Joan of Naples by Alexandre Dumas père (e textbook reader .txt) 📖

very first this unsanctioned love was a keen joy: a new life seemed to wake within my heart; I was drawn on, fascinated by the prayers, the tears, and the despair of this man, by the opportunities that his mother so easily granted, she whom I had always looked upon as my own mother; I have loved him.... O my God, I am still so young, and my past is so unhappy. At times strange thoughts come into my mind: I fancy he no longer loves me, that he never did love me; I fancy he has been led on by ambition, by self-interest, by some ignoble motive, and has only feigned a feeling that he has never really felt. I feel myself a coldness I cannot account for; in his presence I am constrained, I am troubled by his look, his voice makes me tremble: I fear him; I would sacrifice a year of my life could I never have listened to him."

These words seemed to touch the young confidante to the very depths of her soul; a shade of sadness crossed her brow, her eyelids dropped, and for some time she answered nothing, showing sorrow rather than surprise. Then, lifting her head gently, she said, with visible embarrassment--

"I should never have dared to pass so severe a judgment upon a man whom my sovereign lady has raised above other men by casting upon him a look of kindness; but if Robert of Cabane has deserved the reproach of inconstancy and ingratitude, if he has perjured himself like a coward, he must indeed be the basest of all miserable beings, despising a happiness which other men might have entreated of God the whole time of their life and paid for through eternity. One man I know, who weeps both night and day without hope or consolation, consumed by a slow and painful malady, when one word might yet avail to save him, did it come from the lips of my noble mistress."

"I will not hear another word," cried Joan, suddenly rising; "there shall be no new cause for remorse in my life. Trouble has come upon me through my loves, both lawful and criminal; alas! no longer will I try to control my awful fate, I will bow my head without a murmur. I am the queen, and I must yield myself up for the good of my subjects."

"Will you forbid me, madam," replied Dona Cancha in a kind, affectionate tone--"will you forbid me to name Bertrand of Artois in your presence, that unhappy man, with the beauty of an angel and the modesty of a girl? Now that you are queen and have the life and death of your subjects in your own keeping, will you feel no kindness towards an unfortunate one whose only fault is to adore you, who strives with all his mind and strength to bear a chance look of yours without dying of his joy?"

"I have struggled hard never to look on him," cried the queen, urged by an impulse she was not strong enough to conquer: then, to efface the impression that might well have been made on her friend's mind, she added severely, "I forbid you to pronounce his name before me; and if he should ever venture to complain, I bid you tell him from me that the first time I even suspect the cause of his distress he will be banished for ever from my presence."

"Ah, madam, dismiss me also; for I shall never be strong enough to do so hard a bidding: the unhappy man who cannot awake in your heart so much as a feeling of pity may now be struck down by yourself in your wrath, for here he stands; he has heard your sentence, and come to die at your feet."

The last words were spoken in a louder voice, so that they might be heard from outside, and Bertrand of Artois came hurriedly into the room and fell on his knees before the queen. For a long time past the young lady-in-waiting had perceived that Robert of Cabane had, through his own fault, lost the love of Joan; for his tyranny had indeed become more unendurable to her than her husband's.

Dona Cancha had been quick enough to perceive that the eyes of her young mistress were wont to rest with a kind of melancholy gentleness on Bertrand, a young man of handsome appearance but with a sad and dreamy expression; so when she made up her mind to speak in his interests, she was persuaded that the queen already loved him. Still, a bright colour overspread Joan's face, and her anger would have fallen on both culprits alike, when in the next room a sound of steps was heard, and the voice of the grand seneschal's widow in conversation with her son fell on the ears of the three young people like a clap of thunder. Dona Cancha, pale as death, stood trembling; Bertrand felt that he was lost--all the more because his presence compromised the queen; Joan only, with that wonderful presence of mind she was destined to preserve in the most difficult crises of her future life, thrust the young man against the carved back of her bed, and concealed him completely beneath the ample curtain: she then signed to Cancha to go forward and meet the governess and her son.

But before we conduct into the queen's room these two persons, whom our readers may remember in Joan's train about the bed of King Robert, we must relate the circumstances which had caused the family of the Catanese to rise with incredible rapidity from the lowest class of the people to the highest rank at court. When Dona Violante of Aragon, first wife of Robert of Anjou, became the mother of Charles, who was later on the Duke of Calabria, a nurse was sought for the infant among the most handsome women of the people. After inspecting many women of equal merit as regards beauty, youth and health, the princess's choice lighted on Philippa, a young Catanese woman, the wife of a fisherman of Trapani, and by condition a laundress. This young woman, as she washed her linen on the bank of a stream, had dreamed strange dreams: she had fancied herself summoned to court, wedded to a great personage, and receiving the honours of a great lady. Thus when she was called to Castel Nuovo her joy was great, for she felt that her dreams now began to be realised. Philippa was installed at the court, and a few months after she began to nurse the child the fisherman was dead and she was a widow. Meanwhile Raymond of Cabane, the major-domo of King Charles II's house, had bought a negro from some corsairs, and having had him baptized by his own name, had given him his liberty; afterwards observing that he was able and intelligent, he had appointed him head cook in the king's kitchen; and then he had gone away to the war. During the absence of his patron the negro managed his own affairs at the court so cleverly, that in a short time he was able to buy land, houses, farms, silver plate, and horses, and could vie in riches with the best in the kingdom; and as he constantly won higher favour in the royal family, he passed on from the kitchen to the wardrobe. The Catanese had also deserved very well of her employers, and as a reward for the care she had bestowed on the child, the princess married her to the negro, and he, as a wedding gift, was granted the title of knight.

From this day forward, Raymond of Cabane and Philippa the laundress rose in the world so rapidly that they had no equal in influence at court. After the death of Dona Violante, the Catanese became the intimate friend of Dona Sandra, Robert's second wife, whom we introduced to our readers at the beginning of this narrative. Charles, her foster son, loved her as a mother, and she was the confidante of his two wives in turn, especially of the second wife, Marie of Valois. And as the quondam laundress had in the end learned all the manners and customs of the court, she was chosen at the birth of Joan and her sister to be governess and mistress over the young girls, and at this juncture Raymond was created major-domo. Finally, Marie of Valois on her deathbed commended the two young princesses to her care, begging her to look on them as her own-daughters. Thus Philippa the Catanese, honoured in future as foster mother of the heiress to the throne of Naples, had power to nominate her husband grand seneschal, one of the seven most important offices in the kingdom, and to obtain knighthood for her sons. Raymond of Cabane was buried like a king in a marble tomb in the church of the Holy Sacrament, and there was speedily joined by two of his sons. The third, Robert, a youth of extraordinary strength and beauty, gave up an ecclesiastical career, and was himself made major-domo, his two sisters being married to the Count of Merlizzi and the Count of Morcone respectively. This was now the state of affairs, and the influence of the grand seneschal's widow seemed for ever established, when an unexpected event suddenly occurred, causing such injury as might well suffice to upset the edifice of her fortunes that had been raised stone by stone patiently and slowly: this edifice was now undermined and threatened to fall in a single day. It was the sudden apparition of Friar Robert, who followed to the court of Rome his young pupil, who from infancy had been Joan's destined husband, which thus shattered all the designs of the Catanese and seriously menaced her future. The monk had not been slow to understand that so long as she remained at the court, Andre would be no more than the slave, possibly even the victim, of his wife. Thus all Friar Robert's thoughts were obstinately concentrated on a single end, that of getting rid of the Catanese or neutralising her influence. The prince's tutor and the governess of the heiress had but to exchange one glance, icy, penetrating, plain to read: their looks met like lightning flashes of hatred and of vengeance. The Catanese, who felt she was detected, lacked courage to fight this man in the open, and so conceived the hope of strengthening her tottering empire by the arts of corruption and debauchery. She instilled by degrees into her pupil's mind the poison of vice, inflamed her youthful imagination with precocious desires, sowed in her heart the seeds of an unconquerable aversion for her husband, surrounded the poor child with abandoned women, and especially attached to her the beautiful and attractive Dona Cancha, who is branded by contemporary authors with the name of a courtesan; then summed up all these lessons in infamy by prostituting Joan to her own son. The poor girl, polluted by sin before she knew what life was, threw her whole self into this first passion with all the ardour of youth, and loved Robert of Cabane so violently, so madly, that the Catanese congratulated herself on the success of her infamy, believing that she held her prey so fast in her toils that her victim would never attempt to escape them.

A year passed by before Joan, conquered by her infatuation, conceived the smallest suspicion of her lover's sincerity. He, more ambitious than affectionate, found it easy to conceal his coldness under the cloak of a brotherly intimacy, of blind submission, and of unswerving devotion; perhaps he would have deceived his mistress for a longer time had not Bertrand of Artois fallen madly in love with Joan. Suddenly the bandage fell from the young girl's