Short Fiction P. G. Wodehouse (good books to read in english .txt) 📖

from the evening gatherings, and what was going on in that house, with young bloods like Ted Pringle, Albert Parsons, Arthur Brown, and Joe Blossom (to name four of the most assiduous) exercising their fascinations at close range, he did not like to think. Again and again he strove to brace himself up to join the feasts of reason and flows of soul which he knew were taking place nightly around the object of his devotions, but every time he failed. Habit is a terrible thing; it shackles the strongest, and Tom had fallen into the habit of inquiring after Mr. Williams’ rheumatism over the garden fence first thing in the morning.

It was a civil, neighbourly thing to do, but it annihilated the only excuse he could think of for looking in at night. He could not help himself. It was like some frightful scourge⁠—the morphine habit, or something of that sort. Every morning he swore to himself that nothing would induce him to mention the subject of rheumatism, but no sooner had the stricken old gentleman’s head appeared above the fence than out it came.

“Morning, Mr. Williams.”

“Morning, Tom.”

Pause, indicative of a strong man struggling with himself; then:

“How’s the rheumatism, Mr. Williams?”

“Better, thank’ee, Tom.”

And there he was, with his guns spiked.

However, he did not give up. He brought to his wooing the same determination which had made him second gardener at the Hall at twenty-five. He was a novice at the game, but instinct told him that a good line of action was to shower gifts. He did so. All he had to shower was vegetables, and he showered them in a way that would have caused the goddess Ceres to be talked about. His garden became a perfect crater, erupting vegetables. Why vegetables? I think I hear some heckler cry. Why not flowers⁠—fresh, fair, fragrant flowers? You can do a lot with flowers. Girls love them. There is poetry in them. And, what is more, there is a recognized language of flowers. Shoot in a rose, or a calceolaria, or an herbaceous border, or something, I gather, and you have made a formal proposal of marriage without any of the trouble of rehearsing a long speech and practising appropriate gestures in front of your bedroom looking-glass. Why, then, did not Thomas Kitchener give Sally Preston flowers? Well, you see, unfortunately, it was now late autumn, and there were no flowers. Nature had temporarily exhausted her floral blessings, and was jogging along with potatoes and artichokes and things. Love is like that. It invariably comes just at the wrong time. A few months before there had been enough roses in Tom Kitchener’s garden to win the hearts of a dozen girls. Now there were only vegetables. ’Twas ever thus.

It was not to be expected that a devotion so practically displayed should escape comment. This was supplied by that shrewd observer, old Mr. Williams. He spoke seriously to Tom across the fence on the subject of his passion.

“Young Tom,” he said, “drop it.”

Tom muttered unintelligibly. Mr. Williams adjusted the top hat without which he never stirred abroad, even into his garden. He blinked benevolently at Tom.

“You’re making up to that young gal of Jane’s,” he proceeded. “You can’t deceive me. All these p’taties, and whatnot. I seen your game fast enough. Just you drop it, young Tom.”

“Why?” muttered Tom, rebelliously. A sudden distaste for old Mr. Williams blazed within him.

“Why? ’Cos you’ll only burn your fingers if you don’t, that’s why. I been watching this young gal of Jane’s, and I seen what sort of a young gal she be. She’s a flipperty piece, that’s what she be. You marry that young gal, Tom, and you’ll never have no more quiet and happiness. She’d just take and turn the place upsy-down on you. The man as marries that young gal has got to be master in his own home. He’s got to show her what’s what. Now, you ain’t got the devil in you to do that, Tom. You’re what I might call a sort of a sheep. I admires it in you, Tom. I like to see a young man steady and quiet, same as what you be. So that’s how it is, you see. Just you drop this foolishness, young Tom, and leave that young gal be, else you’ll burn your fingers, same as what I say.”

And, giving his top hat a rakish tilt, the old gentleman ambled indoors, satisfied that he had dropped a guarded hint in a pleasant and tactful manner.

It is to be supposed that this interview stung Tom to swift action. Otherwise, one cannot explain why he should not have been just as reticent on the subject nearest his heart when bestowing on Sally the twenty-seventh cabbage as he had been when administering the hundred and sixtieth potato. At any rate, the fact remains that, as that fateful vegetable changed hands across the fence, something resembling a proposal of marriage did actually proceed from him. As a sustained piece of emotional prose it fell short of the highest standard. Most of it was lost at the back of his throat, and what did emerge was mainly inaudible. However, as she distinctly caught the word “love” twice, and as Tom was shuffling his feet and streaming with perspiration, and looking everywhere at once except at her, Sally grasped the situation. Whereupon, without any visible emotion, she accepted him.

Tom had to ask her to repeat her remark. He could not believe his luck. It is singular how diffident a normally self-confident man can become, once he is in love. When Colonel Milvery, of the Hall, had informed him of his promotion to the post of second gardener, Tom had demanded no encore. He knew his worth. He was perfectly aware that he was a good gardener, and official recognition of the fact left him gratified, but unperturbed. But this affair of Sally was quite another matter. It had revolutionized his standards of value⁠—forced him to consider himself as a man, entirely apart from