Roughing It Mark Twain (e manga reader .TXT) 📖

of as the “asylum”). I wanted to see San Francisco. I wanted to go somewhere. I wanted⁠—I did not know what I wanted. I had the “spring fever” and wanted a change, principally, no doubt. Besides, a convention had framed a State Constitution; nine men out of every ten wanted an office; I believed that these gentlemen would “treat” the moneyless and the irresponsible among the population into adopting the constitution and thus well-nigh killing the country (it could not well carry such a load as a State government, since it had nothing to tax that could stand a tax, for undeveloped mines could not, and there were not fifty developed ones in the land, there was but little realty to tax, and it did seem as if nobody was ever going to think of the simple salvation of inflicting a money penalty on murder). I believed that a State government would destroy the “flush times,” and I wanted to get away. I believed that the mining stocks I had on hand would soon be worth $100,000, and thought if they reached that before the Constitution was adopted, I would sell out and make myself secure from the crash the change of government was going to bring. I considered $100,000 sufficient to go home with decently, though it was but a small amount compared to what I had been expecting to return with. I felt rather downhearted about it, but I tried to comfort myself with the reflection that with such a sum I could not fall into want. About this time a schoolmate of mine whom I had not seen since boyhood, came tramping in on foot from Reese River, a very allegory of Poverty. The son of wealthy parents, here he was, in a strange land, hungry, bootless, mantled in an ancient horse-blanket, roofed with a brimless hat, and so generally and so extravagantly dilapidated that he could have “taken the shine out of the Prodigal Son himself,” as he pleasantly remarked. He wanted to borrow forty-six dollars⁠—twenty-six to take him to San Francisco, and twenty for something else; to buy some soap with, maybe, for he needed it. I found I had but little more than the amount wanted, in my pocket; so I stepped in and borrowed forty-six dollars of a banker (on twenty days’ time, without the formality of a note), and gave it him, rather than walk half a block to the office, where I had some specie laid up. If anybody had told me that it would take me two years to pay back that forty-six dollars to the banker (for I did not expect it of the Prodigal, and was not disappointed), I would have felt injured. And so would the banker.

I wanted a change. I wanted variety of some kind. It came. Mr. Goodman went away for a week and left me the post of chief editor. It destroyed me. The first day, I wrote my “leader” in the forenoon. The second day, I had no subject and put it off till the afternoon. The third day I put it off till evening, and then copied an elaborate editorial out of the “American Cyclopedia,” that steadfast friend of the editor, all over this land. The fourth day I “fooled around” till midnight, and then fell back on the Cyclopedia again. The fifth day I cudgeled my brain till midnight, and then kept the press waiting while I penned some bitter personalities on six different people. The sixth day I labored in anguish till far into the night and brought forth⁠—nothing. The paper went to press without an editorial. The seventh day I resigned. On the eighth, Mr. Goodman returned and found six duels on his hands⁠—my personalities had borne fruit.

Nobody, except he has tried it, knows what it is to be an editor. It is easy to scribble local rubbish, with the facts all before you; it is easy to clip selections from other papers; it is easy to string out a correspondence from any locality; but it is unspeakable hardship to write editorials. Subjects are the trouble⁠—the dreary lack of them, I mean. Every day, it is drag, drag, drag⁠—think, and worry and suffer⁠—all the world is a dull blank, and yet the editorial columns must be filled. Only give the editor a subject, and his work is done⁠—it is no trouble to write it up; but fancy how you would feel if you had to pump your brains dry every day in the week, fifty-two weeks in the year. It makes one low spirited simply to think of it. The matter that each editor of a daily paper in America writes in the course of a year would fill from four to eight bulky volumes like this book! Fancy what a library an editor’s work would make, after twenty or thirty years’ service. Yet people often marvel that Dickens, Scott, Bulwer, Dumas, etc., have been able to produce so many books. If these authors had wrought as voluminously as newspaper editors do, the result would be something to marvel at, indeed. How editors can continue this tremendous labor, this exhausting consumption of brain fibre (for their work is creative, and not a mere mechanical laying-up of facts, like reporting), day after day and year after year, is incomprehensible. Preachers take two months’ holiday in midsummer, for they find that to produce two sermons a week is wearing, in the long run. In truth it must be so, and is so; and therefore, how an editor can take from ten to twenty texts and build upon them from ten to twenty painstaking editorials a week and keep it up all the year round, is farther beyond comprehension than ever. Ever since I survived my week as editor, I have found at least one pleasure in any newspaper that comes to my hand; it is in admiring the long columns of editorial, and wondering to myself how in the mischief he did it!

Mr. Goodman’s