Armadale by Wilkie Collins (ereader for textbooks .txt) 📖

of the first corridor, turned at right angles into a second, and, that passed, gained the head of the great staircase. "No romance here," he said to himself, looking down the handsomely carpeted stone stairs into the bright modern hall. "Nothing to startle Midwinter's fidgety nerves in this house." There was nothing, indeed; Allan's essentially superficial observation had not misled him for once. The mansion of Thorpe Ambrose (built after the pulling down of the dilapidated old manor-house) was barely fifty years old. Nothing picturesque, nothing in the slightest degree suggestive of mystery and romance, appeared in any part of it. It was a purely conventional country house--the product of the classical idea filtered judiciously through the commercial English mind. Viewed on the outer side, it presented the spectacle of a modern manufactory trying to look like an ancient temple. Viewed on the inner side, it was a marvel of luxurious comfort in every part of it, from basement to roof. "And quite right, too," thought Allan, sauntering contentedly down the broad, gently graduated stairs. "Deuce take all mystery and romance! Let's be clean and comfortable, that's what I say."

Arrived in the hall, the new master of Thorpe Ambrose hesitated, and looked about him, uncertain which way to turn next.

The four reception-rooms on the ground-floor opened into the hall, two on either side. Allan tried the nearest door on his right hand at a venture, and found himself in the drawing-room. Here the first sign of life appeared, under life's most attractive form. A young girl was in solitary possession of the drawing-room. The duster in her hand appeared to associate her with the domestic duties of the house; but at that particular moment she was occupied in asserting the rights of nature over the obligations of service. In other words, she was attentively contemplating her own face in the glass over the mantelpiece.

"There! there! don't let me frighten you," said Allan, as the girl started away from the glass, and stared at him in unutterable confusion. "I quite agree with you, my dear; your face is well worth looking at. Who are you? Oh, the housemaid. And what's your name? Susan, eh? Come! I like your name, to begin with. Do you know who I am, Susan? I'm your master, though you may not think it. Your character? Oh, yes! Mrs. Blanchard gave you a capital character. You shall stop here; don't be afraid. And you'll be a good girl, Susan, and wear smart little caps and aprons and bright ribbons, and you'll look nice and pretty, and dust the furniture, won't you?" With this summary of a housemaid's duties, Allan sauntered back into the hall, and found more signs of life in that quarter. A man-servant appeared on this occasion, and bowed, as became a vassal in a linen jacket, before his liege lord in a wide-awake hat.

"And who may you be?" asked Allan. "Not the man who let us in last night? Ah, I thought not. The second footman, eh? Character? Oh, yes; capital character. Stop here, of course. You can valet me, can you? Bother valeting me! I like to put on my own clothes, and brush them, too, when they are on; and, if I only knew how to black my own boots, by George, I should like to do it! What room's this? Morning-room, eh? And here's the dining-room, of course. Good heavens, what a table! it's as long as my yacht, and longer. I say, by-the-by, what's your name? Richard, is it? Well, Richard, the vessel I sail in is a vessel of my own building! What do you think of that? You look to me just the right sort of man to be my steward on board. If you're not sick at sea--oh, you are sick at sea? Well, then, we'll say nothing more about it. And what room is this? Ah, yes; the library, of course--more in Mr. Midwinter's way than mine. Mr. Midwinter is the gentleman who came here with me last night; and mind this, Richard, you're all to show him as much attention as you show me. Where are we now? What's this door at the back? Billiard-room and smoking-room, eh? Jolly. Another door! and more stairs! Where do they go to? and who's this coming up? Take your time, ma'am; you're not quite so young as you were once--take your time."

The object of Allan's humane caution was a corpulent elderly woman of the type called "motherly." Fourteen stairs were all that separated her from the master of the house; she ascended them with fourteen stoppages and fourteen sighs. Nature, various in all things, is infinitely various in the female sex. There are some women whose personal qualities reveal the Loves and the Graces; and there are other women whose personal qualities suggest the Perquisites and the Grease Pot. This was one of the other women.

"Glad to see you looking so well, ma'am," said Allan, when the cook, in the majesty of her office, stood proclaimed before him. "Your name is Gripper, is it? I consider you, Mrs. Gripper, the most valuable person in the house. For this reason, that nobody in the house eats a heartier dinner every day than I do. Directions? Oh, no; I've no directions to give. I leave all that to you. Lots of strong soup, and joints done with the gravy in them--there's my notion of good feeding, in two words. Steady! Here's somebody else. Oh, to be sure--the butler! Another valuable person. We'll go right through all the wine in the cellar, Mr. Butler; and if I can't give you a sound opinion after that, we'll persevere boldly, and go right through it again. Talking of wine--halloo! here are more of them coming up stairs. There! there! don't trouble yourselves. You've all got capital characters, and you shall all stop here along with me. What was I saying just now? Something about wine; so it was. I'll tell you what, Mr. Butler, it isn't every day that a new master comes to Thorpe Ambrose; and it's my wish that we should all start together on the best possible terms. Let the servants have a grand jollification downstairs to celebrate my arrival, and give them what they like to drink my health in. It's a poor heart, Mrs. Gripper, that never rejoices, isn't it? No; I won't look at the cellar now: I want to go out, and get a breath of fresh air before breakfast. Where's Richard? I say, have I got a garden here? Which side of the house is it! That side, eh? You needn't show me round. I'll go alone, Richard, and lose myself, if I can, in my own property."

With those words Allan descended the terrace steps in front of the house, whistling cheerfully. He had met the serious responsibility of settling his domestic establishment to his own entire satisfaction. "People talk of the difficulty of managing their servants," thought Allan. "What on earth do they mean? I don't see any difficulty at all." He opened an ornamental gate leading out of the drive at the side of the house, and, following the footman's directions, entered the shrubbery that sheltered the Thorpe Ambrose gardens. "Nice shady sort of place for a cigar," said Allan, as he sauntered along with his hands in his pockets "I wish I could beat it into my head that it really belongs to me."

The shrubbery opened on the broad expanse of a flower garden, flooded bright in its summer glory by the light of the morning sun.

On one side, an archway, broken through, a wall, led into the fruit garden. On the other, a terrace of turf led to ground on a lower level, laid out as an Italian garden. Wandering past the fountains and statues, Allan reached another shrubbery, winding its way apparently to some remote part of the grounds. Thus far, not a human creature had been visible or audible anywhere; but, as he approached the end of the second shrubbery, it struck him that he heard something on the other side of the foliage. He stopped and listened. There were two voices speaking distinctly--an old voice that sounded very obstinate, and a young voice that sounded very angry.

"It's no use, miss," said the old voice. "I mustn't allow it, and I won't allow it. What would Mr. Armadale say?"

"If Mr. Armadale is the gentleman I take him for, you old brute!" replied the young voice, "he would say, 'Come into my garden, Miss Milroy, as often as you like, and take as many nosegays as you please.'" Allan's bright blue eyes twinkled mischievously. Inspired by a sudden idea, he stole softly to the end of the shrubbery, darted round the corner of it, and, vaulting over a low ring fence, found himself in a trim little paddock, crossed by a gravel walk. At a short distance down the wall stood a young lady, with her back toward him, trying to force her way past an impenetrable old man, with a rake in his hand, who stood obstinately in front of her, shaking his head.

"Come into my garden, Miss Milroy, as often as you like, and take as many nosegays as you please," cried Allan, remorselessly repeating her own words.

The young lady turned round, with a scream; her muslin dress, which she was holding up in front, dropped from her hand, and a prodigious lapful of flowers rolled out on the gravel walk.

Before another word could be said, the impenetrable old man stepped forward, with the utmost composure, and entered on the question of his own personal interests, as if nothing whatever had happened, and nobody was present but his new master and himself.

"I bid you humbly welcome to Thorpe Ambrose, sir," said this ancient of the gardens. "My name is Abraham Sage. I've been employed in the grounds for more than forty years; and I hope you'll be pleased to continue me in my place."

So, with vision inexorably limited to the horizon of his own prospects, spoke the gardener, and spoke in vain. Allan was down on his knees on the gravel walk, collecting the fallen flowers, and forming his first impressions of Miss Milroy from the feet upward.

She was pretty; she was not pretty; she charmed, she disappointed, she charmed again. Tried by recognized line and rule, she was too short and too well developed for her age. And yet few men's eyes would have wished her figure other than it was. Her hands were so prettily plump and dimpled that it was hard to see how red they were with the blessed exuberance of youth and health. Her feet apologized gracefully for her old and ill fitting shoes; and her shoulders made ample amends for the misdemeanor in muslin which covered them in the shape of a dress. Her dark-gray eyes were lovely in their clear softness of color, in their spirit, tenderness, and sweet good humor of expression; and her hair (where a shabby old garden hat allowed it to be seen) was of just that lighter shade of brown which gave value by contrast to the darker beauty of her eyes. But these attractions passed, the little attendant blemishes and imperfections of this self-contradictory girl began again. Her nose was too short, her mouth was too large, her face was too round and too rosy. The dreadful justice of photography would have had no mercy on her; and the sculptors of classical Greece would have bowed her regretfully out of their studios. Admitting all this, and more, the girdle round Miss Milroy's waist was the girdle of Venus nevertheless; and the passkey that opens the general heart was the key she carried, if ever a girl possessed it yet. Before Allan had picked up his second handful of flowers, Allan was in love with her.