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m dare askand then answer the question we clones avoid like the plague, he doesso with relentless, laser-like precision. Read his book. Take your seatat the double-headed microscope and let Sam guide you through thedissection. Like a brain surgeon operating on himself, Sam explores andexposes the alien among us, hoping beyond hope for a respectable tumourbut finding instead each and every cell teaming with the same resistantvirus. The operation is long and tedious, and at times frightening andhard to believe. Read on. The parts exposed are as they are, despitewhat may seem hyperbolic or far-fetched. Their validity might not hithome until later, when coupled with memories of past events andexperiences.

I am, as I said, my own worst nightmare. True, the world is repletewith my contributions, and I am lots of fun to be around. And true,most contributions like mine are not the result of troubled souls. Butmany more than you might want to believe are. And if by chance you getcaught in my Web, I c

nder FUNCTIONS, asDINNERS, INVITATIONS, etc.

APPLES should be pared, cut into small pieces, andeaten with finders or forks.

ARCHBISHOP OF ANGLICAN CHURCH--HOW ADDRESSED.An official letter begins: My Lord Archbishop,may it please your Grace, and ends:I remain, My Lord Archbishop, your Grace'smost obedient servant.

A social letter begins: My dear LordArchbishop, and ends: I have the honor to remain,my dear Lord Archbishop.

The address on the envelop is: The MostReverend, His Grace the Archbishop of Kent.

ARCHBISHOP OF ROMAN CATHOLIC CHURCH--HOW ADDRESSED.An official or social letter begins:Most Reverend and Dear Sir, and ends: Ihave the honor to remain your humble servant.

The address on the envelope is: The MostReverend John J. Wilson, Archbishop of Kent.

ARTICHOKES are eaten with the fingers, taking off leafby leaf and dipping into the

e of being an old word which is accepted and re-interpreted by Aristotle rather than a word freely chosen by him to denote the exact phenomenon he wishes to describe. At any rate the Dionysus ritual itself was a _katharmos_ or _katharsis_--a purification of the community from the taints and poisons of the past year, the old contagion of sin and death. And the words of Aristotle's definition of tragedy in Chapter VI might have been used in the days of Thespis in a much cruder and less metaphorical sense. According to primitive ideas, the mimic representation on the stage of 'incidents arousing pity and fear' did act as a _katharsis_ of such 'passions' or 'sufferings' in real life. (For the word _pathemata_ means 'sufferings' as well as 'passions'.) It is worth remembering that in the year 361 B.C., during Aristotle's lifetime, Greek tragedies were introduced into Rome, not on artistic but on superstitious grounds, as a _katharmos_ against a pestilence (Livy vii. 2). One cannot but suspect that in his account o

1. ... K-Q3
2. P-B3 K-B3
3. K-B4 and wins.

This settles all typical end-games of King and pawn against King. There is, however, one exception to the rules set out, namely, when a ROOK'S PAWN is concerned. Here the isolated King always succeeds in drawing if he can reach the corner where the pawn has to queen, for he cannot be driven out again. The Rook's pawn affords another opportunity for the weaker side to draw. Diagram 55 will illustrate this, and similar positions are of frequent occurrence in practice. Here Black draws with 1. ... K-B5. As he threatens to capture the pawn, White must play 2. P-R4. Then after the reply K-B4, White is still unable to cut the opponent off from the corner with K-Kt7, as the loss of the pawn is still threatened through K-Kt5. And after 3. P-R5 Black attains the position which is typical for this end-game, namely the opposition against the King on the Rook's file. The latter cannot escape without giving up the contested corner, and the game is drawn. 3. ... K-B3; 4. K-R7, K-B2; 5. K-R8, K-B1; 6. P-R6, K-B2; 7. P-R7, K-B1: and White is stalemated.


---------------------------------------8 | | | | | | | | ||---------------------------------------|7 | | | | | | | | ||---------------------------------------|6 | ^K | | | | | | | ||---------------------------------------|5 | | | | | | | | ||---------------------------------------|4 | | | | | | | | ||---------------------------------------|3 | | | | #K | | | | ||---------------------------------------|2 | ^P | | | | | | | ||---------------------------------------|1 | | | | | | | | |---------------------------------------A B C D E F G H

Diag. 55

am not to blame, mother, believe that. Only (it is not a pleasant thing to tell) Mrs. Englehart has taken it into that supremely foolish head of hers to be jealous of me--of poor, plain Joan Kennedy! The major, a kind old soul, has spoken a friendly word or two in passing and--behold the result! Don't let us talk about it. I'll start out to-morrow morning and search all Quebec, and get a situation or perish in the attempt. And now, Mistress Jessie, I'll take a cup of tea."

I threw off my shawl and bonnet, laughing for fear I should break down and cry, and took my seat. As I did so, there came a loud knock at the door. So loud, that Jessie nearly dropped the snub-nosed teapot.

"Good gracious, Joan! who is this?"

I walked to the door and opened it--then fell back aghast. For firelight and candlelight streamed full across the face of the lady I had seen at the House to Let.

"May I come in?"

She did not wait for permission. She walked in past me, straight to the fire, a

>PLATE VIII Example of a Perfect Mantel, Ornaments and Mirror.

PLATE IX Dining-room in Country House, Showing Modern Painted Furniture.

PLATE X Dining-room Furniture, Italian Renaissance, Antique.

PLATE XI Corner of Dining-room in New York Apartment, Showing Section of Italian Refectory Table and Italian Chairs, both Antique and Renaissance in Style.

PLATE XII An Italian Louis XVI Salon in a New York Apartment.

PLATE XIII Another Side of the Same Italian Louis XVI Salon.

PLATE XIV A Narrow Hall Where Effect of Width is Attained by Use of Tapestry with Vista.

PLATE XV Venetian Glass, Antique and Modern.

PLATE XVI Corner of a Room in a Small Empire Suite.

PLATE XVII An Example of Perfect Balance and Beauty in Mantel Arrangement.

PLATE XVIII Corner of a Drawing-room, Furniture Showing Directoire Influence.

PLATE XIX Entrance Hall in New York Duplex Apartment. Italian Furniture.

PLATE XX Combination of Studio and Living-room in Ne

eth headlong.

Sa'dí.

43.

A man who has learnt little grows old like an ox: his flesh grows, but his knowledge does not grow.

Dhammapada.

44.

Unsullied poverty is always happy, while impure wealth brings with it many sorrows.

Chinese.

45.

Both white and black acknowledge women's sway, So much the better and the wiser too, Deeming it most convenient to obey, Or possibly they might their folly rue.[6]

Persian.

[6] Cf. Pope:

Would men but follow what the sex advise, All things would prosper, all the world grow wise.

46.

We are never so much disposed to quarrel with others as when we are dissatisfied with ourselves.

Hazlitt.

47.

No one is more profoundly sad than he who laughs too much.

Richter.

48.

The heaven that rolls around cries aloud to you while it displays its eternal beauties, and yet your eyes are fixed upo

oils deservemention. The "cold-drawn" Arachis oil (pea-nut or earth-nut oil) has apleasant flavour, resembling that of kidney beans. The "cold-drawn" Sesaméoil has an agreeable taste, and is considered equal to Olive oil foredible purposes. The best qualities are rather difficult to obtain; thoseusually sold being much inferior to Peach-kernel and Olive oils.Cotton-seed oil is the cheapest of the edible ones. Salad oil, not soldunder any descriptive name, is usually refined Cotton-seed oil, withperhaps a little Olive oil to impart a richer flavour.

The solid fats sold as butter and lard substitutes, consist of deodorisedcocoanut oil, and they are excellent for cooking purposes. It is claimedthat biscuits, &c., made from them may be kept for a much longer period,without showing any trace of rancidity, than if butter or lard had beenused. They are also to be had agreeably flavoured by admixture withalmond, walnut, &c., "cream."

The better quality oils are quite as wholesome as the bes

ng of the word "any."

Dick Sunderland Chalk-complexioned MBA who believed that firm managerial bureaucracy was a worth goal, but as president of Sierra On-Line found that hackers didn't think that way.

Gerry Sussman Young MIT hacker branded "loser" because he smoked a pipe and "munged" his programs; later became "winner" by algorithmic magic.

Margot Tommervik With her husband Al, long-haired Margot parlayed her game show winnings into a magazine that deified the Apple Computer.

Tom Swift Terminal Lee Felsenstein's legendary, never-to-be-built computer terminal which would give the user ultimate leave to get his hands on the world.

TX-0 Filled a small room, but in the late fifties this $3 million machine was the world's first personal computer--for the community of MIT hackers that formed around it.

Jim Warren Portly purveyor of "techno-gossip" at Homebrew, he was first editor of hippie-styled Dr. Dobbs Journal, later started the lucrative Computer Faire.

Randy

4. How many Elementary sounds do the vowels represent?Fifteen.

15. How many do the Consonants represent?Eighteen.

16. How many do the Combinations represent?Seven.

17. How many do the Diphthongs represent?Only one, as oi and oy only repeat sounds already represented by aand i.

18. How many sounds has A?Five.

19. What are they?Long, Short, Medial, Flat, and Broad.

20. How many sounds has E?Two.

21. What are they?Long and Short.

22. How many sounds has I?Two.

23. What are they?Long and Short.

24. How many sounds has O?Three.

25. What are they?Long, Short, and Slender.

26. How many sounds has U?Three.

27. What are they?Long, Short, and Medial.

28. How many sounds has B?One; as heard in the word babe.

29. How many sounds has C?None that may