The Abandoned Room by Charles Wadsworth Camp (howl and other poems txt) 📖
- Author: Charles Wadsworth Camp
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Through its wide spaces the light of the candle scarcely penetrated. No more than an indefinite radiance thrust back the obscurity and outlined the bed. He could barely see the stark, black form outstretched there.
The dim, vast room, as he advanced, imposed upon him a sense of isolation. Katherine in the upper hall, the others downstairs, whose voices no longer reached him, seemed all at once far away. He stood in a place lonelier and more remote than the piece of woods where he had momentarily opened his eyes last night; and, instead of the straining trees and the figure in the black mask which he had called his conscience, he had for motion and companionship only the swaying of the curtains in the breeze from the open window and the dark, prostrate thing whose face as he went closer was like a white mask—a mask with a fixed and malevolent sneer.
The wind caught the flame of the candle, making it flicker. Tenuous shadows commenced to dance across the walls. He paused with a tightening throat, for the form on the bed seemed moving, too, with sly and scarcely perceptible gestures. Then he understood. It was the effect of the shaking candle, and he forced himself to go on, but a sense of a multiple companionship accompanied him—a sense of a shapeless, soundless companionship that projected an idea of a steady regard. There swept through his mind a procession of figures in quaint dress and with faces not unlike his own, remembered from portraits and family legends, men and women to whom this room had been familiar, within whose limits they had suffered, cried out a too-powerful agony, and died. It seemed to him that he waited for voices to guide him, to urge him on as Katherine had urged him, or to drive him back, because he was an intruder in a company whose habit was strange and terrifying.
He forced his glance from the shadows which seemed more active along the walls. He raised his candle and stared at the dead man. The cast was undoubtedly there. The coat, stretched tightly across the breast, outlined it. He stood at the side of the bed. He had only to bend and place his hand in the pocket which the cast filled awkwardly. The wind alone, he saw, wasn't responsible for the shaking of the candle. His hand shook as the shadows shook, as the thing on the bed shook. The sense of loneliness grew upon him until it became complete, appalling. For the first time he understood that loneliness can possess a ponderable quality. It was, he felt, potent and active in the room—a thing he couldn't understand, or challenge, or overcome.
His hand tightened. He thought of Katherine guarding the corridor; of Paredes and Doctor Groom, held downstairs by Graham; of the county authorities hurrying to seize this evidence that would convict him; and he realized that his duty and his excuse were clear. He understood that just now he had been captured by a force undefinable in terms of the world he knew. For a moment he eluded the stealthy fleshless hands of its impalpable skirmishers. He reached impulsively out to the dead man. He was about to place his fingers in the pocket, which, after all was said and done, held his life.
In the light of the candle the face seemed alive and more menacing than it had ever done in life. About the straight smile was a wider, more triumphant quality.
The candle flickered sharply. It expired. The conquering blackness took his breath.
He told himself it was the draft from the window which was strong, but the companionship of the night was closer and more numerous. The darkness wreathed itself into mocking and tortuous bodies whose faces were hidden.
In an agony of revolt against these incorporeal, these fanciful horrors, he reached in the pocket.
He sprang back with a choked, inaudible cry, for the dead thing beneath his hand was stirring. The dead, cold thing with a languid and impossible rebuke, moved beneath his touch. And the pocket he had felt was empty. The coat, a moment ago bulging and awkward, was flat. There sprang to his mind the mad thought that the detective, malevolent in life, had long after death snatched from his hand the evidence, carefully gathered, on which everything for him depended.
CHAPTER V THE CRYING THROUGH THE WOODSBobby's inability to cry out alone prevented his alarming the others and announcing to Paredes and Doctor Groom his unlawful presence in the room. During the moment that the shock held him, silent, motionless, bent in the darkness above the bed, he understood there could have been no ambiguity about his ghastly and loathsome experience. The dead detective had altered his position as Silas Blackburn had done, and this time someone had been in the room and suffered the appalling change. Bobby's fingers still responded to the charnel feeling of cold, inactive flesh suddenly become alive and potent beneath his touch. And a reason for the apparent miracle offered itself. Between the extinction of his candle and the commencement of that movement!—only a second or so—the evidence had disappeared from the detective's pocket.
Bobby relaxed. He stumbled across the room and into the corridor. He went with hands outstretched through the blackness, for no candle burned in the upper hall, but he knew that Katherine was on guard there. When he left the passage he saw her, an unnatural figure herself, in the yellowish, unhealthy twilight which sifted through the stair well from the lamp in the hall below.
She must have sensed something out of the way immediately, for she hurried to meet him and her whisper held no assurance.
"You got the cast and the handkerchief, Bobby?"
And when he didn't answer at once she asked with a sharp rush of fear:
"What's the matter? What's happened?"
He shuddered. At last he managed to speak.
"Katherine! I have felt death cease to be death."
Later he was to recall that phrase with a sicker horror than he experienced now.
"You saw something!" she said. "But your candle is out. There is no light in the room."
He took her hand. He pressed it.
"You're real!" he said with a nervous laugh. "Something I can understand.
Everything is unreal. This light—"
He strode to the table, found a match, and lighted his candle. Katherine, as she saw his face, drew back.
"Bobby!"
"My candle went out," he said dully, "and he moved through the darkness.
I tell you he moved beneath my hand."
She drew farther away, staring at him.
"You were frightened—"
"No. If we go there with a light now," he said with the same dull conviction, "we will find him as we found my grandfather this afternoon."
The monotonous voices of the three men in the lower hall weaved a background for their whispers. The normal, familiar sound was like a tonic. Bobby straightened. Katherine threw off the spell of his announcement.
"But the evidence! You got—"
She stared at his empty hands. He fancied that he saw contempt in her eyes.
"In spite of everything you must go back. You must get that."
"Even if I had the courage," he said wearily, "it would be no use, for the evidence is gone."
"But I saw it. At least I saw his pocket—"
"It was there," he answered, "when my light went out. I did put my hand in his pocket. In that second it had gone."
"There was no one there," she said, "no one but you, because I watched."
He leaned heavily against the wall.
"Good God, Katherine! It's too big. Whatever it is, we can't fight it."
She looked for some time down the corridor at the black entrance of the sinister room. At last she turned and walked to the banister. She called:
"Hartley! Will you come up?"
Bobby wondered at the steadiness of her voice. The murmuring below
ceased. Graham ran up the stairs. Her summons had been warning enough.
Their attitudes, as Graham reached the upper hall, were eloquent of
Bobby's failure.
"You didn't get the cast and the handkerchief?" he said.
Bobby told briefly what had happened.
"What is one to do?" he ended. "Even the dead are against me."
"It's beyond belief," Graham said roughly.
He snatched up the candle and entered the corridor. Uncertainly Katherine and Bobby followed him. He went straight to the bed and thrust the candle beneath the canopy. The others could see from the door the change that had taken place. The body of Howells was turned awkwardly on its side. The coat pocket was, as Bobby had described it, flat and empty.
Katherine turned and went back to the hall. Graham's hand shook as
Bobby's had shaken.
"No tricks, Bobby?"
Bobby couldn't resent the suspicion which appeared to offer the only explanation of what had happened. The candle flickered in the draft.
"Look out!" Bobby warned.
The misshapen shadows danced with a multiple vivacity across the walls. Graham shaded the candle flame, and the shadows became like morbid decorations, gargantuan and motionless.
"It's madness," Graham said. "There's no explanation of this that we can understand."
Howells's straight smile mocked them. As if in answer to Graham a voice sighed through the room. Its quality was one with the shadows, unsubstantial and shapeless. Bobby grasped one of the bed posts and braced himself, listening. The candle in Graham's hand commenced to flicker again, and Bobby knew that it hadn't been his fancy, for Graham listened, too.
It shook again through the heavy, oppressive night, merely accentuated by the candle—a faint ululation barely detaching itself from silence, straying after a time into the silence again. At first it was like the grief of a woman heard at a great distance. But the sound, while it gained no strength, forced on them more and more an abhorrent sense of intimacy. This crying from an infinite distance filled the room, seemed finally to have its source in the room itself. After it had sobbed thinly into nothing, its pulsations continued to sigh in Bobby's ears. They seemed timed to the renewed and eccentric dancing of the amorphous shadows.
Graham straightened and placed the candle on the bureau. He seemed more startled than he had been at the unbelievable secretiveness of a dead man.
"You heard it?" Bobby breathed.
Graham nodded.
"What was it? Where did you think it came from?" Bobby demanded. "It was like someone mourning for this—this poor devil."
Graham couldn't disguise his effort to elude the sombre spell of the room, to drive from his brain the illusion of that unearthly moaning.
"It must have come from outside the house," he answered "There's no use giving way to fancies where there's a possible explanation. It must have come from outside—from some woman in great agony of mind."
Bobby recalled his perception of a woman moving with a curious absence of sound about the edges of the stagnant lake. He spoke of it to Graham.
"I couldn't be sure it was a woman, but there's no house within two miles. What would a woman be doing wandering around the Cedars?"
"At any rate, there are three women in the house," Graham said, "Katherine and the two servants, Ella and Jane. The maids are badly frightened. It may have come from the servants' quarters. It must have been one of them."
But Bobby saw that Graham didn't believe either of the maids had released that poignant suffering.
"It didn't sound like a living voice," he said simply.
"Then how are we to take it?" Graham persisted angrily. "I shall question
Katherine and the two maids."
He took up the candle with a stubborn effort to recapture his old forcefulness, but as they left the room the shadows thronged thickly after them in ominous pursuit; and it wasn't necessary to question Katherine. She stood in the corridor, her lips parted, her face white and shocked.
"What was it?" she said. "That nearly silent grief?"
She put her hands to her ears, lowering them helplessly after a moment.
"Where did you think it came from?" Graham asked.
"From a long ways off," she answered. "Then I—I thought it must be in the room with you, and I wondered if you saw—"
Graham shook his head.
"We saw nothing. It was probably Ella or Jane. They've been badly frightened. Perhaps a nightmare, or they've heard us moving around the front part of the house. I am going to see."
Katherine and Bobby followed him downstairs. Doctor Groom and Paredes stood in front
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