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body of the dog was subsequently found floating in the water near a bridge. An examination of the attendant circumstances pointed to the dog having met its death on the night of Mr. Rider Haggard's dream. As a result of this gentleman having made public this experience, he received from numerous correspondents accounts of telepathy between the minds of the writers of the letters and the minds of animals. These accounts were sent by Mr. Rider Haggard to the Secretary of the S.P.R., who handed them to me for investigation.

A very good case was that communicated by Lady C. The following is the account of her experience:—

"On one hot Sunday afternoon in the summer of 1900 I went, after luncheon, to pay my customary visit to the stables to give sugar and carrots to the horses, among the number being a favourite mare named Kitty. She was a shy, nervous, well-bred animal, and there existed between us a great and unusual sympathy. I used to ride her every morning before breakfast (whatever the weather might be)—quiet, solitary rides on the cliffs which overhung the sea at Castle F., and it always seemed to me that Kitty enjoyed that hour in the freshness of the day as much as I did. On this particular afternoon I left the stables, and walked along to the garden, a distance of a quarter of a mile, and established myself under a tree with an interesting book, fully intending to remain there for a couple of hours. After about twenty minutes an uncomfortable sensation came between me and my reading, and at once I felt sure that there was something the matter with Kitty. I tried to put the feeling from me, and to go on with my book, but the impression grew stronger, and I felt compelled to hasten back to the stables. I went straight to Kitty's box and found her 'cast,' and in urgent need of help. The stablemen were in a distant part of the stables, whence I fetched them to have the mare up. Their surprise was great to find me in the stables for the second time that afternoon."

I wrote to Lady C., and received the following reply:—

"27th December 1904

"Lady C. would be glad indeed to have the case investigated, as it always seemed to her to be of the greatest possible interest. At the same time, it may be difficult at this date to get a statement from the stablemen, one of whom is somewhere in England, but Lady C. will try to do so. She is absolutely convinced that no one entered the stable. Had the stablemen done so they would at once have helped the mare to get up, and anyone else would have given the alarm. It seems a direct case of telepathy from animal mind to human."

Lady C. afterwards sent me a statement from a former coachman; it is this:—

"31st December 1904

"I was coachman at Castle F. at the time. Lady C. came to the stables after luncheon as usual on a Sunday afternoon with carrots and sugar for the horses. Kitty was then loose in her box and quite well. I then went to my room over the stables, the other stablemen being also upstairs, and to my surprise, after half an hour or three-quarters of an hour later, her ladyship, who had been to the garden, called me and the other stablemen to come and help Kitty up, as she was lying 'cast'[1] in her box. No one had gone into the stable in the interval.

(Signed) "E. N."

Telepathy may possibly exist between the mind of an animal and that of a human being and vice versa, but a sufficient number of cases have not been collected to establish this as a fact.

PART II

FRAUDULENT TELEPATHY

I now come to another class of so-called thought transference—that exhibited at public entertainments in which genuine telepathy plays no part.

On the 25th November 1912 Miss Isabel Newton, the Secretary of the Society for Psychical Research, and I attended the demonstration given by Yoga [sic] Rama of his alleged occult powers at the "Little Theatre," Adelphi.

Accounts had appeared in the public press of a previous private performance given by this so-called Abyssinian Mystic, at which Sir John Simon, the Solicitor-General, Mr. Bernard Shaw, and Mr. Anthony Hope had assisted, and it was stated that Yoga Rama had been able to read the thoughts of the Solicitor-General by supernormal means.

In order to demonstrate, in a public manner, the alleged occult power of this "psychic," a stage performance was given at the "Little Theatre" on the afternoon of the above-mentioned date. A large audience was present, and their expectations of witnessing manifestations of an occult nature were raised by the contents of the programme, wherein it appeared that Yoga Rama was to give a demonstration of "The power of mind over mind" by means of—

"1. Clairaudience.

"2. The possibility of the interpretation of vibrations without the aid of sound.

"3. Psychometry by sense of touch.

"4. Telepathy. The disclosure of names thought of by persons in the audience.

"5. Disclosure of personalities by subconscious means.

"6. Revelations by a circumstantial chain of mind pictures.

"7. Various demonstrations of ideas silently conveyed to the spectator by suggestion.

"8. Descriptions of cities and places by mind pictures.

"9. Messages."

Before Yoga Rama made his appearance a gentleman (a Mr. Fletcher) delivered a short speech from the stage. He stated that the "Yoga" had acquired his occult powers by contemplation after many years' study. He went on to say that in the Eastern World the occult powers of the mind had been more studied than in the Western World, but at the present day the Western World looked upon these powers with much less prejudice than formerly.

After Mr. Fletcher had retired, Yoga Rama made his appearance from between the centre of two curtains which hung at the back of the stage. He was attired in a long loose black gown and wore a large crimson turban. He advanced to the front of the stage and made a speech which had a smattering of a theosophical discourse. He described four kinds of Yogi. The first kind, he said, was frequently met in India. These Yogi worked on the physical plane and produced effects resembling the feats of a conjurer. The second kind worked in the mental plane (to this class he implied that he belonged). The third dealt with the spiritual problems of life. The fourth was absorbed in meditation.

He continued his speech by saying that he required the sympathy of the persons with whom he would experiment. If they mentally opposed him he could do nothing, but if their minds were sympathetic and not antagonistic he would succeed.

The speeches of Mr. Fletcher and of Yoga Rama still further raised the expectations of the audience that they were about to witness that afternoon a demonstration of the power of mind over mind by supernormal means.

Yoga Rama, after the conclusion of his speech, called for thirty persons (ladies and gentlemen) to come upon the stage and form a Committee. A gentleman and I first answered the call. We were soon followed by a rush of ladies and gentlemen who rather inconveniently filled the stage, but this did not interfere with the performance, as the majority of the ladies and gentlemen kept at the back of the stage while Yoga Rama carried out his experiments with a limited number of the members of the Committee. In order to be more at his ease, Yoga Rama removed his turban. I placed it under a table which stood on the stage. I then had a good look at him. I found he was a black man with short crisp curly hair. From his appearance and the fluency with which he speaks English, I came to the conclusion that he is not an Abyssinian, but an American or West Indian negro.

Amongst the members of the Committee were Mr. Zancig and Mr. William Marriott. Both of these gentlemen I have had the pleasure of knowing for some years. They, together with Mr. Charles Guttwoch (a friend of Mr. Marriott), three or four other gentlemen, and myself, were the only members of the Committee who actively endeavoured to ascertain whether Yoga Rama's experiments depended for their success on trickery or on other causes. The other members of the Committee remained passive spectators. As regards the lady members with whom Yoga Rama tried a few experiments, they declared themselves, at the conclusion of the performance, to be believers in his alleged supernormal claims.

Before the experiments commenced, Yoga Rama asked that some one should blindfold him with some articles which lay on a small table in the centre of the stage. These consisted of two pieces of folded paper just large enough to cover the eyebrows and eyes, a piece of porous plaster perforated with holes, a thin white cotton handkerchief, two gloves, and a long red silk scarf. Mr. Marriott offered to blindfold him. I stood close to him while this was being done. Mr. Marriott placed the pieces of paper first on Yoga Rama's eyes, then the porous plaster, then the cotton handkerchief, after this the two gloves, and finally the red scarf which he wound several times round his head. The tip of Yoga Rama's nose could be seen under the plaster, the white cotton handkerchief, and the scarf. Yoga Rama, who remained standing, then requested some one to sit on a chair in front of him, to think of a name, then to hold his left hand (i.e. the sitter's left hand) in front of the sitter's face, and to trace on the palm of the left hand with the forefinger of the right the first letter of the name thought of. The sitter was then asked to give taps on his left hand or make movements in the air with his right hand corresponding to the number of letters of which the name thought of consisted. When Yoga Rama suggested (as he subsequently did) that the name of a flower or of a city should be thought of, he requested that the same procedure of tracing the first letter of the name and giving a number of taps or making movements with the right hand corresponding to the number of letters should be followed, but when he suggested that a play of Shakespeare should be thought of he only asked that the first one or two letters of the title should be traced on the palm of the left hand of the sitter with the forefinger of the other hand. He did not then ask that taps or movements of the right hand should be given or made. About an hour and a half of the first part of the performance was taken up by experiments of the above nature. These were varied only by one experiment of telling the title of a hymn which a lady thought of, one of reading the thoughts of a young lady, and one experiment with playing cards.

Yoga Rama then made a long speech about happiness depending on our own selves and our being what we willed ourselves to be. He asserted that he had overcome in himself the passion of anger. He laboured these points so much and repeated himself so often that it became manifest he was making the speech solely with

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