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suspense. As France came in she opened her arms, and without a word the
girl went in to them, and laid her pale face on the motherly bosom with
a great, tearless sob.
“My child! my child!”
She held her to her, and there was silence. The eyes of Gordon Caryll’s
mother were full of pitying tears, but the eyes of France were dry and
burning.
“I sent him away—from you who love him so dearly. Oh, mother, forgive
me. I did it for the best.”
She says it in a choked whisper, lifting her face for a moment. Then
again it falls on the other’s shoulder.
“It was like death, it was worse than death, but I told him to go,” she
says, again, in that husky undertone.
“My dearest,” Mrs. Caryll answers, “you did right. Dearly as I love him,
precious as your happiness is to me, I would rather part with him
forever, rather see you as I see you now, than let you be his wife
while that woman lives. I believe as you believe. No law of man can
alter the law of God. If she was his wife seventeen years ago—my child,
how you shiver! are you cold?—she is his wife still. It is right and
just that he should have put her away—that I believe; knowing her to be
alive now, it is right and just also that you should have sent him from
you. But, oh, my dear, my dear, it is hard on you—it is very hard on
him.”
“Don’t,” France says. “Oh, mother, not yet! I can’t bear it. This day
fortnight was to have been our wedding-day, and now—”
She breaks down all in a moment, and the tears come—a passionate rain
of tears. The mother holds her almost in silence, and so on her bosom
lets her weep her anguish out.
She is crying herself, but quietly. Great self-control has always been
hers—is hers still. To part with her lately-found son has been like the
rending of soul and body—more bitter than the bitterness of death; but
she has learned, in weary years of penitence and waiting, the great
lesson of life—endurance. So she comforts France now, in a tender,
motherly fashion, and France listens, as she could listen to no one on
earth, this morning, but Gordon’s mother.
“It is not for myself,” she says at last, after her old, impetuous
fashion, “it is for him. He has suffered so much, atoned so bitterly in
exile, and loneliness, and poverty, all the best years of his life for
that mad marriage of his youth, and now, when I would have made him so
happy, when he was happy, in one instant everything is swept from
him—home, mother, wife—and he must go out into exile once more. Oh,
mother! help me to bear it! It breaks my heart!”
The wild sobs break forth again. The mother’s heart echoes every word.
It is retribution, perhaps justice—none the less it is very bitter.
They both think of him, leaving all things, and going back to outlawry
and wretchedness; they think of her in her insolent, glowing beauty and
prosperity, the world going so well with her, glorying in her vengeance,
and it requires all the Christianity within them to refrain from hating
her.
But presently the storm of grief ends, and sitting on a low hassock, her
head bowed on Mrs. Caryll’s knee, France listens to her sad plans for
the future—so different, oh, so different from all the girl’s bright
hopes of but a day before.
“We will return to England, France,” Mrs. Caryll says, gravely; “to
Caryllynne. It has been deserted long enough. There we will live quietly
together, and hope, and pray, and wait—”
“Wait,” France repeats with mournful bitterness. “What is there to wait
for now?”
What, indeed! Both are silent. Unless this fatal woman dies—and in her
rich and perfect health she is likely to outlive them all—what can her
son ever have to hope for in this lower world? For France—well, as the
years go on, the elder woman thinks happiness may return to her. She
is so young, there may be hope for her—for him, none.
“Would you rather we went to Rome?” she asks, after a pause.
“No,” France says. “Let us return to Caryllynne. It was his home; I
shall be less wretched there than anywhere else on earth.”
So it is agreed.
“Terry will take us,” Mrs. Caryll says. “Terry knows all. And Lucia must
be told, my dear—it is impossible to keep the truth from her.”
“Yes, tell her,” Miss Forrester assents, wearily; “the sooner the
better. And ask her to spare me—to say nothing of altered looks, or
of—him. I will return to my room, and you had best send for her at
once. She was speaking of taking Crystal to Versailles—let her know
all, and make an end of it before she goes.”
Then France toils spiritlessly, cold and white, and wretched looking,
back to her room, and Lady Dynely is sent for, and the miserable sequel
to Gordon Caryll’s early marriage is told her, as she sits surprised and
compassionate, beside Gordon Caryll’s most unhappy mother.
*
“Where is he now?” is France’s thought, as she sits wearily down, and
lays her head on the table, as though she never cared to lift it again.
He is whirling along in a French express train—Calais-ward. To-night he
will cross the channel; by the first Cunarder that quits Liverpool he
will sail for New York, and so begins the second exile to which his
fatal wife has driven him.
CHAPTER XI.
M. LE PRINCE.
A quiet street near the Rue de la Paix. The hour, ten in the evening.
Almost absolute solitude reigning—only at long intervals the footsteps
of some passer-by awakening the echoes. Dim and afar off as it seems,
the turmoil of the great city coming mellowed and subdued.
One house, large, unlighted, gloomy, standing in a paved quadrangle, has
had a constant stream of visitors for the past two hours. They are all
men—men who have a stealthy and furtive look, who pass on rapidly, who
give a counter-sign to a waiting servant at the gate, who do not spend
more than fifteen minutes within those gloomy precincts, who flit away
and disappear, only to have others take their places. So it has been for
the past two hours, so it is likely to be until perhaps midnight.
This house is the property of his Excellency Prince Di Venturini; and M.
Di Venturini is the leader and moving spirit of a secret political
society. For upward of two months he has been absent on a mission of
grave import; this is the evening of his return, and the members of the
society—Italians all—have been summoned to their headquarters to
report progress to their leader.
Outside the gloomy and secluded mansion is wrapped in profound darkness;
inside, halls and passages are dimly lit—one room only, that in which
M. Di Venturini sits, being brightly illuminated.
He sits at a table strewn with papers, letters, pamphlets—small, spare,
yellow, with black, glancing eyes, sharp as stilettos, and thin,
compressed lips. One by one, his followers come and go; one by one,
their reports are noted down and docketed.
With sharp, quick precision he conducts each interview, with imperious
command he gives his orders, with scant ceremony he dismisses each man
of them all. Business of a still more private and delicate nature awaits
his attention—business purely personal to M. le Prince—and he rather
cuts short the latest comers, and hurries the levee to a close.
A clock over his head chimes eleven. With an impatient gesture he
dismisses his last client, flings himself back in his chair, pushes his
scant black hair, thickly streaked with gray, off his forehead with a
weary air, and then sits for some minutes lost in deep and anxious
thought. His thick brows knit, his lips set themselves in a tight, tense
line, then, with a second impatient motion, he seizes a silver hand-bell
and rings a sharp peal.
“I shall speedily learn whether it is truth or slander,” he mutters.
“Paujol and Pauline watch her well, and they belong to me soul and body.
I may trust their tale, and if she has played me false, why, then—let
her look to herself!”
The bell is answered almost immediately by the servant who has stood on
guard.
He bows and awaits.
“Have they all gone?”
“All, M. le Prince.”
“Has Paujol come?”
“Paujol has been awaiting your excellency’s commands, for the last
hour.”
“Let him enter.”
The man bows again and disappears.
M. le Prince lies back in his chair and plays a devil’s tattoo of
ill-repressed impatience on its arm. Then M. Paujol enters—a very tall
man, in a gorgeous uniform, no other, in fact, than Madame Felicia’s
huge chasseur in his robes of state.
“Ah! Paujol. You have been here for some time, Antoine tells me. Have
you obtained leave of absence, then, from madame?”
“Madame is not aware of my absence, M. le Prince. Madame departed one
hour ago to the bal d’opera at the Gymnase—the instant she left the
Varieties, in fact.”
“Ah-h!” the interjection cut the air sharply as a knife; “to the bal
d’opera at the Gymnase. With whom?”
“With the young milor Anglais—M. le Vicomte Dynely.”
A moment’s silence. An ominous flash, swift, dangerous, has leaped from
the eyes of the Neapolitan—his cruelly thin lips set themselves a
little tighter.
“It is true, then! all I have heard. He is the latest pigeon madame has
seen fit to pluck, this green young British lordling! He is with her at
all times, at all places. Paris rings with his infatuation—eh, Paujol?
is it so?”
“It is the talk of Paris, monseigneur, of the clubs and the salons, of
the streets and the theatre. Does your excellency wish me to tell you
what they say?”
“All, Paujol. Word for word.”
“They say, then, M. le Prince, that but the English noble has a wife
already, madame would throw over your excellency and marry milor Dynely.
They say that madame has fallen in love with his handsome face, and that
while your highness will be the husband and dupe, he will still remain
the favored lover.”
The hand—thin, sinewy, strong—that clasps the arm of the chair,
clutches it until the muscles stand out like cords. A fierce Neapolitan
oath hisses from his lips—otherwise he sits and listens unmoved.
“Go on, Paujol,” he reiterates. “Your report is most amusing, my friend.
He is at madame’s constantly, is he not?—he is her cavalier servante
to all places?—his gifts are princely in their profusion and
splendor?—again, is it not so?”
“It is so, Illustrissima—Pauline tells me the jewels he has given her
are superb. He is her nightly attendant home from the theatre, he is at
all her receptions, each day they ride in the Bois or the Champs
Elys�es, he spends hours in madame’s salon each morning. To none of the
many gentlemen whom madame has honored with her regard has she shown
such favor as to M. le Vicomte Dynely. Madame Dynely, it is said, is
dying of jealousy. All Paris laughs, monseigneur, and when your
excellency returns, wonders how the drama will end.”
“Paris will soon learn,” monseigneur answers grimly.
An ominous calm has settled upon him, the devil’s tattoo has quite
ceased now, his black eyes glitter diabolically. “Thou hast
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