Short Fiction Selma Lagerlöf (best book club books of all time .txt) 📖

that he might find traces of the old shipyards, of the large boathouses and landing-stages. He presumes that he will find some of the old kilns where they used to refine salt; he will see the worn-out pavement on the main street that led to the harbour. He will inquire about the German pier and the Swedish pier; he would like to see the Weeping Bridge where the women of Kungahälla took leave of their husbands and sons when they went to distant lands, but when he comes down to the river’s edge he sees nothing but a forest of waving reeds. He sees a road full of holes leading down to the ferry; he sees a couple of common barges and a little flat-bottomed ferryboat that is taking a peasant cart over to Hisingen, but no big ships come gliding up the river. He does not even see any dark hulls lying and rotting at the bottom of the river.

As he does not find anything remarkable down at the harbour, he will probably begin to look for the celebrated Convent Hill. He expects to see traces of the palisading and ramparts which in olden days surrounded it. He is hoping to see the ruins of the high walls and the long cloisters. He says to himself that anyhow there must be ruins of that magnificent church where the cross was kept⁠—that miracle-working cross which had been brought from Jerusalem. He thinks of the number of monuments covering the holy hills which rise over other ancient cities, and his heart begins to beat with glad expectation. But when he comes to the old Convent Hill which rises above the fields, he finds nothing but clusters of murmuring trees; he finds neither walls, nor towers, nor gables perforated with pointed arched windows. Garden seats and benches he will find under the shadow of the trees, but no cloisters decorated with pillars, no hewn gravestones.

Well, if he has not found anything here, he will in any case try to find the old King’s Hall. He thinks about the large halls from which Kungahälla is supposed to have derived its name. It might be that there was something left of the timber⁠—a yard thick⁠—that formed the walls, or of the deep cellars under the great hall where the Norwegian kings celebrated their banquets. He thinks of the smooth green courtyard of the King’s Hall, where the kings used to ride their silver-shod chargers, and where the queens used to milk the golden-horned cows. He thinks of the lofty ladies’ bower; of the brewing-room, with its large boilers; of the huge kitchen, where half an ox at a time was placed in the pot, and where a whole hog was roasted on the spit. He thinks of the serfs’ house, of the falcon’s cages, of the great pantries⁠—house by house all round the courtyard, moss-grown with age, decorated with dragons’ heads. Of such a number of buildings there must be some traces left, he thinks.

But should he then inquire for the old King’s Hall, he will be taken to a modern country-house, with glass veranda and conservatories. The King’s seat has vanished, and with it all the drinking-horns, inlaid with silver, and the shields, covered with skin. One cannot even show him the well-kept courtyard, with its short, close grass, and with narrow paths of black earth. He sees strawberry-beds and hedges of rose-trees; he sees happy children and young girls dancing under apple and pear trees. But he does not see strong men wrestling, or knights playing at ball.

Perhaps he asks about the great oak on the Market Place, beneath which the Kings sat in judgment, and where the twelve stones of judgment were set up. Or about the long street, which was said to be seven miles long! Or about the rich merchants’ houses, separated by dark lanes, each having its own landing-stage and boathouse down by the river. Or about the Marie Church in the Market Place, where the seamen brought their offerings of small, full-rigged ships, and the sorrowful, small silver hearts.

But there is nothing left to show him of all these things. Cows and sheep graze where the long street used to be. Rye and barley grow on the Market Place, and stables and barns stand where people used to flock round the tempting market-stalls.

How can he help feeling disappointed? Is there not a single thing to be found, he says, not a single relic left? And he thinks perhaps that they have been deceiving him. The great Kungahälla can never have stood here, he says. It must have stood in some other place.

Then they take him down to the riverside, and show him a roughly-hewn stone block, and they scrape away the silver-gray lichen, so that he can see there are some figures hewn in the stone. He will not be able to understand what they represent; they will be as incomprehensible to him as the spots in the moon. But they will assure him that they represent a ship and an elk, and that they were cut in the stone in the olden days to commemorate the foundation of the city.

And should he still not be able to understand, they will tell him what is the meaning of the inscription on the stone.

The Forest Queen

Marcus Antonius Poppius was a Roman merchant of high standing. He traded with distant lands; and from the harbour at Ostia he sent well-equipped triremes to Spain, to Britain, and even to the north coast of Germany. Fortune favoured him, and he amassed immense riches, which he hoped to leave as an inheritance to his only son. Unfortunately, this only son had not inherited his father’s ability. This happens, unfortunately, all the world over. A rich man’s only son. Need one say more? It is, and always will be, the same story.

One would almost think that the gods give rich men these incorrigible idlers, these dull, pale, languid fools of