Villette Charlotte Brontë (summer reads .txt) 📖

I have said that she does not resent her grief. No; the weakness of that word would make it a lie. To her, what hurts becomes immediately embodied; she looks on it as a thing that can be attacked, worried down, torn in shreds. Scarcely a substance herself, she grapples to conflict with abstractions. Before calamity she is a tigress; she rends her woes, shivers them in convulsed abhorrence. Pain, for her, has no result in good; tears water no harvest of wisdom; on sickness, on death itself, she looks with the eye of a rebel. Wicked, perhaps, she is, but also she is strong; and her strength has conquered Beauty, has overcome Grace, and bound both at her side, captives peerlessly fair, and docile as fair. Even in the uttermost frenzy of energy is each maenad movement royally, imperially, incedingly upborne. Her hair, flying loose in revel or war, is still an angel’s hair, and glorious under a halo. Fallen, insurgent, banished, she remembers the heaven where she rebelled. Heaven’s light, following her exile, pierces its confines, and discloses their forlorn remoteness.

Place now the Cleopatra, or any other slug, before her as an obstacle, and see her cut through the pulpy mass as the scimitar of Saladin clove the down cushion. Let Paul Peter Rubens wake from the dead, let him rise out of his cerements, and bring into this presence all the army of his fat women; the magian power or prophet-virtue gifting that slight rod of Moses, could, at one waft, release and re-mingle a sea spell-parted, whelming the heavy host with the down-rush of overthrown sea-ramparts.

Vashti was not good, I was told; and I have said she did not look good; though a spirit, she was a spirit out of Tophet. Well, if so much of unholy force can arise from below, may not an equal efflux of sacred essence descend one day from above?

What thought Dr. Graham of this being?

For long intervals I forgot to look how he demeaned himself, or to question what he thought. The strong magnetism of genius drew my heart out of its wonted orbit; the sunflower turned from the south to a fierce light, not solar⁠—a rushing, red, cometary light⁠—hot on vision and to sensation. I had seen acting before, but never anything like this; never anything which astonished Hope and hushed Desire; which outstripped Impulse and paled Conception; which, instead of merely irritating imagination with the thought of what might be done, at the same time fevering the nerves because it was not done, disclosed power like a deep, swollen winter river, thundering in cataract, and bearing the soul, like a leaf, on the steep and steelly sweep of its descent.

Miss Fanshawe, with her usual ripeness of judgment, pronounced Dr. Bretton a serious, impassioned man, too grave and too impressible. Not in such light did I ever see him; no such faults could I lay to his charge. His natural attitude was not the meditative, nor his natural mood the sentimental; impressionable he was as dimpling water, but, almost as water, unimpressible: the breeze, the sun, moved him⁠—metal could not grave, nor fire brand.

Dr. John could think and think well, but he was rather a man of action than of thought; he could feel, and feel vividly in his way, but his heart had no chord for enthusiasm: to bright, soft, sweet influences his eyes and lips gave bright, soft, sweet welcome, beautiful to see as dyes of rose and silver, pearl and purple, imbuing summer clouds; for what belonged to storm, what was wild and intense, dangerous, sudden, and flaming, he had no sympathy, and held with it no communion. When I took time and regained inclination to glance at him, it amused and enlightened me to discover that he was watching that sinister and sovereign Vashti, not with wonder, nor worship, nor yet dismay, but simply with intense curiosity. Her agony did not pain him, her wild moan⁠—worse than a shriek⁠—did not much move him; her fury revolted him somewhat, but not to the point of horror. Cool young Briton! The pale cliffs of his own England do not look down on the tides of the Channel more calmly than he watched the Pythian inspiration of that night.

Looking at his face, I longed to know his exact opinions, and at last I put a question tending to elicit them. At the sound of my voice he awoke as if out of a dream; for he had been thinking, and very intently thinking, his own thoughts, after his own manner. “How did he like Vashti?” I wished to know.

“Hm-m-m,” was the first scarce articulate but expressive answer; and then such a strange smile went wandering round his lips, a smile so critical, so almost callous! I suppose that for natures of that order his sympathies were callous. In a few terse phrases he told me his opinion of, and feeling towards, the actress: he judged her as a woman, not an artist: it was a branding judgment.

That night was already marked in my book of life, not with white, but with a deep-red cross. But I had not done with it yet; and other memoranda were destined to be set down in characters of tint indelible.

Towards midnight, when the deepening tragedy blackened to the death-scene, and all held their breath, and even Graham bit his underlip, and knit his brow, and sat still and struck⁠—when the whole theatre was hushed, when the vision of all eyes centred in one point, when all ears listened towards one quarter⁠—nothing being seen but the white form sunk on a seat, quivering in conflict with her last, her worst-hated, her visibly-conquering foe⁠—nothing heard but her throes, her gaspings, breathing yet of mutiny, panting still defiance; when, as it seemed, an inordinate will, convulsing a perishing mortal frame, bent it to battle with doom and death, fought every inch of ground, sold every drop of blood, resisted