A Mad Marriage by May Agnes Fleming (best ebook reader android .TXT) đ
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handsome, sitting gazing with dreamy eyes at the sun setting over the
green Devon woods.
âWell, ma mïżœre?â she asked.
âIt is all as you said, France,â my lady answered; âhe fell in love in
Lincolnshire.â
Miss Forrester laughed, and yet with a touch of feminine pique too.
âI knew it. I felt it in the uttermost depth of my prophetic soulâ
ââOh, my cousin, shallow-hearted,
Oh, my Eric, mine no more.â
Who is she? One of the nine Misses Higgins?â
âOne of the nine Misses Higgins.â
âAnd Terry and Eric will be brothers-in-law, as I said. What a capital
joke, Lady Dynely.â
âNo, Franceânot brothers-in-law. It isââ
But France started impetuously to her feet.
âLady Dynely donât say it. Donât say it is the particular Miss Higgins
Terry wanted. Donât make me think so badly of Eric as that.â
But Lady Dynely sat sorrowful and mute, and France read all the truth in
that sad face.
âIt is, then. Oh, this is too bad! too bad!âtoo bad of her, too bad of
Eric. It reminds one of the Scripture story of the cruel man who took
his neighborâs one ewe lamb. My poor, good Terry!â
She sat down, her eyes flashing through bright tears.
âI knew him weak and fickle,â she said; âI never thought him
dishonorable. For her,â contemptuously, âshe never could have been worth
one thought from Terry Dennison.â
âI have had a letter from Terry,â Lady Dynely said, sadly. âPoor fellow!
he makes no mention of coming back. He wishes me to accompany Eric to
Lincolnshire and formally countenance the engagement.â
âYou will go, of course?â
âI can do nothing else. And you, Franceâyou care wholly on Terryâs
account, I am sure, not at all on your own.â
âNot in the least on my own,â France said, holding her handsome head
high, her dark eyes still full of indignant fire. âBut Terry loved this
girl, and TerryâI must say it, though I offend you, Lady Dynelyâis
worth two hundred Erics. Oh, it is a shameâa shame!â
They met at dinner. Miss Forresterâs greeting was of the coldest and
most constrained. Eric was his own natural, languid, charming self, at
his best. His motherâs sad, pale face he would not see, Franceâs flushed
cheeks and angry eyes he overlooked.
âIt takes two to make a row,â Eric thought; âyou wonât make a row with
me.â
Once France spoke of Terryâher bright, angry eyes fixed upon his face,
her own wearing a very resolute look. Where was Terry? How had he left
him? Where was he going? When did he mean to return? Eric bore it
heroically.
âIo pïżœan,
Terry! Terry!â
he laughed. âHow you ring the changes on that classical name. I donât
know anything of Terryâs outgoings and incomings. Am I my brotherâs
keeper? Your solicitude does Mr. Dennison too much honor.â
She turned from him.
âHe has no heart,â she thought; âno sense of remorse; no feeling for any
human being but himself. I pity Miss Crystal Higgins.â
The evening brought Mr. Locksley, the artist.
âSo he comes still,â Eric thought, watching with sleepy, half-closed
eyes his mother and the artist playing chess, while France sat at the
piano and sang softly. âI wonderâI wonder if this is the secret of your
queenly indifference, Miss Forrester, to me.â
Next day Lady Dynely and her son departed. France watched Eric out of
sight with a smile, the fag end of an old ballad on her lips:
ââLightly won and lightly lost,
A fair good-night to thee.ââ
CHAPTER XIV.
âONCE MORE THE GATE BEHIND ME FALLS.â
In that pleasant upper room of Dynely Abbey, set apart as Mr. Locksleyâs
studio, and sacred wholly to that artist and his painting goods and
chattels, Mr. Locksley himself stood on the morning of the day that took
Lady Dynely and her son to Lincolnshire. He stood with folded arms and a
darkly thoughtful look, gazing at his own work. As he stood there, tall,
strong, erect, the soldierly air that told of his past calling was more
manifest than ever.
This portrait was a gemâsomething more than an ordinary portraitâas a
work of art, worthy of Reynolds or Romney. It had been a labor of love,
heart and soul had been in the work, and the result did what the works
of master hands seldom do, satisfied himself.
From a darkly misty background the face of France Forrester shone
vividly out, startlingly lifelike in coloring and expression. He had
caught her very look, that mischievous sparkle of eye and smile, that
brightly mutinous turn of the graceful head, as she leaned forward from
the canvas. Those darkly laughing eyes looked up at the artist now from
beneath that floating chevelure of rich, waving hair, the perfect lips
smiled upon him saucily, as though they understood his sombre thoughts
and mocked at them.
âAs she would, most likely,â he thought, âif she knew all. But noâthat
is not France Forrester. Proud she is, proud of the name she bears, the
lineage that lies behind her and the place she holds in life, but to
laugh at any mortal pain is not in her. I can see the first flush of
haughty anger and amaze at the nameless painterâs presumptionâthen the
soft womanly compassion for his suffering, that would make gentle and
tender her parting words. And yet I have thought that if she knew all,
the whole truthââhe paused suddenly and turned impatiently away towards
the window. âWhat a fool I am,â he muttered, half-aloud. âShe loves that
handsome dandy, of courseâhe is the sort of gilded fop womankind make
idols of. Could I not see it in her face last night?â
He stood staring out at my ladyâs carefully kept Italian garden, all
ablaze with gorgeous August flowers. It was a sultry, overcast
dayâsunless, windless, gray. Early in the morning the sun had come out
with a dazzling brightness, only to vanish again and leave behind a low,
leaden sky, frowning with drifting cloud.
The great house was very still. My lord and lady had gone; Miss
Forresterâs clear voice, and the light, silken rustle of her garments
were nowhere to be heard. She was not to sit to Mr. Locksley any more;
the last sitting had been given a week ago, and though he still came
daily it was but to add the few last finishing touches to his perfected
work. He dined with the two ladies at intervals, and spent occasional
evenings at the Abbey when there were no other visitors. From general
society he shrank; but he never refused my ladyâs cordial invitations
when she and her ward were alone. It might have been wiser if he had.
They were growing dangerously dear to him, these long tïżœte-ïżœ-tïżœte
evenings with the heiress of Caryllynne; perilously precious, this
standing beside her, turning over her music, listening to the old
ballads she loved to sing, watching the white, flying fingers, the
tender, lovely, spirited faceâhow dear, how precious, he was finding
out now to his cost.
He turned from the window and began pacing impatiently up and down the
long, lofty room. In spite of the wide open window the atmosphere was
almost painfully oppressive. So sultry, so airless was the leaden day,
that it was only by an effort one could breathe. The physical suffering
blended with the mental. He loosened the strip of black ribbon at his
throat, as though even that suffocated him. He was facing for the first
time the bare truth to-day. He had shut his eyes wilfully to his own
danger; the moth had seen the lighted candle, and intoxicated by its
brilliancy, had still flown headlong in. Was the moth to be pitied,
then, let him singe his wings ever so badly?
âI will go!â he said to himself, abruptly, âI will go to-morrow. Flight
is oneâs only safeguard in these things. If I stay, if I see any more of
her I will commit the last crowning act of folly, and tell her all. My
work is finishedâthere is no cause to linger. Yes, I will goâI will
start for Spain to-morrow, and explore it from the Escurial to the
Alhambra, and in painting dark-eyed Morisco maidens and bull-fights I
will forget this summerâs fooling.â
He looked at his watchâtwo oâclock. Three was his dinner hourâit would
take him the hour to walk to the village. He made his headquarters at
the âKiddle-a-winkâ in the village of Dynely, and slept in that upper
chamber wherein sixteen years before, one summer night, Alexis Dynely
lay dying.
As he passed out from the house into the sultry afternoon, he glanced up
at the sky. It was growing darker every instantâa faint, damp rain was
beginning to fall. It was doubtful, good walker though he was, if he
would outstrip the storm and reach the inn before the summer rain fell.
He looked around as he walked rapidly away, to catch a glimpse of a
gauzy dress, to hear a girlâs sweet voice singing, to see a graceful
head bent over a book or a drawing. Miss Forrester, however, was nowhere
to be seen. It was as well so, perhaps.
âI will call this evening and make my adieux to both ladies,â he
thought, and, pulling his hat over his eyes, strode rapidly on his way.
Yes, he would leave England on the morrowâfor good and all this time.
Where was the use of coming back, where the sight of the familiar
places, the familiar faces that knew him no more, brought nothing but
pain? He would make Rome his headquarters for life, and give himself up
utterly to his art. A boyâs mad folly, a womanâs base deceit had wrecked
his life sixteen years ago. He had been thrust out from his motherâs
home and heart with scorn and bitter words, his birthright given to a
stranger. It never occurred to him to sue for commutation of that
sentence. With the past he had nothing to do; he had deserved his fate,
he had disgraced his name; his mother had done rightly; in the future
the art he loved was all he had left him. He would start upon his second
exile to-morrow. This time there should be no looking back, this time it
should be life-long. To return to England meant returning to see her the
happy wife of Lord Dynely; to return and sue for his motherâs favor,
meant to oust her from her fortune, to rake up all the old dead-and-gone
scandal, to bring the shame from which that mother, the haughtiest woman
in England, had fled sixteen years before, back to her in its first
force. No, there was nothing for him but silence and exile to the end.
âMr. Locksley?â
The clear sweet voice made him look up from his moody reverie with a
start. And then, like a vision, France Forresterâs brightly smiling
face, set in a ravishing bonnet, beamed upon him. Miss Forrester, with a
tiny groom behind her, drove a low, basket phaeton and a pair of
spanking little ponies. She drew up the ponies in dashing style, and
turned to the artist with that bewitching smile of hers.
âAre you going home, Mr. LocksleyâI mean to the inn? Pray donât go just
yet. Let me offer you this vacant seat. I have something to say to you.â
Was fate pursuing him when he meant to fly from danger? He took the seat
beside her, and Miss Forrester with a touch of her parasol-whip, sent
the little steppers briskly ahead.
âI am alone to-dayâdo you
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