Thirty Strange Stories by H. G. Wells (sci fi books to read TXT) đź“–
- Author: H. G. Wells
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“There again, perhaps, you will not understand me. To me, how could one throw away a thing like that, glowing, wonderful? Once one has it, one is bound. But, on the other hand, to give it away! To give it away to some one who thirsted after knowledge, who found no terror in the thought of that clear perception—”
“Of course,” said Mr. Hinchcliff, thoughtfully, “it might be some sort of poisonous fruit.”
And then his eye caught something motionless, the end of a white board black-lettered outside the carriage-window. “—MWOOD,” he saw. He started convulsively. “Gracious!” said Mr. Hinchcliff. “Holmwood!”—and the practical present blotted out the mystic realisations that had been stealing upon him.
In another moment he was opening the carriage-door, portmanteau in hand. The guard was already fluttering his green flag. Mr. Hinchcliff jumped out. “Here!” said a voice behind him, and he saw the dark eyes of the stranger shining and the golden fruit, bright and bare, held out of the open carriage-door. He took it instinctively, the train was already moving.
“No!” shouted the stranger, and made a snatch at it as if to take it back.
“Stand away,” cried a country porter, thrusting forward to close the door. The stranger shouted something Mr. Hinchcliff did not catch, head and arm thrust excitedly out of the window, and then the shadow of the bridge fell on him, and in a trice he was hidden. Mr. Hinchcliff stood astonished, staring at the end of the last waggon receding round the bend, and with the wonderful fruit in his hand. For the fraction of a minute his mind was confused, and then he became aware that two or three people on the platform were regarding him with interest. Was he not the new Grammar School master making his début? It occurred to him that, so far as they could tell, the fruit might very well be the naïve refreshment of an orange. He flushed at the thought, and thrust the fruit into his side pocket, where it bulged undesirably. But there was no help for it, so he went towards them, awkwardly concealing his sense of awkwardness, to ask the way to the Grammar School, and the means of getting his portmanteau and the two tin boxes which lay up the platform thither. Of all the odd and fantastic yarns to tell a fellow!
His luggage could be taken on a truck for sixpence, he found, and he could precede it on foot He fancied an ironical note in the voices. He was painfully aware of his contour.
The curious earnestness of the man in the train, and the glamour of the story he told, had, for a time, diverted the current of Mr. Hinchcliff’s thoughts. It drove like a mist before his immediate concerns. Fires that went to and fro! But the preoccupation of his new position, and the impression he was to produce upon Holmwood generally, and the school people in particular, returned upon him with reinvigorating power before he left the station and cleared his mental atmosphere. But it is extraordinary what an inconvenient thing the addition of a soft and rather brightly-golden fruit, not three inches in diameter, prove to a sensitive youth on his best appearance. In the pocket of his black jacket it bulged dreadfully, spoilt the lines altogether. He passed a little old lady in black, and he felt her eye drop upon the excrescence at once. He was wearing one glove and carrying the other, together with his stick, so that to bear the fruit openly was impossible. In one place, where the road into the town seemed suitably secluded, he took his encumbrance out of his pocket and tried it in his hat. It was just too large, the hat wobbled ludicrously, and just as he was taking it out again, a butcher’s boy came driving round the corner.
“Confound it!” said Mr. Hinchcliff.
He would have eaten the thing, and attained omniscience there and then, but it would seem so silly to go into the town sucking a juicy fruit—and it certainly felt juicy. If one of the boys should come by, it might do him a serious injury with his discipline so to be seen. And the juice might make his face sticky and get upon his cuffs—or it might be an acid juice as potent as lemon, and take all the colour out of his clothes.
Then round a bend in the lane came two pleasant, sunlit, girlish figures. They were walking slowly towards the town and chattering—at any moment they might look round and see a hot-faced young man behind them carrying a kind of phosphorescent yellow tomato! They would be sure to laugh.
“Hang!” said Mr. Hinchcliff, and with a swift jerk sent the encumbrance flying over the stone wall of an orchard that there abutted on the road. As it vanished, he felt a faint twinge of loss that lasted scarcely a moment. He adjusted the stick and glove in his hand, and walked on, erect and self-conscious, to pass the girls.
But in the darkness of the night Mr. Hinchcliff had a dream, and saw the valley, and the flaming swords, and the contorted trees, and knew that it really was the Apple of the Tree of Knowledge that he had thrown regardlessly away. And he awoke very unhappy.
In the morning his regret had passed, but afterwards it returned and troubled him; never, however, when he was happy or busily occupied. At last, one moonlight night about eleven, when all Holmwood was quiet, his regrets returned with redoubled force, and therewith an impulse to adventure. He slipped out of the house and over the playground wall, went through the silent town to Station Lane, and climbed into the orchard where he had thrown the fruit. But nothing was to be found of it there among the dewy grass and the faint intangible globes of dandelion down.
I was—you shall hear immediately why I am not now—Egbert Craddock Cummins. The name remains. I am still (Heaven help me!) Dramatic Critic to the “Fiery Cross.” What I shall be in a little while I do not know. I write in great trouble and confusion of mind. I will do what I can to make myself clear in the face of terrible difficulties. You must bear with me a little. When a man is rapidly losing his own identity, he naturally finds a difficulty in expressing himself. I will make it perfectly plain in a minute, when once I get my grip upon the story. Let me see—where am I? I wish I knew. Ah, I have it! Dead self! Egbert Craddock Cummins!
In the past I should have disliked writing anything quite so full of “I” as this story must be. It is full of “I’s” before and behind, like the beast in Revelation—the one with a head like a calf, I am afraid. But my tastes have changed since I became a Dramatic Critic and studied the masters—G.R.S., G.B.S., G.A.S., and the others. Everything has changed since then. At least the story is about myself—so that there is some excuse for me. And it is really not egotism, because, as I say, since those days my identity has undergone an entire alteration.
That past!—I was—in those days—rather a nice fellow, rather shy—taste for grey in my clothes, weedy little moustache, face “interesting,” slight stutter which I had caught in early life from a schoolfellow. Engaged to a very nice girl, named Delia. Fairly new, she was—cigarettes—liked me because I was human and original. Considered I was like Lamb—on the strength of the stutter, I believe. Father, an eminent authority on postage stamps. She read a great deal in the British Museum. (A perfect pairing ground for literary people, that British Museum—you should read George Egerton and Justin Huntly M’Carthy and Gissing and the rest of them.) We loved in our intellectual way, and shared the brightest hopes. (All gone now.) And her father liked me because I seemed honestly eager to hear about stamps. She had no mother. Indeed, I had the happiest prospects a young man could have. I never went to the theatres in those days. My Aunt Charlotte before she died had told me not to.
Then Barnaby, the editor of the “Fiery Cross,” made me—in spite of my spasmodic efforts to escape—Dramatic Critic. He is a fine, healthy man, Barnaby, with an enormous head of frizzy black hair and a convincing manner; and he caught me on the staircase going to see Wembly. He had been dining, and was more than usually buoyant. “Hullo, Cummins!” he said. “The very man I want!” He caught me by the shoulder or the collar or something, ran me up the little passage, and flung me over the waste-paper basket into the arm-chair in his office. “Pray be seated,” he said, as he did so. Then he ran across the room and came back with some pink and yellow tickets and pushed them into my hand. “Opera Comique,” he said, “Thursday; Friday, the Surrey; Saturday, the Frivolity. That’s all, I think.”
“But—” I began.
“Glad you’re free,” he said, snatching some proofs off the desk and beginning to read.
“I don’t quite understand,” I said.
“Eigh?” he said, at the top of his voice, as though he thought I had gone, and was startled at my remark.
“Do you want me to criticise these plays?”
“Do something with ’em— Did you think it was a treat?”
“But I can’t.”
“Did you call me a fool?”
“Well, I’ve never been to a theatre in my life.”
“Virgin soil.”
“But I don’t know anything about it, you know.”
“That’s just it. New view. No habits. No clichés in stock. Ours is a live paper, not a bag of tricks. None of your clockwork, professional journalism in this office. And I can rely on your integrity—”
“But I’ve conscientious scruples—”
He caught me up suddenly and put me outside his door. “Go and talk to Wembly about that,” he said. “He’ll explain.”
As I stood perplexed, he opened the door again, said, “I forgot this,” thrust a fourth ticket into my hand (it was for that night—in twenty minutes’ time), and slammed the door upon me. His expression was quite calm, but I caught his eye.
I hate arguments. I decided that I would take his hint and become (to my own destruction) a Dramatic Critic. I walked slowly down the passage to Wembly. That Barnaby has a remarkably persuasive way. He has made few suggestions during our very pleasant intercourse of four years that he has not ultimately won me round to adopting. It may be, of course, that I am of a yielding disposition; certainly I am too apt to take my colour from my circumstances. It is, indeed, to my unfortunate susceptibility to vivid impressions that all my misfortunes are due. I have already alluded to the slight stammer I had acquired from a schoolfellow in my youth. However, this is a digression—I went home in a cab to dress.
I will not trouble the reader with my thoughts about the first-night audience, strange assembly as it is,—those I reserve for my Memoirs,—nor the humiliating story of how I got lost during the entr’acte in a lot of red plush passages, and saw the third act from the gallery. The only point upon which I wish to lay stress was the remarkable effect of the acting upon me. You must remember I had lived a quiet and retired life, and had never been to the theatre before, and that
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