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spotted tie, and a corporation?”

After a pause Hirst remarked that the worst infamy had still to be told. He addressed himself to Helen.

“They’ve hoofed out the prostitute. One night while we were away that old numskull Thornbury was doddering about the passages very late. (Nobody seems to have asked him what he was up to.) He saw the Signora Lola Mendoza, as she calls herself, cross the passage in her nightgown. He communicated his suspicions next morning to Elliot, with the result that Rodriguez went to the woman and gave her twenty-four hours in which to clear out of the place. No one seems to have enquired into the truth of the story, or to have asked Thornbury and Elliot what business it was of theirs; they had it entirely their own way. I propose that we should all sign a Round Robin, go to Rodriguez in a body, and insist upon a full enquiry. Something’s got to be done, don’t you agree?”

Hewet remarked that there could be no doubt as to the lady’s profession.

“Still,” he added, “it’s a great shame, poor woman; only I don’t see what’s to be done⁠—”

“I quite agree with you, St. John,” Helen burst out. “It’s monstrous. The hypocritical smugness of the English makes my blood boil. A man who’s made a fortune in trade as Mr. Thornbury has is bound to be twice as bad as any prostitute.”

She respected St. John’s morality, which she took far more seriously than anyone else did, and now entered into a discussion with him as to the steps that were to be taken to enforce their peculiar view of what was right. The argument led to some profoundly gloomy statements of a general nature. Who were they, after all⁠—what authority had they⁠—what power against the mass of superstition and ignorance? It was the English, of course; there must be something wrong in the English blood. Directly you met an English person, of the middle classes, you were conscious of an indefinable sensation of loathing; directly you saw the brown crescent of houses above Dover, the same thing came over you. But unfortunately St. John added, you couldn’t trust these foreigners⁠—

They were interrupted by sounds of strife at the further end of the table. Rachel appealed to her aunt.

“Terence says we must go to tea with Mrs. Thornbury because she’s been so kind, but I don’t see it; in fact, I’d rather have my right hand sawn in pieces⁠—just imagine! the eyes of all those women!”

“Fiddlesticks, Rachel,” Terence replied. “Who wants to look at you? You’re consumed with vanity! You’re a monster of conceit! Surely, Helen, you ought to have taught her by this time that she’s a person of no conceivable importance whatever⁠—not beautiful, or well dressed, or conspicuous for elegance or intellect, or deportment. A more ordinary sight than you are,” he concluded, “except for the tear across your dress has never been seen. However, stay at home if you want to. I’m going.”

She appealed again to her aunt. It wasn’t the being looked at, she explained, but the things people were sure to say. The women in particular. She liked women, but where emotion was concerned they were as flies on a lump of sugar. They would be certain to ask her questions. Evelyn M. would say: “Are you in love? Is it nice being in love?” And Mrs. Thornbury⁠—her eyes would go up and down, up and down⁠—she shuddered at the thought of it. Indeed, the retirement of their life since their engagement had made her so sensitive, that she was not exaggerating her case.

She found an ally in Helen, who proceeded to expound her views of the human race, as she regarded with complacency the pyramid of variegated fruits in the centre of the table. It wasn’t that they were cruel, or meant to hurt, or even stupid exactly; but she had always found that the ordinary person had so little emotion in his own life that the scent of it in the lives of others was like the scent of blood in the nostrils of a bloodhound. Warming to the theme, she continued:

“Directly anything happens⁠—it may be a marriage, or a birth, or a death⁠—on the whole they prefer it to be a death⁠—everyone wants to see you. They insist upon seeing you. They’ve got nothing to say; they don’t care a rap for you; but you’ve got to go to lunch or to tea or to dinner, and if you don’t you’re damned. It’s the smell of blood,” she continued; “I don’t blame ’em; only they shan’t have mine if I know it!”

She looked about her as if she had called up a legion of human beings, all hostile and all disagreeable, who encircled the table, with mouths gaping for blood, and made it appear a little island of neutral country in the midst of the enemy’s country.

Her words roused her husband, who had been muttering rhythmically to himself, surveying his guests and his food and his wife with eyes that were now melancholy and now fierce, according to the fortunes of the lady in his ballad. He cut Helen short with a protest. He hated even the semblance of cynicism in women. “Nonsense, nonsense,” he remarked abruptly.

Terence and Rachel glanced at each other across the table, which meant that when they were married they would not behave like that. The entrance of Ridley into the conversation had a strange effect. It became at once more formal and more polite. It would have been impossible to talk quite easily of anything that came into their heads, and to say the word prostitute as simply as any other word. The talk now turned upon literature and politics, and Ridley told stories of the distinguished people he had known in his youth. Such talk was of the nature of an art, and the personalities and informalities of the young were silenced. As they rose to go, Helen stopped for a moment, leaning her elbows on the table.

“You’ve all been

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