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Genre MYSTERY & CRIME what is it?


Reading books MYSTERY & CRIMEHowever, all readers - sooner or later - find for themselves a literary genre that is fundamentally different from all others.
An astonishing number of readers read mystery and crime.
The peculiarities of such constant attention to mystery and crime by the most diverse readership has been and remains the subject of numerous studies.
But seriously, a detective mystery should matted the reader. However, readers are very different: some try to guess who the killer is, others try to figure out the killer using mathematical methods, and others prefer to get pleasure only by turning the last page.
On the other hand, the law of the genre requires that a mystery and crime doesn’t cover all areas of a person's life at once. A crime puzzle should not be likened to love or historical novels. Only full concentration on the plot! In the same way, the atmosphere of fear, anxiety and horror gradually thickens in the thriller.
The cornerstone of the reader's well-deserved interest mystery and crime is that the criminal is doomed to suffer the punishment he deserves. This is the logic of the detective form. Otherwise, the reader will be dissatisfied and even annoyed.
Naturally, you can’t create a perfect story of mystery and crime . The author must inevitably sacrifice something of his own, but he must have some higher value that would fundamentally distinguish him from other authors. The works of Hammett, Chandler, McDonald, Cain, Stout, containing such peculiar "Emeralds", from generation to generation remain interesting for millions of fans, young and old.


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Read books online » Mystery & Crime » Library of the World's Best Mystery and Detective Stories by Edited by Julian Hawthorne (best affordable ebook reader txt) 📖

Book online «Library of the World's Best Mystery and Detective Stories by Edited by Julian Hawthorne (best affordable ebook reader txt) 📖». Author Edited by Julian Hawthorne



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"I had seen you two; I was there, in the shrubbery. I was angry! If I could I should have killed you both!

"I said to myself: 'He shall not marry Suzanne, never! He shall marry no one. I should be too unhappy.' And all of a sudden I began to hate him dreadfully.

"Then, dost thou know what I did? Listen. I had seen the gardener making little balls to kill strange dogs. He pounded up a bottle with a stone and put the powdered glass in a little ball of meat.

"I took a little medicine bottle that mamma had; I broke it small with a hammer, and I hid the glass in my pocket. It was a shining powder ... The next day, as soon as you had made the little cakes ... I split them with a knife and I put in the glass ... He ate three of them ... I too, I ate one ... I threw the other six into the pond. The two swans died three days after ... Dost thou remember? Oh, say nothing ... listen, listen. I, I alone did not die ... but I have always been sick. Listen ... He died--thou knowest well ... listen ... that, that is nothing. It is afterwards, later ... always ... the worst ... listen.

"My life, all my life ... what torture! I said to myself: 'I will never leave my sister. And at the hour of death I will tell her all ...' There! And ever since, I have always thought of that moment when I should tell thee all. Now it is come. It is terrible. Oh ... Big Sister!

"I have always thought, morning and evening, by night and by day, 'Some time I must tell her that ...' I waited ... What agony! ... It is done. Say nothing. Now I am afraid ... am afraid ... oh, I am afraid. If I am going to see him again, soon, when I am dead. See him again ... think of it! The first! Before thou! I shall not dare. I must ... I am going to die ... I want you to forgive me. I want it ... I cannot go off to meet him without that. Oh, tell her to forgive me, Monsieur le Cure, tell her ... I implore you to do it. I cannot die without that...."

* * * * *

She was silent, and remained panting, always scratching the sheet with her withered nails.

Suzanne had hidden her face in her hands, and did not move. She was thinking of him whom she might have loved so long! What a good life they should have lived together! She saw him once again in that vanished bygone time, in that old past which was put out forever. The beloved dead--how they tear your hearts! Oh, that kiss, his only kiss! She had hidden it in her soul. And after it nothing, nothing more her whole life long!

* * * * *

All of a sudden the priest stood straight, and, with a strong vibrant voice, he cried:

"Mademoiselle Suzanne, your sister is dying!"

Then Suzanne, opening her hands, showed her face soaked with tears, and throwing herself upon her sister, she kissed her with all her might, stammering:

"I forgive thee, I forgive thee, Little One."


The Horla, or Modern Ghosts


May 8th. What a lovely day! I have spent all the morning lying in the grass in front of my house, under the enormous plantain tree which covers it, and shades and shelters the whole of it. I like this part of the country and I am fond of living here because I am attached to it by deep roots, profound and delicate roots which attach a man to the soil on which his ancestors were born and died, which attach him to what people think and what they eat, to the usages as well as to the food, local expressions, the peculiar language of the peasants, to the smell of the soil, of the villages and of the atmosphere itself.

I love my house in which I grew up. From my windows I can see the Seine which flows by the side of my garden, on the other side of the road, almost through my grounds, the great and wide Seine, which goes to Rouen and Havre, and which is covered with boats passing to and fro.

On the left, down yonder, lies Rouen, that large town with its blue roofs, under its pointed Gothic towers. They are innumerable, delicate or broad, dominated by the spire of the cathedral, and full of bells which sound through the blue air on fine mornings, sending their sweet and distant iron clang to me; their metallic sound which the breeze wafts in my direction, now stronger and now weaker, according as the wind is stronger or lighter.

What a delicious morning it was!

About eleven o'clock, a long line of boats drawn by a steam tug, as big as a fly, and which scarcely puffed while emitting its thick smoke, passed my gate.

After two English schooners, whose red flag fluttered toward the sky, there came a magnificent Brazilian three-master; it was perfectly white and wonderfully clean and shining. I saluted it, I hardly know why, except that the sight of the vessel gave me great pleasure.

May 12th. I have had a slight feverish attack for the last few days, and I feel ill, or rather I feel low-spirited.

Whence do these mysterious influences come, which change our happiness into discouragement, and our self-confidence into diffidence? One might almost say that the air, the invisible air is full of unknowable Forces, whose mysterious presence we have to endure. I wake up in the best spirits, with an inclination to sing in my throat. Why? I go down by the side of the water, and suddenly, after walking a short distance, I return home wretched, as if some misfortune were awaiting me there. Why? Is it a cold shiver which, passing over my skin, has upset my nerves and given me low spirits? Is it the form of the clouds, or the color of the sky, or the color of the surrounding objects which is so changeable, which have troubled my thoughts as they passed before my eyes? Who can tell? Everything that surrounds us, everything that we see without looking at it, everything that we touch without knowing it, everything that we handle without feeling it, all that we meet without clearly distinguishing it, has a rapid, surprising and inexplicable effect upon us and upon our organs, and through them on our ideas and on our heart itself.

How profound that mystery of the Invisible is! We cannot fathom it with our miserable senses, with our eyes which are unable to perceive what is either too small or too great, too near to, or too far from us; neither the inhabitants of a star nor of a drop of water ... with our ears that deceive us, for they transmit to us the vibrations of the air in sonorous notes. They are fairies who work the miracle of changing that movement into noise, and by that metamorphosis give birth to music, which makes the mute agitation of nature musical ... with our sense of smell which is smaller than that of a dog ... with our sense of taste which can scarcely distinguish the age of a wine!

Oh! If we only had other organs which would work other miracles in our favor, what a number of fresh things we might discover around us!

May 16th. I am ill, decidedly! I was so well last month! I am feverish, horribly feverish, or rather I am in a state of feverish enervation, which makes my mind suffer as much as my body. I have without ceasing that horrible sensation of some danger threatening me, that apprehension of some coming misfortune or of approaching death, that presentiment which is, no doubt, an attack of some illness which is still unknown, which germinates in the flesh and in the blood.

May 18th. I have just come from consulting my medical man, for I could no longer get any sleep. He found that my pulse was high, my eyes dilated, my nerves highly strung, but no alarming symptoms. I must have a course of shower-baths and of bromide of potassium.

May 25th. No change! My state is really very peculiar. As the evening comes on, an incomprehensible feeling of disquietude seizes me, just as if night concealed some terrible menace toward me. I dine quickly, and then try to read, but I do not understand the words, and can scarcely distinguish the letters. Then I walk up and down my drawing-room, oppressed by a feeling of confused and irresistible fear, the fear of sleep and fear of my bed.

About ten o'clock I go up to my room. As soon as I have got in I double lock, and bolt it: I am frightened--of what? Up till the present time I have been frightened of nothing--I open my cupboards, and look under my bed; I listen--I listen--to what? How strange it is that a simple feeling of discomfort, impeded or heightened circulation, perhaps the irritation of a nervous thread, a slight congestion, a small disturbance in the imperfect and delicate functions of our living machinery, can turn the most lighthearted of men into a melancholy one, and make a coward of the bravest! Then, I go to bed, and I wait for sleep as a man might wait for the executioner. I wait for its coming with dread, and my heart beats and my legs tremble, while my whole body shivers beneath the warmth of the bedclothes, until the moment when I suddenly fall asleep, as one would throw oneself into a pool of stagnant water in order to drown oneself. I do not feel coming over me, as I used to do formerly, this perfidious sleep which is close to me and watching me, which is going to seize me by the head, to close my eyes and annihilate me.

I sleep--a long time--two or three hours perhaps--then a dream--no--a nightmare lays hold on me. I feel that I am in bed and asleep--I feel it and I know it--and I feel also that somebody is coming close to me, is looking at me, touching me, is getting on to my bed, is kneeling on my chest, is taking my neck between his hands and squeezing it--squeezing it with all his might in order to strangle me.

I struggle, bound by that terrible powerlessness which paralyzes us in our dreams; I try to cry out--but I cannot; I want to move--I cannot; I try, with the most violent efforts and out of breath, to turn over and throw off this being which is crushing and suffocating me--I cannot!

And then, suddenly, I wake up, shaken and bathed in perspiration; I light a candle and find that I am alone, and after that crisis, which occurs every night, I at length fall asleep and slumber tranquilly till morning.

June 2d. My state has grown worse. What is the matter with me? The bromide does me no
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