stooped to the lowliest, but that, without stooping, he penetrated to the humblest wants. He not simply stepped aside to look at the most ignominious sorrows, but went directly to them, and lived wholly in them; scattered glorious miracles and sacred truths along the hidden by-paths and in the mean recesses of existence; serving the mendicant and the widow, blessing the child, healing the leprosy of body and of soul, and kneeling to wash even the traitor's feet.' Here is a strange and marvelous and beautiful law! The loftiest for the lowliest! The greatest grace for the tiniest thorn!
Is it any wonder that, this being so, Paul felt that his splinter positively shone? 'I will glory in it,' he cried, 'that the power of Christ may be billetted upon me.' He feels that his soul is like some rural hamlet into which a powerful regiment has marched. Every bed and barn is occupied by the soldiers. Who would not be irritated by a splinter, he asks, if the irritation leads to such an inrush of divine power and grace? It is like the pain of the oyster that is healed by a pearl.
And so, with Paul as with Bunyan, the grace turns the scales. It is better to have the pain if it brings the pearl. It is better to have a thorn in the one balance if it brings such grace into the opposite balance that one is better off with the thorn than without it. Therein lies life's deepest secret--the secret that Catherine Booth and John Bunyan learned from the lips that unfolded it to Paul. In The Master's Violin, Myrtle Reed tells us the secret of the music that the old man's fingers wooed from the Cremona. You have but to look at the master, she says, and you will comprehend. 'There he stands, a stately figure, gray and rugged, yet with a certain graciousness; simple, kindly, and yet austere; one who had accepted his sorrow, and, by some alchemy of the spirit, transmuted it into universal compassion, to speak, through the Cremona, to all who could understand!'
That is the secret--the old musician's secret; Catherine Booth's secret; Bunyan's secret; Paul's secret; the secret of all who have learned the text by heart!
My grace is sufficient for thee--the inrush of the grace turned Paul's torturing splinter into a cause for life-long thankfulness!
My grace is sufficient for thee--the inrush of the grace turned Mrs. Booth's fierce struggle into a ceaseless song!
My grace is sufficient for thee! To the man who like John Bunyan, stands weighing his gladnesses and sadnesses with that text in his mind, it will seem that the one scale is overflowing and the other empty. For it is the glory of the grace that it takes what sadnesses there are and transmutes them into songs sublime.
XIX UNCLE TOM'S TEXT IPoor old Uncle Tom has been stripped of everything. All that he counted precious has vanished. He has been torn away from the old Kentucky home; has been snatched away from the arms of old Aunt Chloe; has been sold away from children and kindred; and has fallen into the merciless hands of that vicious slave-dealer, Simon Legree. And now Uncle Tom is dying. He lies in the dusty shed, his back all torn and lacerated by the cruel thongs. All through the night there steal to his side the other slaves on the plantation, poor creatures who creep in to see the last of him, to bathe his wounds, to ask his pardon, or to kneel in prayer beside his tortured frame. With the morning light comes George Shelby, his old master, to redeem him.
'Is it possible, is it possible?' he exclaims, kneeling down by the old slave. 'Uncle Tom, my poor, poor old friend!'
But Uncle Tom is too far gone. He only murmurs faintly to himself:
Feel soft as downy pillows are.
'You shan't die; you mustn't die, nor think of it! I've come to buy you and take you home!' cries George, with impetuous vehemence.
'Oh, Mas'r George, ye're too late. The Lord's bought me and is going to take me home--and I long to go. Heaven is better than old Kentucky!'
At this moment the sudden flush of strength which the joy of meeting his young master had infused into the dying man gives way. A sudden sinking falls upon him; he closes his eyes; and that mysterious and sublime change passes over his face that suggests the approach of other worlds. He begins to draw his breath with long, deep inspirations, and his broad chest rises and falls heavily. The expression of his face is that of a conqueror.
'Who,' he murmurs, 'who--who--who shall separate us from the love of Christ?' And, with that unanswerable challenge upon his quivering lips, he falls into his last long sleep. Severed from all that is dear to him, there is yet One heart from which nothing can separate him. And in that indissoluble tie he finds strong consolation at the last.
III was speaking the other day to a lady who had known Signor Alessandro Gavazzi. 'When he was in England,' she told me, 'he used to come and stay at my father's home, and, to us girls, he seemed like a visitor from another world.' The life of Gavazzi is one of the stirring romances of the nineteenth century. Born at Bologna in 1809, he became, at the age of fifteen, a Barnabite monk. His eloquence, even in his teens, was so extraordinary that, at twenty, he was made Professor of Rhetoric in the College of Naples. Some years afterward Pope Pius the Ninth sent him on a special mission to Milan as Chaplain-General to the Patriotic Legion. A little later, however, a new light broke upon him. He left the church of his fathers and devoted his distinguished gifts to the work of evangelism. In connection with his conversion, a pathetic incident occurred. A superstitious Italian mother will sometimes hang a charm around her boy's neck to drive away malignant powers. When Gavazzi was but a baby, his mother placed a locket on his breast, and he never moved without it. But when, in riper years, he found the Saviour, his mother's gift caused him great perplexity. As a charm he had no faith in it; he relied entirely on the grace of his Lord to sustain and protect him. And yet, for his mother's sake, he felt that he should like to wear it. He solved the problem by placing in the locket the words by which he had been led to Christ. When he died, an old man of eighty, the locket was found next his skin. And, when they opened it, they read: 'Who shall separate us from the love of Christ? I am persuaded that neither death, nor life, nor angels, nor principalities, nor powers, nor things present, nor things to come, nor height, nor depth, nor any other creature, shall be able to separate us from the love of God, which is in Christ Jesus our Lord.' Gavazzi's excommunication nearly broke his heart. He left Rome to wander in strange lands, the most frightful anathemas and maledictions ringing in his ears. He was an exile and an outcast, shuddering under the curse of the church that he had served so devotedly and so long. Yet, after all, what did it matter? He had found a love--the love of Christ--that he had never known before; and from that all-compensating love no power in church or state, in heaven or earth, in time or in eternity, had power to tear him.
IIIOne is tempted to continue in this strain. It would be pleasant to speak of Hugh Kennedy, of Savonarola, and of others who found life and grace and inspiration in the text on which poor Uncle Tom pillowed his dying head. The testimony of such witnesses is strangely fascinating; their name is legion; we may yet cite one or two of them before we close. Meanwhile, we must pay some attention to the words of which they speak so rapturously. And even to glance at them is to fall in love with them. They are among the most stately, the most splendid, in all literature. Macaulay, who read everything, once found himself in Scotland on a fast day. It was a new experience for him, and he did not altogether enjoy it. 'The place,' he said, 'had all the appearance of a Puritan Sunday. Every shop was shut and every church open. I heard the worst and longest sermon that I ever remember. Every sentence was repeated three or four times over, and nothing in any sentence deserved to be said once. I withdrew my attention and read the Epistle to the Romans. I was much struck by the eloquence and force of some passages, and made out the connection and argument of some others which had formerly seemed to me unmeaning. I enjoyed the "Who shall separate us from the love of Christ?" I know few things finer.'
The words constitute themselves the greatest challenge ever uttered. Poets and painters have gloried in the conception of Ajax, on his lonely rock, defying all the gods that be. But what is that compared with this? In the passage whose sublimities awoke the enthusiasm of Macaulay, and delivered him from insufferable boredom, Paul claims to
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