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Reading books MYSTERY & CRIMEHowever, all readers - sooner or later - find for themselves a literary genre that is fundamentally different from all others.
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Naturally, you can’t create a perfect story of mystery and crime . The author must inevitably sacrifice something of his own, but he must have some higher value that would fundamentally distinguish him from other authors. The works of Hammett, Chandler, McDonald, Cain, Stout, containing such peculiar "Emeralds", from generation to generation remain interesting for millions of fans, young and old.


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Read books online » Mystery & Crime » The Mystery of 31 New Inn by R. Austin Freeman (life books to read TXT) 📖

Book online «The Mystery of 31 New Inn by R. Austin Freeman (life books to read TXT) 📖». Author R. Austin Freeman



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to the lower floor. As we entered the room, the stranger rose, and, glancing in an embarrassed way from one of us to the other, suddenly broke out into an undeniable snigger. I looked at him sternly, and Thorndyke, quite unmoved by his indecorous behaviour, said in a grave voice:

"Let me introduce you, Jervis; though I think you have met this gentleman before."

"I think not," I said stiffly.

"Oh yes, you have, sir," interposed the stranger; and, as he spoke, I started; for the voice was uncommonly like the familiar voice of Polton.

I looked at the speaker with sudden suspicion. And now I could see that the flaxen hair was a wig; that the beard had a decidedly artificial look, and that the eyes that beamed through the spectacles were remarkably like the eyes of our factotum. But the blotchy face, the bulbous nose and the shaggy, overhanging eyebrows were alien features that I could not reconcile with the personality of our refined and aristocratic-looking little assistant.

"Is this a practical joke?" I asked.

"No," replied Thorndyke; "it is a demonstration. When we were talking this morning it appeared to me that you did not realize the extent to which it is possible to conceal identity under suitable conditions of light. So I arranged, with Polton's rather reluctant assistance, to give you ocular evidence. The conditions are not favourable—which makes the demonstration more convincing. This is a very well-lighted room and Polton is a very poor actor; in spite of which it has been possible for you to sit opposite him for several minutes and look at him, I have no doubt, very attentively, without discovering his identity. If the room had been lighted only with a candle, and Polton had been equal to the task of supporting his make-up with an appropriate voice and manner, the deception would have been perfect."

"I can see that he has a wig on, quite plainly," said I.

"Yes; but you would not in a dimly lighted room. On the other hand, if Polton were to walk down Fleet Street at mid-day in this condition, the make-up would be conspicuously evident to any moderately observant passer-by. The secret of making up consists in a careful adjustment to the conditions of light and distance in which the make-up is to be seen. That in use on the stage would look ridiculous in an ordinary room; that which would serve in an artificially lighted room would look ridiculous out of doors by daylight."

"Is any effective make-up possible out of doors in ordinary daylight?" I asked.

"Oh, yes," replied Thorndyke. "But it must be on a totally different scale from that of the stage. A wig, and especially a beard or moustache, must be joined up at the edges with hair actually stuck on the skin with transparent cement and carefully trimmed with scissors. The same applies to eyebrows; and alterations in the colour of the skin must be carried out much more subtly. Polton's nose has been built up with a small covering of toupée-paste, the pimples on the cheeks produced with little particles of the same material; and the general tinting has been done with grease-paint with a very light scumble of powder colour to take off some of the shine. This would be possible in outdoor make-up, but it would have to be done with the greatest care and delicacy; in fact, with what the art-critics call 'reticence.' A very little make-up is sufficient and too much is fatal. You would be surprised to see how little paste is required to alter the shape of the nose and the entire character of the face."

At this moment there came a loud knock at the door; a single, solid dab of the knocker which Polton seemed to recognize, for he ejaculated:

"Good lord, sir! That'll be Wilkins, the cabman! I'd forgotten all about him. Whatever's to be done?"

He stared at us in ludicrous horror for a moment or two, and then, snatching off his wig, beard and spectacles, poked them into a cupboard. But his appearance was now too much even for Thorndyke—who hastily got behind him—for he had now resumed his ordinary personality—but with a very material difference.

"Oh, it's nothing to laugh at, sir," he exclaimed indignantly as I crammed my handkerchief into my mouth. "Somebody's got to let him in, or he'll go away."

"Yes; and that won't do," said Thorndyke. "But don't worry, Polton. You can step into the office. I'll open the door."

Polton's presence of mind, however, seemed to have entirely forsaken him, for he only hovered irresolutely in the wake of his principal. As the door opened, a thick and husky voice inquired:

"Gent of the name of Polton live here?"

"Yes, quite right," said Thorndyke. "Come in. Your name is Wilkins, I think?"

"That's me, sir," said the voice; and in response to Thorndyke's invitation, a typical "growler" cabman of the old school, complete even to imbricated cape and dangling badge, stalked into the room, and glancing round with a mixture of embarrassment and defiance, suddenly fixed on Polton's nose a look of devouring curiosity.

"Here you are, then," Polton remarked nervously.

"Yus," replied the cabman in a slightly hostile tone. "Here I am. What am I wanted to do? And where's this here Mr. Polton?"

"I am Mr. Polton," replied our abashed assistant.

"Well, it's the other Mr. Polton what I want," said the cabman, with his eyes still riveted on the olfactory prominence.

"There isn't any other Mr. Polton," our subordinate replied irritably. "I am the—er—person who spoke to you in the shelter."

"Are you though?" said the manifestly incredulous cabby. "I shouldn't have thought it; but you ought to know. What do you want me to do?"

"We want you," said Thorndyke, "to answer one or two questions. And the first one is, Are you a teetotaller?"

The question being illustrated by the production of a decanter, the cabman's dignity relaxed somewhat.

"I ain't bigoted," said he.

"Then sit down and mix yourself a glass of grog. Soda or plain water?"

"May as well have all the extries," replied the cabman, sitting down and grasping the decanter with the air of a man who means business. "Per'aps you wouldn't mind squirtin' out the soda, sir, bein' more used to it."

While these preliminaries were being arranged, Polton silently slipped out of the room, and when our visitor had fortified himself with a gulp of the uncommonly stiff mixture, the examination began.

"Your name, I think, is Wilkins?" said Thorndyke.

"That's me, sir. Samuel Wilkins is my name."

"And your occupation?"

"Is a very tryin' one and not paid for as it deserves. I drives a cab, sir; a four-wheeled cab is what I drives; and a very poor job it is."

"Do you happen to remember a very foggy day about a month ago?"

"Do I not, sir! A regler sneezer that was! Wednesday, the fourteenth of March. I remember the date because my benefit society came down on me for arrears that morning."

"Will you tell us what happened to you between six and seven in the evening of that day?"

"I will, sir," replied the cabman, emptying his tumbler by way of bracing himself up for the effort. "A little before six I was waiting on the arrival side of the Great Northern Station, King's Cross, when I see a gentleman and a lady coming out. The gentleman he looks up and down and then he sees me and walks up to the cab and opens the door and helps the lady in. Then he says to me: 'Do you know New Inn?' he says. That's what he says to me what was born and brought up in White Horse Alley, Drury Lane.

"'Get inside,' says I.

"'Well,' says he, 'you drive in through the gate in Wych Street,' he says, as if he expected me to go in by Houghton Street and down the steps, 'and then,' he says, 'you drive nearly to the end and you'll see a house with a large brass plate at the corner of the doorway. That's where we want to be set down,' he says, and with that he nips in and pulls up the windows and off we goes.

"It took us a full half-hour to get to New Inn through the fog, for I had to get down and lead the horse part of the way. As I drove in under the archway, I saw it was half-past six by the clock in the porter's lodge. I drove down nearly to the end of the inn and drew up opposite a house where there was a big brass plate by the doorway. It was number thirty-one. Then the gent crawls out and hands me five bob—two 'arf-crowns—and then he helps the lady out, and away they waddles to the doorway and I see them start up the stairs very slow—regler Pilgrim's Progress. And that was the last I see of 'em."

Thorndyke wrote down the cabman's statement verbatim together with his own questions, and then asked:

"Can you give us any description of the gentleman?"

"The gent," said Wilkins, was a very respectable-looking gent, though he did look as if he'd had a drop of something short, and small blame to him on a day like that. But he was all there, and he knew what was the proper fare for a foggy evening, which is more than some of 'em do. He was a elderly gent, about sixty, and he wore spectacles, but he didn't seem to be able to see much through 'em. He was a funny 'un to look at; as round in the back as a turtle and he walked with his head stuck forward like a goose."

"What made you think he had been drinking?"

"Well, he wasn't as steady as he might have been on his pins. But he wasn't drunk, you know. Only a bit wobbly on the plates."

"And the lady; what was she like?"

"I couldn't see much of her because her head was wrapped up in a sort of woollen veil. But I should say she wasn't a chicken. Might have been about the same age as the gent, but I couldn't swear to that. She seemed a trifle rickety on the pins too; in fact they were a rum-looking couple. I watched 'em tottering across the pavement and up the stairs, hanging on to each other, him peering through his blinkers and she trying to see through her veil, and I thought it was a jolly good job they'd got a nice sound cab and a steady driver to bring 'em safe home."

"How was the lady dressed?"

"Can't rightly say, not being a hexpert. Her head was done up in this here veil like a pudden in a cloth and she had a small hat on. She had a dark brown mantle with a fringe of beads round it and a black dress; and I noticed when she got into the cab at the station that one of her stockings looked like the bellows of a concertina. That's all I can tell you."

Thorndyke wrote down the last answer, and, having read the entire statement aloud, handed the pen to our visitor.

"If that is all correct," he said, "I will ask you to sign your name at the bottom."

"Do you want me to swear a affidavy that it's all true?" asked Wilkins.

"No, thank you," replied Thorndyke. "We may have to call you to give evidence in court, and then you'll be sworn; and you'll also be paid for your attendance. For the present I want you to keep your own counsel and say nothing to anybody about having been here. We have to make some other inquiries and we don't want the affair talked about."

"I see, sir," said Wilkins, as he laboriously traced his signature at the foot of the statement; "you don't want the other parties for to ogle your lay. All right, sir; you can depend on me. I'm fly, I am."

"Thank you, Wilkins," said Thorndyke. "And now what are we to give you for your trouble in coming here?"

"I'll leave the fare to you,

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