Short Fiction Selma Lagerlöf (best book club books of all time .txt) 📖

But directly afterwards she felt that it was heartless and unkind of her, and turned back.

If Ingrid could have felt glad about anything, she would have been glad by seeing the old people’s joy at meeting her. You may be sure they had plenty to talk about. The little horse turned its head time after time to see what was wrong with the roundabout.

Strangely enough, it was Ingrid who talked the most. The two old people saw at once that she had been crying, and they were so concerned that she was obliged to tell them everything that had happened to her.

But it was a relief to Ingrid to speak. The old people had their own way of taking things; they clapped their hands when she told them how she had got out of the grave and how she had frightened the Pastor’s wife. They caressed her and praised her because she had run away from the Parsonage. For them nothing was dull or sad, but everything was bright and hopeful. They simply had no standard by which to measure reality, and therefore its hardness could not affect them. They compared everything they heard with the pieces from marionette theatres and pantomimes. Of course, one also put a little sorrow and misery into the pantomime, but that was only done to heighten the effect. And, of course, everything would end well. In the pantomimes it always ended well.

There was something infectious in all this hopefulness. Ingrid knew they did not at all understand how great her trouble was, but it was cheering all the same to listen to them.

But they were also of real help to Ingrid. They told her that they had had dinner a short time since at the inn at Torsäker, and just as they were getting up from the table some peasants came driving up with a man who was mad. Mrs. Blomgren could not bear to see mad people, and wanted to go away at once, and Mr. Blomgren had consented. But supposing it was Ingrid’s madman! And they had hardly said the words before Ingrid said that it was very likely, and wanted to set off at once.

Mr. Blomgren then asked his wife in his own ceremonious manner if they were not in the country solely on account of the spring, and if it were not just the same where they went. And old Mrs. Blomgren asked him equally ceremoniously in her turn if he thought she would leave her beloved Ingrid before she had reached the harbour of her happiness.

Then the old roundabout horse was turned, and conversation grew more difficult, because they again had to play on the Jews’-harp. As soon as Mrs. Blomgren wished to say anything, she was obliged to hand the instrument to Mr. Blomgren, and when Mr. Blomgren wanted to speak, he gave it back again to his wife. And the little horse stood still every time the instrument passed from mouth to mouth.

The whole time they did their best to comfort Ingrid. They related all the fairy tales they had seen represented at the dolls’ theatre. They comforted her with the “Enchanted Princess,” they comforted her with “Cinderella,” they comforted her with all the fairy tales under the sun.

Mr. and Mrs. Blomgren watched Ingrid when they saw that her eyes grew brighter. “Artist’s eyes,” they said, nodding contentedly to each other. “What did we say? Artist’s eyes!”

In some incomprehensible manner they had got the idea that Ingrid had become one of them, an artist. They thought she was playing a part in a drama. It was a triumph for them in their old age.

On they went as fast as they could. The old couple were only afraid that the madman would not be at the inn any longer. But he was there, and the worst of it was, no one knew how to get him away.

The two peasants from Raglanda who had brought him had taken him to one of the rooms and locked him in whilst they were waiting for fresh horses. When they left him his arms had been tied behind him, but he had somehow managed to free his hands from the cord, and when they came to fetch him he was free, and, beside himself with rage, had seized a chair, with which he threatened to strike anyone who approached him. They could do nothing but beat a hasty retreat and lock the door. The peasants now only waited for the landlord and his men to return and help them to bind him again.

All the hope which Ingrid’s old friends had reawakened within her was, however, not quenched. She quite saw that Gunnar Hede was worse than he had ever been before, but that was what she had expected. She still hoped. It was not their fairy tales, it was their great love that had given her new hope.

She asked the men to let her go to the madman. She said she knew him, and he would not do her any harm; but the peasants said they were not mad. The man in the room would kill anybody who went in.

Ingrid sat down to think. She thought how strange it was that she should meet Mr. and Mrs. Blomgren just today. Surely that meant something. She would never have met them if it had not been for some purpose. And Ingrid thought of how Hede had regained his senses the last time. Could she not again make him do something which would remind him of olden days, and drive away his mad thoughts? She thought and thought.

Mr. and Mrs. Blomgren sat on a seat outside the inn, looking more unhappy than one would have thought was possible. They were not far from crying.

Ingrid, their “child,” came up to them with a smile⁠—such a smile as only she could have⁠—and stroked their old, wrinkled cheeks, and said it would please her so much if they would let her see a performance like those she used to see every day in the olden time. It would be such