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Naturally, you can’t create a perfect story of mystery and crime . The author must inevitably sacrifice something of his own, but he must have some higher value that would fundamentally distinguish him from other authors. The works of Hammett, Chandler, McDonald, Cain, Stout, containing such peculiar "Emeralds", from generation to generation remain interesting for millions of fans, young and old.


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Read books online » Mystery & Crime » Condensed Novels by Bret Harte (iphone ebook reader txt) 📖

Book online «Condensed Novels by Bret Harte (iphone ebook reader txt) 📖». Author Bret Harte



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>BOOK III.

THE DWELLER OF THE THRESHOLD.

 

“ADON AI, appear! appear!”

And as the Seer spoke, the awful Presence glided out of Nothingness, and sat, sphinx-like, at the feet of the Alchemist.

“I am come!” said the Thing.

“You should say, ‘I have come,’—it’s better grammar,” said the Boy-Neophyte, thoughtfully accenting the substituted expression.

“Hush, rash Boy,” said the Seer, sternly. “Would you oppose your feeble knowledge to the infinite intelligence of the Unmistakable? A word, and you are lost forever.”

The Boy breathed a silent prayer, and, handing a sealed package to the Seer, begged him to hand it to his father in case of his premature decease.

“You have sent for me,” hissed the Presence. “Behold me, Apokatharticon,—the Unpronounceable. In me all things exist that are not already coexistent. I am the Unattainable, the Intangible, the Cause, and the Effect. In me observe the Brahma of Mr. Emerson; not only Brahma himself, but also the sacred musical composition rehearsed by the faithful Hindoo. I am the real Gyges. None others are genuine.”

And the veiled Son of the Starbeam laid himself loosely about the room, and permeated Space generally.

“Unfathomable Mystery,” said the Rosicrucian in a low, sweet voice. “Brave Child with the Vitreous Optic! Thou who pervadest all things and rubbest against us without abrasion of the cuticle. I command thee, speak!”

And the misty, intangible, indefinite Presence spoke.

 

BOOK IV.

MYSELF.

 

After the events related in the last chapter, the reader will perceive that nothing was easier than to reconcile Sir Edward to his son Lionel, nor to resuscitate the beautiful Italian girl, who, it appears, was not dead, and to cause Sir Edward to marry his first and boyish love, whom he had deserted. They were married in St. George’s, Hanover Square. As the bridal party stood before the altar, Sir Edward, with a sweet sad smile, said, in quite his old manner:—

“The Sublime and Beautiful are the Real; the only Ideal is the Ridiculous and Homely. Let us always remember this. Let us through life endeavor to personify the virtues, and always begin ‘em with a capital letter. Let us, whenever we can find an opportunity, deliver our sentiments in the form of round-hand copies. Respect the Aged. Eschew Vulgarity. Admire Ourselves. Regard the Novelist.”

 

THE HAUNTED MAN.

A CHRISTMAS STORY.

BY CH—R—S D—CK—NS.

 

PART I.

THE FIRST PHANTOM.

 

Don’t tell me that it wasn’t a knocker. I had seen it often enough, and I ought to know. So ought the three-o’clock beer, in dirty high-lows, swinging himself over the railing, or executing a demoniacal jig upon the doorstep; so ought the butcher, although butchers as a general thing are scornful of such trifles; so ought the postman, to whom knockers of the most extravagant description were merely human weaknesses, that were to be pitied and used. And so ought, for the matter of that, etc., etc., etc.

But then it was SUCH a knocker. A wild, extravagant, and utterly incomprehensible knocker. A knocker so mysterious and suspicious that Policeman X 37, first coming upon it, felt inclined to take it instantly in custody, but compromised with his professional instincts by sharply and sternly noting it with an eye that admitted of no nonsense, but confidently expected to detect its secret yet. An ugly knocker; a knocker with a hard, human face, that was a type of the harder human face within. A human face that held between its teeth a brazen rod. So hereafter, in the mysterious future should be held, etc., etc.

But if the knocker had a fierce human aspect in the glare of day, you should have seen it at night, when it peered out of the gathering shadows and suggested an ambushed figure; when the light of the street lamps fell upon it, and wrought a play of sinister expression in its hard outlines; when it seemed to wink meaningly at a shrouded figure who, as the night fell darkly, crept up the steps and passed into the mysterious house; when the swinging door disclosed a black passage into which the figure seemed to lose itself and become a part of the mysterious gloom; when the night grew boisterous and the fierce wind made furious charges at the knocker, as if to wrench it off and carry it away in triumph. Such a night as this.

It was a wild and pitiless wind. A wind that had commenced life as a gentle country zephyr, but wandering through manufacturing towns had become demoralized, and reaching the city had plunged into extravagant dissipation and wild excesses. A roistering wind that indulged in Bacchanalian shouts on the street corners, that knocked off the hats from the heads of helpless passengers, and then fulfilled its duties by speeding away, like all young prodigals,— to sea.

He sat alone in a gloomy library listening to the wind that roared in the chimney. Around him novels and story-books were strewn thickly; in his lap he held one with its pages freshly cut, and turned the leaves wearily until his eyes rested upon a portrait in its frontispiece. And as the wind howled the more fiercely, and the darkness without fell blacker, a strange and fateful likeness to that portrait appeared above his chair and leaned upon his shoulder. The Haunted Man gazed at the portrait and sighed. The figure gazed at the portrait and sighed too.

“Here again?” said the Haunted Man.

“Here again,” it repeated in a low voice.

“Another novel?”

“Another novel.”

“The old story?”

“The old story.”

“I see a child,” said the Haunted Man, gazing from the pages of the book into the fire,—“a most unnatural child, a model infant. It is prematurely old and philosophic. It dies in poverty to slow music. It dies surrounded by luxury to slow music. It dies with an accompaniment of golden water and rattling carts to slow music. Previous to its decease it makes a will; it repeats the Lord’s Prayer, it kisses the ‘boofer lady.’ That child—”

“Is mine,” said the phantom.

“I see a good woman, undersized. I see several charming women, but they are all undersized. They are more or less imbecile and idiotic, but always fascinating and undersized. They wear coquettish caps and aprons. I observe that feminine virtue is invariably below the medium height, and that it is always simple and infantine. These women—”

“Are mine.”

“I see a haughty, proud, and wicked lady. She is tall and queenly. I remark that all proud and wicked women are tall and queenly. That woman—”

“Is mine,” said the phantom, wringing his hands.

“I see several things continually impending. I observe that whenever an accident, a murder, or death is about to happen, there is something in the furniture, in the locality, in the atmosphere, that foreshadows and suggests it years in advance. I cannot say that in real life I have noticed it,—the perception of this surprising fact belongs—”

“To me!” said the phantom. The Haunted Man continued, in a despairing tone:—

“I see the influence of this in the magazines and daily papers; I see weak imitators rise up and enfeeble the world with senseless formula. I am getting tired of it. It won’t do, Charles! it won’t do!” and the Haunted Man buried his head in his hands and groaned. The figure looked down upon him sternly: the portrait in the frontispiece frowned as he gazed.

“Wretched man,” said the phantom, “and how have these things affected you?”

“Once I laughed and cried, but then I was younger. Now, I would forget them if I could.”

“Have then your wish. And take this with you, man whom I renounce. From this day henceforth you shall live with those whom I displace. Without forgetting me, ‘t will be your lot to walk through life as if we had not met. But first you shall survey these scenes that henceforth must be yours. At one to-night, prepare to meet the phantom I have raised. Farewell!”

The sound of its voice seemed to fade away with the dying wind, and the Haunted Man was alone. But the firelight flickered gayly, and the light danced on the walls, making grotesque figures of the furniture.

“Ha, ha!” said the Haunted Man, rubbing his hands gleefully; “now for a whiskey punch and a cigar.”

 

BOOK II.

THE SECOND PHANTOM.

 

One! The stroke of the far-off bell had hardly died before the front door closed with a reverberating clang. Steps were heard along the passage; the library door swung open of itself, and the Knocker—yes, the Knocker—slowly strode into the room. The Haunted Man rubbed his eyes,—no! there could be no mistake about it,—it was the Knocker’s face, mounted on a misty, almost imperceptible body. The brazen rod was transferred from its mouth to its right hand, where it was held like a ghostly truncheon.

“It’s a cold evening,” said the Haunted Man.

“It is,” said the Goblin, in a hard, metallic voice.

“It must be pretty cold out there,” said the Haunted Man, with vague politeness. “Do you ever—will you—take some hot water and brandy?”

“No,” said the Goblin.

“Perhaps you’d like it cold, by way of change?” continued the Haunted Man, correcting himself, as he remembered the peculiar temperature with which the Goblin was probably familiar.

“Time flies,” said the Goblin coldly. “We have no leisure for idle talk. Come!” He moved his ghostly truncheon toward the window, and laid his hand upon the other’s arm. At his touch the body of the Haunted Man seemed to become as thin and incorporeal as that of the Goblin himself, and together they glided out of the window into the black and blowy night.

In the rapidity of their flight the senses of the Haunted Man seemed to leave him. At length they stopped suddenly.

“What do you see?” asked the Goblin.

“I see a battlemented mediaeval castle. Gallant men in mail ride over the drawbridge, and kiss their gauntleted fingers to fair ladies, who wave their lily hands in return. I see fight and fray and tournament. I hear roaring heralds bawling the charms of delicate women, and shamelessly proclaiming their lovers. Stay. I see a Jewess about to leap from a battlement. I see knightly deeds, violence, rapine, and a good deal of blood. I’ve seen pretty much the same at Astley’s.”

“Look again.”

“I see purple moors, glens, masculine women, bare-legged men, priggish book-worms, more violence, physical excellence, and blood. Always blood,—and the superiority of physical attainments.”

“And how do you feel now?” said the Goblin.

The Haunted Man shrugged his shoulders. “None the better for being carried back and asked to sympathize with a barbarous age.”

The Goblin smiled and clutched his arm; they again sped rapidly through the black night and again halted.

“What do you see?” said the Goblin.

“I see a barrack room, with a mess table, and a group of intoxicated Celtic officers telling funny stories, and giving challenges to duel. I see a young Irish gentleman capable of performing prodigies of valor. I learn incidentally that the acme of all heroism is the cornetcy of a dragoon regiment. I hear a good deal of French! No, thank you,” said the Haunted Man hurriedly, as he stayed the waving hand of the Goblin; “I would rather NOT go to the Peninsula, and don’t care to have a private interview with Napoleon.”

Again the Goblin flew away with the unfortunate man, and from a strange roaring below them he judged they were above the ocean. A ship hove in sight, and the Goblin stayed its flight. “Look,” he said, squeezing his companion’s arm.

The Haunted Man yawned. “Don’t you think, Charles, you’re rather running this thing into the ground? Of course it’s very moral and instructive, and all that. But ain’t there a little too much pantomime about it? Come now!”

“Look!” repeated the Goblin, pinching his

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