Practical Essays by Alexander Bain (spicy books to read .txt) 📖

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As our present head represents the very pith and marrow of the art of study, we may dwell a little longer on the process of changing the form of an author, whether by condensing, expanding, varying the expression, altering the order, selecting, and rejecting,--or by any other known device. Worst of all is change for the mere sake of change; it is simply better than literal copying. But, to rise above it, needs a sense of FORM already attained. According as this sense is developed, the exercise of altering or amending is more and more profitable. Consequently, there should be an express application of the mind to the attainment of form; and particular works pre-eminent for that quality should be sought out and read. "Form" is doubtless a wide word, and comprises both the logical or pervading method of a work, and the expression or dress throughout. Method by itself can be soonest acquired because it turns on a small number of points; language is a multifarious acquirement, and can hardly be forced, although it will come eventually by due application.

[EXAMPLE FROM PRACTICE OF MEDICINE.]

To show what is meant by learning Form, with a view to the more effectual study of subject-matter, I will take the example of a work on the Practice of Medicine; in which the idea is to describe Diseases _seriatim_, with their treatment or cures. At the present day, this subject possesses method or form: there is a systematic classification of diseased processes and diseases; also, a regular plan of setting forth the specific marks of each disease, its diagnosis, and, finally, its remedies. There are more and less perfect models of the methodical element; while there are differences among authors in the fulness of the detailed information. There is, besides, a Logic of Medicine, representing the absolute form, in a kind of logical synopsis, by which it is more easily comprehended in the first instance: not to mention the general body of the Logic of the Inductive Sciences, of which medicine is one. Now, undoubtedly, the best work to begin with--the Text-book-in-chief--would be one where Form is in its highest perfection; the amount of matter being of less consequence. In a subject of great complication, and vast detail, the student cannot too soon get possession of the best method or form of arrangement. When a work of this character is before him, he is to read and re-read it, till the form becomes strongly apparent; he is to compare one part with another, to see how the author adheres to his own pervading method; he should, if possible, make a synopsis of the plan in itself, disentangling it from the applications, for greater clearness. The scheme of a medical work, for example, comprises the Classification of Diseases, the parting off of Diseased Processes---Fever, Inflammation, &c.--from Diseases properly so called; the modes of defining Disease; the separation of defining marks, from predications, and so on: all involved in a strict Logic of Disease. Armed with these logical or methodical preliminaries, the student next attacks one of the extended treatises on the Practice of Medicine. He is now prepared to work the process of abstracting to the utmost advantage, both for clearness of understanding, and for impressing the memory. As in such a vast subject, no one author is deemed adequate to a full exposition, and as, moreover, a great portion of the information occurs, apart from systems, in detached memoirs or monographs,--the only mode of unifying and holding together the aggregate, is to reduce all the statements to a common form and order, by help of the pre-acquired plan. The progress of study may amend the plan, as well as add to the particular information; but absolute perfection in the scheme is not so essential as strict adherence to it through all the details. To work without a plan at all, is not merely to tax the memory beyond its powers, but probably also to misconceive and jumble the facts.

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To enhance the illustration of the two main heads of the Art of Study, I will so far deviate from the idea of the essay, as to take up a special branch of education, which, more than any other, has been reduced to form and rule, I mean the great accomplishment of Oratory, or the Art of Persuasion. The practical Science of Rhetoric, cultivated both by ancients and by moderns, has especially occupied itself with directions for acquiring this great engine of influencing mankind.

It was emphatically averred by the ancient teachers of the Oratorical art, that it must be grounded on a wide basis of general information. I do not here discuss the exact scope of this preparatory study, as my purpose is to narrow the illustration to what is special to the faculty of persuasion. I must even omit all those points relating to delivery or elocution, on which so much depends; and also the consideration of how to attain readiness or fluency in spoken address, except in so far as that follows from abundant oratorical resources. We thus sink the difference between spoken oratory, and persuasion through the press.

Even as thus limited, oratory is still too wide for a pointed illustration: and, so, I propose farther to confine my references to the department of Political Oratory; coupling with that, however, the Forensic branch--which has much in common with the other, and has given birth to some of our most splendid examples of the art of persuasion.

While declining to enter on the wide field of the general education of the orator, I may not improperly advert to the more immediate preparation for the political orator, by a familiar acquaintance with History and Political Philosophy, howsoever obtained. Then, on the other hand, the course here to be chalked out assumes a considerable proficiency in language or expression. The special education will incidentally improve both these accomplishments, but must not be relied on for creating them, or for causing a marked advance in either. The effect to be looked for is rather to give them direction for the special end.

[EXAMPLE FROM THE ART OF ORATORY.]

These things premised, the line of proceeding manifestly is to study the choicest examples of the oratorical art, according to the methods already laid down, with due adaptation to the peculiarities of the case.

Now, we have not, as in a Science, two or three systematic works, one of which is to be chosen as a chief, to be followed by a reference more or less to the others. Our material is a long series of detached orations; from these we must make a selection at starting, and such selection, which may comprise ten or twenty or more, will have to be treated with the intense single-minded devotion that we hitherto limited to a single work. Repeated perusal, with a process of abstracting to be described presently, must be bestowed upon the chosen examples, before embarking, as will be necessary, upon the wide field of miscellaneous oratory.

No doubt, an oratorical education could be grounded in a general and equal study of the orators at large, taking the ancients either first or last, according to fancy. Probably the greater number of students have fallen into this apparently obvious course. Our present contention is, that it is better to make a thorough study of a proper selection of the greatest speeches, together with the most persuasive unspoken compositions. This, however, is not all. We are following the wisdom of the ancients, in insisting on the farther expedient of proceeding to the study of the great examples by the aid of an oratorical scheme. At a very early stage of Oratory in Greece, its methods began to be studied, and, in the education of the orator, these methods were made to accompany the study of exemplary speeches.

The principles of Rhetoric at large, and of the Persuasive art in particular, have been elaborated by successive stages, and are now in a tolerable state of advancement. The learner will choose the scheme that is judged best, and will endeavour to master it provisionally, before entering on the oratorical models; holding it open to amendment from time to time, as his education goes on. The scheme and the examples mutually act and re-act: the better the scheme, the more rapidly will the examples fructify; and the scheme will, in its turn, profit by the mastery of the details.

[NECESSITY OF AN ORATORICAL ANALYSIS.]

One great use of an oratorical analysis, as supplied by the teachers of Rhetoric, is to part off the different merits of a perfect oration; and to show which are to be extracted from the various exemplary orators. One man excels in forcible arguments, another in the lucid array of facts; one is impressive and impassioned, another is quiet but circumspect. Now, the benefit of studying on principle, instead of working at random, is, that we concentrate attention on each one's strong points, and disregard the rest. But it needs a preparatory analysis, in order to make the discrimination. All that the uninstructed reader or hearer of a great oration knows is, that the oration is great: this may be enough for the persons to be moved; it is insufficient for an oratorical disciple.

In the hazardous task of pursuing the illustration by naming the examples of oratory most suitable to commence with, I shall pass over living men, and choose from the past orators of our own country. Without discussing minutely the respective merits of individuals, I am safe in selecting, as in every way suitable for our purpose, Burke, Fox, Erskine, Canning, Brougham, and Macaulay. Burke's Speeches on America; Fox on the Westminster Scrutiny; Erskine on Stockdale, and on Hardy, Tooke, &c.; Canning on the Slave Trade; Brougham, Lyndhurst, and Denman in the Queen's Trial; Macaulay on the Reform Bill,--would comprise, in a moderate compass, a considerable range of oratorical excellence. I doubt if any member of the list would be more suitable for a beginning than Macaulay's Reform Speeches. These are no mere displays of a brilliant imagination: they are known to have influenced thousands of minds otherwise averse to political change. The reader finds in them an immense repository of historical facts as well as of doctrines; but facts and doctrines, by themselves, do not make oratory. It is the use made of these, that gives us the instruction we are now in quest of. In a first or second reading, however, matter and form equally captivate the mind. It would be impossible, at that early stage, to make an abstract such as would separate the oratorical from the non-oratorical merits. Only when, by help of our scheme, we have made a critical distinction between the two kinds of excellence, are we able to arrive at an approach to a pure oratorical lesson; and, for a long time, we shall fail to make the desired isolation. We have to learn not to expect too much from any one speech: to pass over in Macaulay, what is more conspicuously shown, say in Fox, or in Erskine. If our political and historical education has made some progress, the mere thoughts and facts do not detain us; their employment for the end of persuasion is what we have to take account of.

[COMPREHENSIVE PRINCIPLE OF ORATORY.]

It is impossible here to indicate, except in a very general way, the successive steps of the operation. The one summary consideration in the Rhetoric of Oratory, from which flows the entire array of details,