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Naturally, you can’t create a perfect story of mystery and crime . The author must inevitably sacrifice something of his own, but he must have some higher value that would fundamentally distinguish him from other authors. The works of Hammett, Chandler, McDonald, Cain, Stout, containing such peculiar "Emeralds", from generation to generation remain interesting for millions of fans, young and old.


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Read books online » Mystery & Crime » The Frozen Deep by Dave Moyer (ereader for comics txt) 📖

Book online «The Frozen Deep by Dave Moyer (ereader for comics txt) 📖». Author Dave Moyer



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about him.

 

“Don’t, pray don’t, risk hardships which you are unfit to bear!” he went on, entreatingly.

 

“Your place can be easily filled. Change your mind, Frank. Stay here with me.” Again Wardour interfered. Again he called out, “Leave him alone!” more roughly than ever. Still deaf and blind to every consideration but one, Crayford pressed his entreaties on Frank.

 

“You owned yourself just now that you were not well seasoned to fatigue,” he persisted.

“You feel (you must feel) how weak that last illness has left you? You know (I am sure you know) how unfit you are to brave exposure to cold, and long marches over the snow.”

 

Irritated beyond endurance by Crayford’s obstinacy; seeing, or thinking he saw, signs of yielding in Frank’s face, Wardour so far forgot himself as to seize Crayford by the arm and attempt to drag him away from Frank. Crayford turned and looked at him.

 

“Richard,” he said, very quietly, “you are not yourself. I pity you. Drop your hand.” Wardour relaxed his hold, with something of the sullen submission of a wild animal to its keeper. The momentary silence which followed gave Frank an opportunity of speaking at last.

 

“I am gratefully sensible, Crayford,” he began, “of the interest which you take in me—”

 

“And you will follow my advice?” Crayford interposed, eagerly.

 

“My mind is made up, old friend,” Frank answered, firmly and sadly. “Forgive me for disappointing you. I am appointed to the expedition. With the expedition I go.” He moved nearer to Wardour. In his innocence of all suspicion he clapped Wardour heartily on the shoulder. “When I feel the fatigue,” said poor simple Frank, “you will help me, comrade-won’t you? Come along!” Wardour snatched his gun out of the hands of the sailor who was carrying it for him. His dark face became suddenly irradiated with a terrible joy.

 

“Come!” he cried. “Over the snow and over the ice! Come! where no human footsteps have ever trodden, and where no human trace is ever left.”

 

Blindly, instinctively, Crayford made an effort to part them. His brother officers, standing near, pulled him back. They looked at each other anxiously. The merciless cold, striking its victims in various ways, had struck in some instances at their reason first. Everybody loved Crayford. Was he, too, going on the dark way that others had taken before him? They forced him to seat himself on one of the lockers. “Steady, old fellow!” they said kindly—“steady!” Crayford yielded, writhing inwardly under the sense of his own helplessness. What in God’s name could he do? Could he denounce Wardour to Captain Helding on bare suspicion—without so much as the shadow of a proof to justify what he said? The captain would decline to insult one of his officers by even mentioning the monstrous accusation to him. The captain would conclude, as others had already concluded, that Crayford’s mind was giving way under stress of cold and privation. No hope—literally, no hope now, but in the numbers of the expedition. Officers and men, they all liked Frank. As long as they could stir hand or foot, they would help him on the way—they would see that no harm came to him.

 

The word of command was given; the door was thrown open; the hut emptied rapidly. Over the merciless white snow—under the merciless black sky—the exploring party began to move. The sick and helpless men, whose last hope of rescue centered in their departing messmates, cheered faintly. Some few whose days were numbered sobbed and cried like women. Frank’s voice faltered as he turned back at the door to say his last words to the friend who had been a father to him.

 

“God bless you, Crayford!”

 

Crayford broke away from the officers near him; and, hurrying forward, seized Frank by both hands. Crayford held him as if he would never let him go.

 

“God preserve you, Frank! I would give all I have in the world to be with you. Good-by!

 

Good-by!”

 

Frank waved his hand—das hed away the tears that were gathering in his eyes—and hurried out. Crayford called after him, the last, the only warning that he could give:

 

“While you can stand, keep with the main body, Frank!”

 

Wardour, waiting till the last—Wardour, following Frank through the snow-drift—stopped, stepped back, and answered Crayford at the door:

 

“While he can stand, he keeps with Me.

Chapter 12

Alone! alone on the Frozen Deep!

 

The Arctic sun is rising dimly in the dreary sky. The beams of the cold northern moon, mingling strangely with the dawning light, clothe the snowy plains in hues of livid gray. An ice-field on the far horizon is moving slowly southward in the spectral light. Nearer, a stream of open water rolls its slow black waves past the edges of the ice. Nearer still, following the drift, an iceberg rears its crags and pinnacles to the sky; here, glittering in the moonbeams; there, looming dim and ghost-like in the ashy light. Midway on the long sweep of the lower slope of the iceberg, what objects rise, and break the desolate monotony of the scene? In this awful solitude, can signs appear which tell of human Life? Yes! The black outline of a boat just shows itself, hauled up on the berg. In an ice-cavern behind the boat the last red embers of a dying fire flicker from time to time over the figures of two men. One is seated, resting his back against the side of the cavern. The other lies prostrate, with his head on his comrade’s knee. The first of these men is awake, and thinking. The second reclines, with his still white face turned up to the sky-sleeping or dead. Days and days since, these two have fallen behind on the march of the expedition of relief. Days and days since, these two have been given up by their weary and failing companions as doomed and lost. He who sits thinking is Richard Wardour. He who lies sleeping or dead is Frank Aldersley.

 

The iceberg drifts slowly, over the black water, through the ashy light. Minute by minute the lying fire sinks. Minute by minute the deathly cold creeps nearer and nearer to the lost men.

 

Richard Wardour rouses himself from his thoughts—looks at the still white face beneath him—and places his hand on Frank’s heart. It still beats feebly. Give him his share of the food and fuel still stored in the boat, and Frank may live through it. Leave him neglected where he lies, and his death is a question of hours—perhaps minutes; who knows? Richard Wardour lifts the sleeper’s head and rests it against the cavern side. He goes to the boat, and returns with a billet of wood. He stoops to place the wood on the fire—and stops. Frank is dreaming, and murmuring in his dream. A woman’s name passes his lips. Frank is in England again—at the ball—whispering to Clara the confession of his love. Over Richard Wardour’s face there passes the shadow of a deadly thought. He rises from the fire; he takes the wood back to the boat. His iron strength is shaken, but it still holds out. They are drifting nearer and nearer to the open sea. He can launch the boat without help; he can take the food and the fuel with him. The sleeper on the iceberg is the man who has robbed him of Clara—who has wrecked the hope and the happiness of his life. Leave the man in his sleep, and let him die!

 

So the tempter whispers. Richard Wardour tries his strength on the boat. It moves: he has got it under control. He stops, and looks round. Beyond him is the open sea. Beneath him is the man who has robbed him of Clara. The shadow of the deadly thought grows and darkens over his face. He waits with his hands on the boat—waits and thinks. The iceberg drifts slowly—over the black water; through the ashy light. Minute by minute, the dying fire sinks. Minute by minute, the deathly cold creeps nearer to the sleeping man. And still Richard Wardour waits—waits and thinks.

Chapter 13

The spring has come. The air of the April night just lifts the leaves of the sleeping flowers. The moon is queen in the cloudless and starless sky. The stillness of the midnight hour is abroad, over land and over sea.

 

In a villa on the westward shore of the Isle of Wight, the glass doors which lead from the drawing-room to the garden are yet open. The shaded lamp yet burns on the table. A lady sits by the lamp, reading. From time to time she looks out into the garden, and sees the white-robed figure of a young girl pacing slowly to and fro in the soft brightness of the moonlight on the lawn. Sorrow and suspense have set their mark on the lady. Not rivals only, but friends who formerly admired her, agree now that she looks worn and aged. The more merciful judgment of others remarks, with equal truth, that her eyes, her hair, her simple grace and grandeur of movement have lost but little of their olden charms. The truth lies, as usual, between the two extremes. In spite of sorrow and suffering, Mrs. Crayford is the beautiful Mrs. Crayford still.

 

The delicious silence of the hour is softly disturbed by the voice of the younger lady in the garden.

 

“Go to the piano, Lucy. It is a night for music. Play something that is worthy of the night.”

 

Mrs. Crayford looks round at the clock on the mantelpiece.

 

“My dear Clara, it is past twelve! Remember what the doctor told you. You ought to have been in bed an hour ago.”

 

“Half an hour, Lucy—give me half an hour more! Look at the moonlight on the sea. Is it possible to go to bed on such a night as this? Play something, Lucy—something spiritual and divine.”

 

Earnestly pleading with her friend, Clara advances toward the window. She too has suffered under the wasting influences of suspense. Her face has lost its youthful freshness; no delicate flush of color rises on it when she speaks. The soft gray eyes which won Frank’s heart in the by-gone time are sadly altered now. In repose, they have a dimmed and wearied look. In action, they are wild and restless, like eyes suddenly wakened from startling dreams. Robed in white—her soft brown hair hanging loosely over her shoulders—there is something weird and ghost-like in the girl, as she moves nearer and nearer to the window in the full light of the moon—pleading for music that shall be worthy of

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