Armadale by Wilkie Collins (ereader for textbooks .txt) 📖
- Author: Wilkie Collins
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"Guiltless minds may see nothing thus far but the result of a series of events which could lead no other way. I--with that man's life to answer for--I, going down into my grave, with my crime unpunished and unatoned, see what no guiltless minds can discern. I see danger in the future, begotten of the danger in the past--treachery that is the offspring of his treachery, and crime that is the child of my crime. Is the dread that now shakes me to the soul a phantom raised by the superstition of a dying man? I look into the Book which all Christendom venerates, and the Book tells me that the sin of the father shall be visited on the child. I look out into the world, and I see the living witnesses round me to that terrible truth. I see the vices which have contaminated the father descending, and contaminating the child; I see the shame which has disgraced the father's name descending, and disgracing the child's. I look in on myself, and I see my crime ripening again for the future in the self-same circumstance which first sowed the seeds of it in the past, and descending, in inherited contamination of evil, from me to my son."
At those lines the writing ended. There the stroke had struck him, and the pen had dropped from his hand.
He knew the place; he remembered the words. At the instant when the reader's voice stopped, he looked eagerly at the doctor. "I have got what comes next in my mind," he said, with slower and slower articulation. "Help me to speak it."
The doctor administered a stimulant, and signed to Mr. Neal to give him time. After a little delay, the flame of the sinking spirit leaped up in his eyes once more. Resolutely struggling with his failing speech, he summoned the Scotchman to take the pen, and pronounced the closing sentences of the narrative, as his memory gave them back to him, one by one, in these words:
"Despise my dying conviction if you will, but grant me, I solemnly implore you, one last request. My son! the only hope I have left for you hangs on a great doubt--the doubt whether we are, or are not, the masters of our own destinies. It may be that mortal free-will can conquer mortal fate; and that going, as we all do, inevitably to death, we go inevitably to nothing that is before death. If this be so, indeed, respect--though you respect nothing else--the warning which I give you from my grave. Never, to your dying day, let any living soul approach you who is associated, directly or indirectly, with the crime which your father has committed. Avoid the widow of the man I killed--if the widow still lives. Avoid the maid whose wicked hand smoothed the way to the marriage--if the maid is still in her service. And more than all, avoid the man who bears the same name as your own. Offend your best benefactor, if that benefactor's influence has connected you one with the other. Desert the woman who loves you, if that woman is a link between you and him. Hide yourself from him under an assumed name. Put the mountains and the seas between you; be ungrateful, be unforgiving; be all that is most repellent to your own gentler nature, rather than live under the same roof, and breathe the same air, with that man. Never let the two Allan Armadales meet in this world: never, never, never!
"There lies the way by which you may escape--if any way there be. Take it, if you prize your own innocence and your own happiness, through all your life to come!
"I have done. If I could have trusted any weaker influence than the influence of this confession to incline you to my will, I would have spared you the disclosure which these pages contain. You are lying on my breast, sleeping the innocent sleep of a child, while a stranger's hand writes these words for you as they fall from my lips. Think what the strength of my conviction must be, when I can find the courage, on my death-bed, to darken all your young life at its outset with the shadow of your father's crime. Think, and be warned. Think, and forgive me if you can."
There it ended. Those were the father's last words to the son.
Inexorably faithful to his forced duty, Mr. Neal laid aside the pen, and read over aloud the lines he had just written. "Is there more to add?" he asked, with his pitilessly steady voice. There was no more to add.
Mr. Neal folded the manuscript, inclosed it in a sheet of paper, and sealed it with Mr. Armadale's own seal. "The address?" he said, with his merciless business formality. "To Allan Armadale, junior," he wrote, as the words were dictated from the bed. "Care of Godfrey Hammick, Esq., Offices of Messrs. Hammick and Ridge, Lincoln's Inn Fields, London." Having written the address, he waited, and considered for a moment. "Is your executor to open this?" he asked.
"No! he is to give it to my son when my son is of an age to understand it."
"In that case," pursued Mr. Neal, with all his wits in remorseless working order, "I will add a dated note to the address, repeating your own words as you have just spoken them, and explaining the circumstances under which my handwriting appears on the document." He wrote the note in the briefest and plainest terms, read it over aloud as he had read over what went before, signed his name and address at the end, and made the doctor sign next, as witness of the proceedings, and as medical evidence of the condition in which Mr. Armadale then lay. This done, he placed the letter in a second inclosure, sealed it as before, and directed it to Mr. Hammick, with the superscription of "private" added to the address. "Do you insist on my posting this?" he asked, rising with the letter in his hand.
"Give him time to think," said the doctor. "For the child's sake, give him time to think! A minute may change him."
"I will give him five minutes," answered Mr. Neal, placing his watch on the table, implacable just to the very last.
They waited, both looking attentively at Mr. Armadale. The signs of change which had appeared in him already were multiplying fast. The movement which continued mental agitation had communicated to the muscles of his face was beginning, under the same dangerous influence, to spread downward. His once helpless hands lay still no longer; they struggled pitiably on the bedclothes. At sight of that warning token, the doctor turned with a gesture of alarm, and beckoned Mr. Neal to come nearer. "Put the question at once," he said; "if you let the five minutes pass, you may be too late."
Mr. Neal approached the bed. He, too, noticed the movement of the hands. "Is that a bad sign?" he asked.
The doctor bent his head gravely. "Put your question at once," he repeated, "or you may be too late."
Mr. Neal held the letter before the eyes of the dying man "Do you know what this is?"
"My letter."
"Do you insist on my posting it?"
He mastered his failing speech for the last time, and gave the answer: "Yes!"
Mr. Neal moved to the door, with the letter in his hand. The German followed him a few steps, opened his lips to plead for a longer delay, met the Scotchman's inexorable eye, and drew back again in silence. The door closed and parted them, without a word having passed on either side.
The doctor went back to the bed and whispered to the sinking man: "Let me call him back; there is time to stop him yet!" It was useless. No answer came; nothing showed that he heeded, or even heard. His eyes wandered from the child, rested for a moment on his own struggling hand, and looked up entreatingly in the compassionate face that bent over him. The doctor lifted the hand, paused, followed the father's longing eyes back to the child, and, interpreting his last wish, moved the hand gently toward the boy's head. The hand touched it, and trembled violently. In another instant the trembling seized on the arm, and spread over the whole upper part of the body. The face turned from pale to red, from red to purple, from purple to pale again. Then the toiling hands lay still, and the shifting color changed no more.
The window of the next room was open, when the doctor entered it from the death chamber, with the child in his arms. He looked out as he passed by, and saw Mr. Neal in the street below, slowly returning to the inn.
"Where is the letter?" he asked.
Three words sufficed for the Scotchman's answer.
"In the post."
THE END OF THE PROLOGUE.
THE STORY.
BOOK THE FIRST.
I. THE MYSTERY OF OZIAS MIDWINTER.
ON a warm May night, in the year eighteen hundred and fifty-one, the Reverend Decimus Brock--at that time a visitor to the Isle of Man--retired to his bedroom at Castletown, with a serious personal responsibility in close pursuit of him, and with no distinct idea of the means by which he might relieve himself from the pressure of his present circumstances.
The clergyman had reached that mature period of human life at which a sensible man learns to decline (as often as his temper will let him) all useless conflict with the tyranny of his own troubles. Abandoning any further effort to reach a decision in the emergency that now beset him, Mr. Brock sat down placidly in his shirt sleeves on the side of his bed, and applied his mind to consider next whether the emergency itself was as serious as he had hitherto been inclined to think it. Following this new way out of his perplexities, Mr. Brock found himself unexpectedly traveling to the end in view by the least inspiriting of all human journeys--a journey through the past years of his own life.
One by one the events of those years--all connected with the same little group of characters, and all more or less answerable for the anxiety which was now intruding itself between the clergyman and his night's rest--rose, in progressive series, on Mr. Brock's memory. The first of the series took him back, through a period of fourteen years, to his own rectory on the Somersetshire shores of the Bristol Channel, and closeted him at a private interview with a lady who had paid him a visit in the character of a total stranger to the parson and the place.
The lady's complexion was fair, the lady's figure was well preserved; she was still a young woman, and she looked even younger than her age. There was a shade of melancholy in her expression, and an undertone of suffering in her voice--enough, in each case, to indicate that she had known trouble, but not enough to obtrude that trouble on the notice of others. She brought with her a fine, fair-haired boy of eight years old, whom she presented as her son, and who was sent out of the way, at the beginning of the interview, to amuse himself in the rectory garden. Her card had preceded her entrance into the study, and had announced her under the name of "Mrs. Armadale." Mr. Brock began to
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