Crime and Punishment by Fyodor Dostoyevsky (classic literature list .TXT) 📖

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"Crime? What crime?" he cried in sudden fury. "That I killed a vile noxious insect, an old pawnbroker woman, of use to no one!... Killing her was atonement for forty sins. She was sucking the life out of poor people. Was that a crime? I am not thinking of it and I am not thinking of expiating it, and why are you all rubbing it in on all sides? 'A crime! a crime!' Only now I see clearly the imbecility of my cowardice, now that I have decided to face this superfluous disgrace. It's simply because I am contemptible and have nothing in me that I have decided to, perhaps too for my advantage, as that... Porfiry... suggested!"

"Brother, brother, what are you saying? Why, you have shed blood?" cried Dounia in despair.

"Which all men shed," he put in almost frantically, "which flows and has always flowed in streams, which is spilt like champagne, and for which men are crowned in the Capitol and are called afterwards benefactors of mankind. Look into it more carefully and understand it! I too wanted to do good to men and would have done hundreds, thousands of good deeds to make up for that one piece of stupidity, not stupidity even, simply clumsiness, for the idea was by no means so stupid as it seems now that it has failed.... (Everything seems stupid when it fails.) By that stupidity I only wanted to put myself into an independent position, to take the first step, to obtain means, and then everything would have been smoothed over by benefits immeasurable in comparison.... But I... I couldn't carry out even the first step, because I am contemptible, that's what's the matter! And yet I won't look at it as you do. If I had succeeded I should have been crowned with glory, but now I'm trapped."

"But that's not so, not so! Brother, what are you saying?"

"Ah, it's not picturesque, not aesthetically attractive! I fail to understand why bombarding people by regular siege is more honourable. The fear of appearances is the first symptom of impotence. I've never, never recognised this more clearly than now, and I am further than ever from seeing that what I did was a crime. I've never, never been stronger and more convinced than now."

The colour had rushed into his pale exhausted face, but as he uttered his last explanation, he happened to meet Dounia's eyes and he saw such anguish in them that he could not help being checked. He felt that he had, anyway, made these two poor women miserable, that he was, anyway, the cause...

"Dounia darling, if I am guilty forgive me (though I cannot be forgiven if I am guilty). Good-bye! We won't dispute. It's time, high time to go. Don't follow me, I beseech you, I have somewhere else to go.... But you go at once and sit with mother. I entreat you to! It's my last request of you. Don't leave her at all; I left her in a state of anxiety, that she is not fit to bear; she will die or go out of her mind. Be with her! Razumihin will be with you. I've been talking to him.... Don't cry about me: I'll try to be honest and manly all my life, even if I am a murderer. Perhaps I shall some day make a name. I won't disgrace you, you will see; I'll still show.... Now good-bye for the present," he concluded hurriedly, noticing again a strange expression in Dounia's eyes at his last words and promises. "Why are you crying? Don't cry, don't cry: we are not parting for ever! Ah, yes! Wait a minute, I'd forgotten!"

He went to the table, took up a thick dusty book, opened it and took from between the pages a little water-colour portrait on ivory. It was the portrait of his landlady's daughter, who had died of fever, that strange girl who had wanted to be a nun. For a minute he gazed at the delicate expressive face of his betrothed, kissed the portrait and gave it to Dounia.

"I used to talk a great deal about it to her, only to her," he said thoughtfully. "To her heart I confided much of what has since been so hideously realised. Don't be uneasy," he returned to Dounia, "she was as much opposed to it as you, and I am glad that she is gone. The great point is that everything now is going to be different, is going to be broken in two," he cried, suddenly returning to his dejection. "Everything, everything, and am I prepared for it? Do I want it myself? They say it is necessary for me to suffer! What's the object of these senseless sufferings? shall I know any better what they are for, when I am crushed by hardships and idiocy, and weak as an old man after twenty years' penal servitude? And what shall I have to live for then? Why am I consenting to that life now? Oh, I knew I was contemptible when I stood looking at the Neva at daybreak to-day!"

At last they both went out. It was hard for Dounia, but she loved him. She walked away, but after going fifty paces she turned round to look at him again. He was still in sight. At the corner he too turned and for the last time their eyes met; but noticing that she was looking at him, he motioned her away with impatience and even vexation, and turned the corner abruptly.

"I am wicked, I see that," he thought to himself, feeling ashamed a moment later of his angry gesture to Dounia. "But why are they so fond of me if I don't deserve it? Oh, if only I were alone and no one loved me and I too had never loved anyone! _Nothing of all this would have happened._ But I wonder shall I in those fifteen or twenty years grow so meek that I shall humble myself before people and whimper at every word that I am a criminal? Yes, that's it, that's it, that's what they are sending me there for, that's what they want. Look at them running to and fro about the streets, every one of them a scoundrel and a criminal at heart and, worse still, an idiot. But try to get me off and they'd be wild with righteous indignation. Oh, how I hate them all!"

He fell to musing by what process it could come to pass, that he could be humbled before all of them, indiscriminately--humbled by conviction. And yet why not? It must be so. Would not twenty years of continual bondage crush him utterly? Water wears out a stone. And why, why should he live after that? Why should he go now when he knew that it would be so? It was the hundredth time perhaps that he had asked himself that question since the previous evening, but still he went.


CHAPTER VIII

When he went into Sonia's room, it was already getting dark. All day Sonia had been waiting for him in terrible anxiety. Dounia had been waiting with her. She had come to her that morning, remembering Svidrigailov's words that Sonia knew. We will not describe the conversation and tears of the two girls, and how friendly they became. Dounia gained one comfort at least from that interview, that her brother would not be alone. He had gone to her, Sonia, first with his confession; he had gone to her for human fellowship when he needed it; she would go with him wherever fate might send him. Dounia did not ask, but she knew it was so. She looked at Sonia almost with reverence and at first almost embarrassed her by it. Sonia was almost on the point of tears. She felt herself, on the contrary, hardly worthy to look at Dounia. Dounia's gracious image when she had bowed to her so attentively and respectfully at their first meeting in Raskolnikov's room had remained in her mind as one of the fairest visions of her life.

Dounia at last became impatient and, leaving Sonia, went to her brother's room to await him there; she kept thinking that he would come there first. When she had gone, Sonia began to be tortured by the dread of his committing suicide, and Dounia too feared it. But they had spent the day trying to persuade each other that that could not be, and both were less anxious while they were together. As soon as they parted, each thought of nothing else. Sonia remembered how Svidrigailov had said to her the day before that Raskolnikov had two alternatives--Siberia or... Besides she knew his vanity, his pride and his lack of faith.

"Is it possible that he has nothing but cowardice and fear of death to make him live?" she thought at last in despair.

Meanwhile the sun was setting. Sonia was standing in dejection, looking intently out of the window, but from it she could see nothing but the unwhitewashed blank wall of the next house. At last when she began to feel sure of his death--he walked into the room.

She gave a cry of joy, but looking carefully into his face she turned pale.

"Yes," said Raskolnikov, smiling. "I have come for your cross, Sonia. It was you told me to go to the cross-roads; why is it you are frightened now it's come to that?"

Sonia gazed at him astonished. His tone seemed strange to her; a cold shiver ran over her, but in a moment she guessed that the tone and the words were a mask. He spoke to her looking away, as though to avoid meeting her eyes.

"You see, Sonia, I've decided that it will be better so. There is one fact.... But it's a long story and there's no need to discuss it. But do you know what angers me? It annoys me that all those stupid brutish faces will be gaping at me directly, pestering me with their stupid questions, which I shall have to answer--they'll point their fingers at me.... Tfoo! You know I am not going to Porfiry, I am sick of him. I'd rather go to my friend, the Explosive Lieutenant; how I shall surprise him, what a sensation I shall make! But I must be cooler; I've become too irritable of late. You know I was nearly shaking my fist at my sister just now, because she turned to take a last look at me. It's a brutal state to be in! Ah! what am I coming to! Well, where are the crosses?"

He seemed hardly to know what he was doing. He could not stay still or concentrate his attention on anything; his ideas seemed to gallop after one another, he talked incoherently, his hands trembled slightly.

Without a word Sonia took out of the drawer two crosses, one of cypress wood and one of copper. She made the sign of the cross over herself and over him, and put the wooden cross on his neck.

"It's the symbol of my taking up the cross," he laughed. "As though I had not suffered much till now! The wooden cross, that is the peasant one; the copper one, that is Lizaveta's--you will wear yourself, show me! So she had it on... at that moment? I remember two things like these too, a silver one and a little ikon. I threw them back on the old woman's neck. Those would be appropriate now, really, those are what I ought to put on now.... But I am talking nonsense and forgetting what matters; I'm somehow forgetful.... You see I have come to warn you, Sonia, so that you might know... that's all--that's all I came