The Grammar of English Grammars by Goold Brown (read books for money TXT) 📖

viii.

   "Man, but for that, no action could attend
    And but for this, be thoughtful to no end."
        —O. B. Peirce's Gram., Pref. p. 5.

LESSON III.—UNDER VARIOUS RULES.

"'Johnson the bookseller and stationer,' indicates that the bookseller and the stationer are epithets belonging to the same person; 'the bookseller and the stationer' would indicate that they belong to different persons."—Bullions, E. Gram., p. 127.

"Past is an adjective; passed, the past tense or perfect participle of the verb, and they ought not, as is frequently done, to be confounded with each other."—Id., ib., p. 148.

"Not only the nature of the thoughts and sentiments, but the very selection and arrangement of the words, gives English poetry a character, which separates it widely from common prose."—Id., ib., p. 178.

"Men of sound, discriminating, and philosophical minds—men prepared for the work by long study, patient investigation, and extensive acquirements, have labored for ages to improve and perfect it, and nothing is hazarded in asserting, that should it be unwisely abandoned, it will be long before another equal in beauty, stability and usefulness, be produced in its stead."—Id., ib., p. 191.

"The Article The, on the other hand, is used to restrict, and is therefore termed Definite. Its proper office is to call the attention to a particular individual or class, or to any number of such, and is used with nouns in either the singular or plural number."—Id., ib., p. 193.

"Hence also the infinitive mood, a participle, a member of a sentence, or a proposition, forming together the subject of discourse, or the object of a verb or preposition, and being the name of an act or circumstance, are in construction, regarded as nouns, and are usually called 'substantive phrases;' as 'To play is pleasant,' 'His being an expert dancer is no recommendation,' 'Let your motto be Honesty is the best policy.'"—Id., ib., p. 194.

"In accordance with his definition, Murray has divided verbs into three classes, Active, Passive, and Neuter, and includes in the first class transitive verbs only, and in the last all verbs used intransitively"—Id., ib., p. 200.

"Moreover, as the name of the speaker or the person spoken to is seldom expressed, (the pronouns I and thou being used in its stead,) a noun is very seldom in the first person, not often in the second, and almost never in either, unless it be a proper noun, or a common noun personified."—Bullions, Pract. Les., p. 13.

"In using the above exercises it will save much time, which is all important, if the pupil be taught to say every thing belonging to the nouns in the fewest words possible, and to say them always in the same order as above."—Id., ib., p. 21.

"In any phrase or sentence the adjectives qualifying a noun may generally be found by prefixing the phrase 'What kind of,' to the noun in the form of a question; as, What kind of a horse? What kind of a stone? What kind of a way? The word containing the answer to the question is an adjective."—Id., ib., p. 22.

"In the following exercise let the pupil first point out the nouns, and then the adjectives; and tell how he knows them to be so."—Id., ib., p. 23.

"In the following sentences point out the improper ellipsis. Show why it is improper, and correct it."—Id., ib., p. 124.

"SINGULAR PRONOUNS. PLURAL PRONOUNS.

1. I—am being smitten. 1. We—are being smitten. 2. Thou—art being smitten. 2. Ye or you—are being smitten. 3. He—is being smitten. 3. They—are being smitten."

Wright's Philos. Gram., p. 98.

CHAPTER II—UTTERANCE.

Utterance Is the art or act of vocal expression. It includes the principles of articulation, of pronunciation, and of elocution.

SECTION I.—OF ARTICULATION.

Articulation is the forming of words; by the voice, with reference to their component letters and sounds.

ARTICLE I.—OF THE DEFINITION.

Articulation differs from pronunciation, in having more particular regard to the elements of words, and in not embracing accent[470]. A recent author defines it thus: "ARTICULATION is the act of forming, with the organs of speech, the elements of vocal language."—Comstock's Elocution, p. 16. And again: "A good articulation is the perfect utterance of the elements of vocal language."—Ibid.

An other describes it more elaborately thus: "ARTICULATION, in language, is the forming of the human voice, accompanied by the breath, in some few consonants, into the simple and compound sounds, called vowels, consonants, and diphthongs, by the assistance of the organs of speech; and the uniting of those vowels, consonants, and diphthongs, together, so as to form syllables and words, and constitute spoken language."—Bolles's Dict., Introd., p. 7.

ARTICLE II—OF GOOD ARTICULATION.

Correctness in articulation is of such importance, that without it speech or reading becomes not only inelegant, but often absolutely unintelligible. The opposite faults are mumbling, muttering, mincing, lisping, slurring, mouthing, drawling, hesitating, stammering, misreading, and the like. "A good articulation consists in giving every letter in a syllable its due proportion of sound, according to the most approved custom of pronouncing it; and in making such a distinction between the syllables of which words are composed, that the ear shall without difficulty acknowledge their number; and perceive, at once, to which syllable each letter belongs. Where these points are not observed, the articulation is proportionably defective."—Sheridan's Rhetorical Grammar, p. 50.

Distinctness of articulation depends, primarily, upon the ability to form the simple elements, or sounds of letters, by the organs of speech, in the manner which the custom of the language demands; and, in the next place, upon the avoidance of that precipitancy of utterance, which is greater than the full and accurate play of the organs will allow. If time be not given for the full enunciation of any word which we attempt to speak, some of the syllables will of course be either lost by elision or sounded confusedly.

Just articulation gives even to a feeble voice greater power and reach than the loudest vociferation can attain without it. It delivers words from the lips, not mutilated, distorted, or corrupted, but as the acknowledged sterling currency of thought;—"as beautiful coins newly issued from the mint, deeply and accurately impressed, perfectly finished, neatly struck by the proper organs, distinct, sharp, in due succession, and of due weight."—Austin's Chironomia, p. 38.

OBS.—The principles of articulation constitute the chief exercise of all those who are learning either to speak or to read. So far as they are specifically taught in this work, they will be found in those sections which treat of the powers of the letters.

SECTION II.—OF PRONUNCIATION.

Pronunciation, as distinguished from elocution, or delivery, is the utterance of words taken separately. The correct pronunciation of words, or that part of grammar which teaches it, is frequently called Orthoëpy.

Pronunciation, or orthoëpy, requires a knowledge of the just powers of the letters in all their combinations; of the distinction of quantity in vowels and syllables; and of the force and seat of the accent.

ARTICLE I—OF THE POWERS OF LETTERS.

The JUST POWERS of the letters, are those sounds which are given to them by the best readers. These are to be learned, as reading is learned, partly from example, and partly from such books as show or aid the pronunciation of words.

It is to be observed, however, that considerable variety, even in the powers of the letters, is produced by the character and occasion of what is uttered. It is noticed by Walker, that, "Some of the vowels, when neither under the accent, nor closed by a consonant, have a longer or a shorter, an opener or a closer sound, according to the solemnity or familiarity, the deliberation or rapidity of our delivery."—Pronouncing Dict., Preface, p. 4. In cursory speech, or in such reading as imitates it, even the best scholars utter many letters with quicker and obscurer sounds than ought ever to be given them in solemn discourse. "In public speaking," says Rippingham, "every word should be uttered, as though it were spoken singly. The solemnity of an oration justifies and demands such scrupulous distinctness. That careful pronunciation which would be ridiculously pedantic in colloquial intercourse, is an essential requisite of good elocution."—Art of Public Speaking, p. xxxvii.

ARTICLE II—OF QUANTITY.

QUANTITY, or TIME in pronunciation, is the measure of sounds or syllables in regard to their duration; and, by way of distinction, is supposed ever to determine them to be either long or short.[471]

The absolute time in which syllables are uttered, is very variable, and must be different to suit different subjects, passions, and occasions; but their relative length or shortness may nevertheless be preserved, and generally must be, especially in reciting poetry.

Our long syllables are chiefly those which, having sounds naturally capable of being lengthened at pleasure, are made long by falling under some stress either of accent or of emphasis. Our short syllables are the weaker sounds, which, being the less significant words, or parts of words, are uttered without peculiar stress.

OBS.—As quantity is chiefly to be regarded in the utterance of poetical compositions, this subject will be farther considered under the head of Versification.

ARTICLE III.—OF ACCENT.

ACCENT, as commonly understood, is the peculiar stress which we lay upon some particular syllable of a word, whereby that syllable is distinguished from and above the rest; as, gram'-mar, gram-ma'-ri-an.

Every word of more than one syllable, has one of its syllables accented; and sometimes a compound word has two accents, nearly equal in force; as, e'ven-hand'ed, home'-depart'ment.[472]

Besides the chief or primary accent, when the word is long, for the sake of harmony or distinctness, we often give a secondary or less forcible accent to an other syllable; as, to the last of tem'-per-a-ture', and to the second of in dem'-ni-fi-ca'-tion.

"Accent seems to be regulated, in a great measure, by etymology. In words from the Saxon, the accent is generally on the root; in words from the learned languages, it is generally on the termination; and if to these we add the different accent we lay on some words, to distinguish them from others, we seem to have the three great principles of accentuation; namely, the radical, the terminational, and the distinctive."—Walker's Principles, No. 491; L. Murray's Grammar, 8vo, p. 236.

A full and open pronunciation of the long vowel sounds, a clear articulation of the consonants, a forcible and well-placed accent, and a distinct utterance of the unaccented syllables, distinguish the elegant speaker.

OBSERVATIONS.

OBS. 1.—The pronunciation of the English language is confessedly very difficult to be mastered. Its rules and their exceptions are so numerous, that few become thoroughly acquainted with any general system of them. Nor, among the different systems which have been published, is there any which is worthy in all respects to be accounted a STANDARD. And, if we appeal to custom, the custom even of the best speakers is far from an entire uniformity. Perhaps the most popular directory on this subject is Walker's Critical Pronouncing Dictionary. The "Principles of English Pronunciation," which this author has furnished, occupy fifty-six closely-printed octavo pages, and are still insufficient for the purpose of teaching our orthoëpy by rule. They are, however, highly valuable, and ought to be consulted by every one who wishes to be master of this subject. In its vocabulary, or stock of words, this Dictionary is likewise deficient. Other lexicographers have produced several later works, of high value to the student; and, though no one has treated the subject of pronunciation so elaborately as did Walker, some may have given the results of their diligence in a form more useful to the generality of their consulters. Among the good ones, is the Universal and Critical Dictionary of Joseph E. Worcester.

OBS. 2.—Our modern accentuation of Greek or Latin words is regulated almost wholly by the noted rule of Sanctius, which Walker has copied and Englished in the Introduction to his Key, and of which the following is a new version or paraphrase, never before printed:

RULE FOR THE ACCENTING OF LATIN.

    One syllable has stress of course,
    And words of two the first enforce;
    In longer words the penult guides,
    Its quantity the point decides;
    If long, 'tis there the accent's due,
    If short, accent the last but two;
    For accent, in a Latin word,
    Should ne'er go higher than the third.

This rule, or the substance of it, has become very important by long and extensive use; but it should be observed, that stress on monosyllables is more properly emphasis than accent; and that, in English, the accent governs quantity, rather than quantity the accent.

SECTION III.—OF ELOCUTION.

Elocution is the graceful utterance of words that are arranged into sentences,