At the Villa Rose by A. E. W. Mason (best e book reader android .txt) 📖

themselves. She was aware how much in all these matters the personal equation counted. Men who might, perhaps, have been able to tie knots from which she could not get free were always too uncomfortable and self-conscious, or too afraid of hurting her white arms and wrists, to do it. Women, on the other hand, who had no compunctions of that kind, did not know how.

It was now nearly eight o'clock; the rain still held off.

"We must go," said Mme. Dauvray, who for the last half-hour had been continually looking at her watch.

They drove to the station and took the train. Once more the rain came down, but it had stopped again before the train steamed into Aix at nine o'clock.

"We will take a cab," said Mme. Dauvray: "it will save time."

"It will do us good to walk, madame," pleaded Adele. The train was full. Adele passed quickly out from the lights of the station in the throng of passengers and waited in the dark square for the others to join her. "It is barely nine. A friend has promised to call at the Villa Rose for me after eleven and drive me back in a motor-car to Geneva, so we have plenty of time."

They walked accordingly up the hill, Mme. Dauvray slowly, since she was stout, and Celia keeping pace with her. Thus it seemed natural that Adele Tace should walk ahead, though a passer-by would not have thought she was of their company. At the corner of the Rue du Casino Adele waited for them and said quickly:

"Mademoiselle, you can get some cord, I think, at the shop there," and she pointed to the shop of M. Corval. "Madame and I will go slowly on; you, who are the youngest, will easily catch us up." Celia went into the shop, bought the cord, and caught Mme. Dauvray up before she reached the villa.

"Where is Mme. Rossignol?" she asked.

"She went on," said Camille Dauvray. "She walks faster than I do."

They passed no one whom they knew, although they did pass one who recognised them, as Perrichet had discovered. They came upon Adele, waiting for them at the corner of the road, where it turns down toward the villa.

"It is near here—the Villa Rose?" she asked.

"A minute more and we are there."

They turned in at the drive, closed the gate behind them, and walked up to the villa.

The windows and the glass doors were closed, the latticed shutters fastened. A light burned in the hall.

"Helene is expecting us," said Mme. Dauvray, for as they approached she saw the front door open to admit them, and Helene Vauquier in the doorway. The three women went straight into the little salon, which was ready with the lights up and a small fire burning. Celia noticed the fire with a trifle of dismay. She moved a fire-screen in front of it.

"I can understand why you do that, mademoiselle," said Adele Rossignol, with a satirical smile. But Mme. Dauvray came to the girl's help.

"She is right, Adele. Light is the great barrier between us and the spirit-world," she said solemnly.

Meanwhile, in the hall Helene Vauquier locked and bolted the front door. Then she stood motionless, with a smile upon her face and a heart beating high. All through that afternoon she had been afraid that some accident at the last moment would spoil her plan, that Adele Tace had not learned her lesson, that Celie would take fright, that she would not return. Now all those fears were over. She had her victims safe within the villa. The charwoman had been sent home. She had them to herself. She was still standing in the hall when Mme. Dauvray called aloud impatiently:

"Helene! Helene!"

And when she entered the salon there was still, as Celia was able to recall, some trace of her smile lingering upon her face.

Adele Rossignol had removed her hat and was taking off her gloves. Mme. Dauvray was speaking impatiently to Celia.

"We will arrange the room, dear, while Helene helps you to dress. It will be quite easy. We shall use the recess."

And Celia, as she ran up the stairs, heard Mme. Dauvray discussing with her maid what frock she should wear. She was hot, and she took a hurried bath. When she came from her bathroom she saw with dismay that it was her new pale-green evening gown which had been laid out. It was the last which she would have chosen. But she dared not refuse it. She must still any suspicion. She must succeed. She gave herself into Helene's hands. Celia remembered afterwards one or two points which passed barely heeded at the time. Once while Helene was dressing her hair she looked up at the maid in the mirror and noticed a strange and rather horrible grin upon her face, which disappeared the moment their eyes met. Then again, Helene was extraordinarily slow and extraordinarily fastidious that evening. Nothing satisfied her, neither the hang of the girl's skirt, the folds of her sash, nor the arrangement of her hair.

"Come, Helene, be quick," said Celia. "You know how madame hates to be kept waiting at these times. You might be dressing me to go to meet my lover," she added, with a blush and a smile at her own pretty reflection in the glass; and a queer look came upon Helene Vauquier's face. For it was at creating just this very impression that she aimed.

"Very well, mademoiselle," said Helene. And even as she spoke Mme. Dauvray's voice rang shrill and irritable up the stairs.

"Celie! Celie!"

"Quick, Helene," said Celia. For she herself was now anxious to have the seance over and done with.

But Helene did not hurry. The more irritable Mme. Dauvray became, the more impatient with Mlle. Celie, the less would Mlle. Celie dare to refuse the tests Adele wished to impose upon her. But that was not all. She took a subtle and ironic pleasure to-night in decking out her victim's natural loveliness. Her face, her slender throat, her white shoulders, should look their prettiest, her grace of limb and figure should be more alluring than ever before. The same words, indeed, were running through both women's minds.

"For the last time," said Celia to herself, thinking of these horrible seances, of which to-night should see the end.

"For the last time," said Helene Vauquier too. For the last time she laced the girl's dress. There would be no more patient and careful service for Mlle. Celie after to-night. But she should have it and to spare to-night. She should be conscious that her beauty had never made so strong an appeal; that she was never so fit for life as at the moment when the end had come. One thing Helene regretted. She would have liked Celia—Celia, smiling at herself in the glass—to know suddenly what was in store for her! She saw in imagination the colour die from the cheeks, the eyes stare wide with terror.

"Celie! Celie!"

Again the impatient voice rang up the stairs, as Helene pinned the girl's hat upon her fair head. Celie sprang up, took a quick step or two towards the door, and stopped in dismay. The swish of her long satin train must betray her. She caught up the dress and tried again. Even so, the rustle of it was heard.

"I shall have to be very careful. You will help me, Helene?"

"Of course, mademoiselle. I will sit underneath the switch of the light in the salon. If madame, your visitor, makes the experiment too difficult, I will find a way to help you," said Helene Vauquier, and as she spoke she handed Celia a long pair of white gloves.

"I shall not want them," said Celia.

"Mme. Dauvray ordered me to give them to you," replied Helene.

Celia took them hurriedly, picked up a white scarf of tulle, and ran down the stairs. Helene Vauquier listened at the door and heard madame's voice in feverish anger.

"We have been waiting for you, Celie. You have been an age."

Helene Vauquier laughed softly to herself, took out Celia's white frock from the wardrobe, turned off the lights, and followed her down to the hall. She placed the cloak just outside the door of the salon. Then she carefully turned out all the lights in the hall and in the kitchen and went into the salon. The rest of the house was in darkness. This room was brightly lit; and it had been made ready.

CHAPTER XVIII THE SEANCE

Helene Vauquier locked the door of the salon upon the inside and placed the key upon the mantel-shelf, as she had always done whenever a seance had been held. The curtains had been loosened at the sides of the arched recess in front of the glass doors, ready to be drawn across. Inside the recess, against one of the pillars which supported the arch, a high stool without a back, taken from the hall, had been placed, and the back legs of the stool had been lashed with cord firmly to the pillar, so that it could not be moved. The round table had been put in position, with three chairs about it. Mme. Dauvray waited impatiently. Celia stood apparently unconcerned, apparently lost to all that was going on. Her eyes saw no one. Adele looked up at Celia, and laughed maliciously.

"Mademoiselle, I see, is in the very mood to produce the most wonderful phenomena. But it will be better, I think, madame," she said, turning to Mme. Dauvray, "that Mlle. Celie should put on those gloves which I see she has thrown on to a chair. It will be a little more difficult for mademoiselle to loosen these cords, should she wish to do so."

The argument silenced Celia. If she refused this condition now she would excite Mme. Dauvray to a terrible suspicion. She drew on her gloves ruefully and slowly, smoothed them over her elbows, and buttoned them. To free her hands with her fingers and wrists already hampered in gloves would not be so easy a task. But there was no escape. Adele Rossignol was watching her with a satiric smile. Mme. Dauvray was urging her to be quick. Obeying a second order the girl raised her skirt and extended a slim foot in a pale-green silk stocking and a satin slipper to match. Adele was content. Celia was wearing the shoes she was meant to wear. They were made upon the very same last as those which Celia had just kicked off upstairs. An almost imperceptible nod from Helene Vauquier, moreover, assured her.

She took up a length of the thin cord.

"Now, how are we to begin?" she said awkwardly. "I think I will ask you, mademoiselle, to put your hands behind you."

Celia turned her back and crossed her wrists. She stood in her satin frock, with her white arms and shoulders bare, her slender throat supporting her small head with its heavy curls, her big hat—a picture of young grace and beauty. She would have had an easy task that night had there been men instead of women to put her to the test. But the women were intent upon their own ends: Mme. Dauvray eager for her seance, Adele Tace and Helene Vauquier for the climax of their plot.

Celia clenched her hands to make the muscles of her wrists rigid to resist the pressure of the cord. Adele quietly unclasped them and placed them palm to palm. And at once Celia became uneasy. It was not merely the action, significant though it was of Adele's alertness to thwart her, which troubled Celia. But she was extraordinarily receptive of impressions, extraordinarily quick to feel, from a touch, some dim sensation of the thought of the one who touched her. So now the touch of Adele's swift, strong, nervous hands caused her a queer, vague shock of discomfort. It was no more than that at the moment, but it was quite definite as that.

"Keep your hands so, please, mademoiselle," said Adele; "your fingers loose."

And the next moment