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Reading books MYSTERY & CRIMEHowever, all readers - sooner or later - find for themselves a literary genre that is fundamentally different from all others.
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The cornerstone of the reader's well-deserved interest mystery and crime is that the criminal is doomed to suffer the punishment he deserves. This is the logic of the detective form. Otherwise, the reader will be dissatisfied and even annoyed.
Naturally, you can’t create a perfect story of mystery and crime . The author must inevitably sacrifice something of his own, but he must have some higher value that would fundamentally distinguish him from other authors. The works of Hammett, Chandler, McDonald, Cain, Stout, containing such peculiar "Emeralds", from generation to generation remain interesting for millions of fans, young and old.


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Read books online » Mystery & Crime » Crime and Punishment by Fyodor Dostoyevsky (classic literature list .TXT) 📖

Book online «Crime and Punishment by Fyodor Dostoyevsky (classic literature list .TXT) 📖». Author Fyodor Dostoyevsky



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all the thing for the prosecutor to let himself be carried away by notions: here I have Nikolay on my hands with actual evidence against him--you may think what you like of it, but it's evidence. He brings in his psychology, too; one has to consider him, too, for it's a matter of life and death. Why am I explaining this to you? That you may understand, and not blame my malicious behaviour on that occasion. It was not malicious, I assure you, he-he! Do you suppose I didn't come to search your room at the time? I did, I did, he-he! I was here when you were lying ill in bed, not officially, not in my own person, but I was here. Your room was searched to the last thread at the first suspicion; but _umsonst_! I thought to myself, now that man will come, will come of himself and quickly, too; if he's guilty, he's sure to come. Another man wouldn't, but he will. And you remember how Mr. Razumihin began discussing the subject with you? We arranged that to excite you, so we purposely spread rumours, that he might discuss the case with you, and Razumihin is not a man to restrain his indignation. Mr. Zametov was tremendously struck by your anger and your open daring. Think of blurting out in a restaurant 'I killed her.' It was too daring, too reckless. I thought so myself, if he is guilty he will be a formidable opponent. That was what I thought at the time. I was expecting you. But you simply bowled Zametov over and... well, you see, it all lies in this--that this damnable psychology can be taken two ways! Well, I kept expecting you, and so it was, you came! My heart was fairly throbbing. Ach!

"Now, why need you have come? Your laughter, too, as you came in, do you remember? I saw it all plain as daylight, but if I hadn't expected you so specially, I should not have noticed anything in your laughter. You see what influence a mood has! Mr. Razumihin then--ah, that stone, that stone under which the things were hidden! I seem to see it somewhere in a kitchen garden. It was in a kitchen garden, you told Zametov and afterwards you repeated that in my office? And when we began picking your article to pieces, how you explained it! One could take every word of yours in two senses, as though there were another meaning hidden.

"So in this way, Rodion Romanovitch, I reached the furthest limit, and knocking my head against a post, I pulled myself up, asking myself what I was about. After all, I said, you can take it all in another sense if you like, and it's more natural so, indeed. I couldn't help admitting it was more natural. I was bothered! 'No, I'd better get hold of some little fact' I said. So when I heard of the bell-ringing, I held my breath and was all in a tremor. 'Here is my little fact,' thought I, and I didn't think it over, I simply wouldn't. I would have given a thousand roubles at that minute to have seen you with my own eyes, when you walked a hundred paces beside that workman, after he had called you murderer to your face, and you did not dare to ask him a question all the way. And then what about your trembling, what about your bell-ringing in your illness, in semi-delirium?

"And so, Rodion Romanovitch, can you wonder that I played such pranks on you? And what made you come at that very minute? Someone seemed to have sent you, by Jove! And if Nikolay had not parted us... and do you remember Nikolay at the time? Do you remember him clearly? It was a thunderbolt, a regular thunderbolt! And how I met him! I didn't believe in the thunderbolt, not for a minute. You could see it for yourself; and how could I? Even afterwards, when you had gone and he began making very, very plausible answers on certain points, so that I was surprised at him myself, even then I didn't believe his story! You see what it is to be as firm as a rock! No, thought I, _Morgenfrueh_. What has Nikolay got to do with it!"

"Razumihin told me just now that you think Nikolay guilty and had yourself assured him of it...."

His voice failed him, and he broke off. He had been listening in indescribable agitation, as this man who had seen through and through him, went back upon himself. He was afraid of believing it and did not believe it. In those still ambiguous words he kept eagerly looking for something more definite and conclusive.

"Mr. Razumihin!" cried Porfiry Petrovitch, seeming glad of a question from Raskolnikov, who had till then been silent. "He-he-he! But I had to put Mr. Razumihin off; two is company, three is none. Mr. Razumihin is not the right man, besides he is an outsider. He came running to me with a pale face.... But never mind him, why bring him in? To return to Nikolay, would you like to know what sort of a type he is, how I understand him, that is? To begin with, he is still a child and not exactly a coward, but something by way of an artist. Really, don't laugh at my describing him so. He is innocent and responsive to influence. He has a heart, and is a fantastic fellow. He sings and dances, he tells stories, they say, so that people come from other villages to hear him. He attends school too, and laughs till he cries if you hold up a finger to him; he will drink himself senseless--not as a regular vice, but at times, when people treat him, like a child. And he stole, too, then, without knowing it himself, for 'How can it be stealing, if one picks it up?' And do you know he is an Old Believer, or rather a dissenter? There have been Wanderers[*] in his family, and he was for two years in his village under the spiritual guidance of a certain elder. I learnt all this from Nikolay and from his fellow villagers. And what's more, he wanted to run into the wilderness! He was full of fervour, prayed at night, read the old books, 'the true' ones, and read himself crazy.


[*] A religious sect.--TRANSLATOR'S NOTE.


"Petersburg had a great effect upon him, especially the women and the wine. He responds to everything and he forgot the elder and all that. I learnt that an artist here took a fancy to him, and used to go and see him, and now this business came upon him.

"Well, he was frightened, he tried to hang himself! He ran away! How can one get over the idea the people have of Russian legal proceedings? The very word 'trial' frightens some of them. Whose fault is it? We shall see what the new juries will do. God grant they do good! Well, in prison, it seems, he remembered the venerable elder; the Bible, too, made its appearance again. Do you know, Rodion Romanovitch, the force of the word 'suffering' among some of these people! It's not a question of suffering for someone's benefit, but simply, 'one must suffer.' If they suffer at the hands of the authorities, so much the better. In my time there was a very meek and mild prisoner who spent a whole year in prison always reading his Bible on the stove at night and he read himself crazy, and so crazy, do you know, that one day, apropos of nothing, he seized a brick and flung it at the governor; though he had done him no harm. And the way he threw it too: aimed it a yard on one side on purpose, for fear of hurting him. Well, we know what happens to a prisoner who assaults an officer with a weapon. So 'he took his suffering.'

"So I suspect now that Nikolay wants to take his suffering or something of the sort. I know it for certain from facts, indeed. Only he doesn't know that I know. What, you don't admit that there are such fantastic people among the peasants? Lots of them. The elder now has begun influencing him, especially since he tried to hang himself. But he'll come and tell me all himself. You think he'll hold out? Wait a bit, he'll take his words back. I am waiting from hour to hour for him to come and abjure his evidence. I have come to like that Nikolay and am studying him in detail. And what do you think? He-he! He answered me very plausibly on some points, he obviously had collected some evidence and prepared himself cleverly. But on other points he is simply at sea, knows nothing and doesn't even suspect that he doesn't know!

"No, Rodion Romanovitch, Nikolay doesn't come in! This is a fantastic, gloomy business, a modern case, an incident of to-day when the heart of man is troubled, when the phrase is quoted that blood 'renews,' when comfort is preached as the aim of life. Here we have bookish dreams, a heart unhinged by theories. Here we see resolution in the first stage, but resolution of a special kind: he resolved to do it like jumping over a precipice or from a bell tower and his legs shook as he went to the crime. He forgot to shut the door after him, and murdered two people for a theory. He committed the murder and couldn't take the money, and what he did manage to snatch up he hid under a stone. It wasn't enough for him to suffer agony behind the door while they battered at the door and rung the bell, no, he had to go to the empty lodging, half delirious, to recall the bell-ringing, he wanted to feel the cold shiver over again.... Well, that we grant, was through illness, but consider this: he is a murderer, but looks upon himself as an honest man, despises others, poses as injured innocence. No, that's not the work of a Nikolay, my dear Rodion Romanovitch!"

All that had been said before had sounded so like a recantation that these words were too great a shock. Raskolnikov shuddered as though he had been stabbed.

"Then... who then... is the murderer?" he asked in a breathless voice, unable to restrain himself.

Porfiry Petrovitch sank back in his chair, as though he were amazed at the question.

"Who is the murderer?" he repeated, as though unable to believe his ears. "Why, _you_, Rodion Romanovitch! You are the murderer," he added, almost in a whisper, in a voice of genuine conviction.

Raskolnikov leapt from the sofa, stood up for a few seconds and sat down again without uttering a word. His face twitched convulsively.

"Your lip is twitching just as it did before," Porfiry Petrovitch observed almost sympathetically. "You've been misunderstanding me, I think, Rodion Romanovitch," he added after a brief pause, "that's why you are so surprised. I came on purpose to tell you everything and deal openly with you."

"It was not I murdered her," Raskolnikov whispered like a frightened child caught in the act.

"No, it was you, you Rodion Romanovitch, and no one else," Porfiry whispered sternly, with conviction.

They were both silent and the silence lasted strangely long, about ten minutes. Raskolnikov put his elbow on the table and passed his fingers through his hair. Porfiry Petrovitch sat quietly waiting. Suddenly Raskolnikov looked scornfully at Porfiry.

"You are at your old tricks again, Porfiry Petrovitch! Your old method again. I wonder you don't get sick of it!"

"Oh, stop that, what does that matter now?
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