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Helena to such an extent that she never forgave her. There had been some quarrel at home. She literally hadn’t a penny that night when she came to them⁠—had pawned a brooch to come down. She had rushed off in a passion. They sat up till all hours of the night talking. Sally it was who made her feel, for the first time, how sheltered the life at Bourton was. She knew nothing about sex⁠—nothing about social problems. She had once seen an old man who had dropped dead in a field⁠—she had seen cows just after their calves were born. But Aunt Helena never liked discussion of anything (when Sally gave her William Morris, it had to be wrapped in brown paper). There they sat, hour after hour, talking in her bedroom at the top of the house, talking about life, how they were to reform the world. They meant to found a society to abolish private property, and actually had a letter written, though not sent out. The ideas were Sally’s, of course⁠—but very soon she was just as excited⁠—read Plato in bed before breakfast; read Morris; read Shelley by the hour.

Sally’s power was amazing, her gift, her personality. There was her way with flowers, for instance. At Bourton they always had stiff little vases all the way down the table. Sally went out, picked hollyhocks, dahlias⁠—all sorts of flowers that had never been seen together⁠—cut their heads off, and made them swim on the top of water in bowls. The effect was extraordinary⁠—coming in to dinner in the sunset. (Of course Aunt Helena thought it wicked to treat flowers like that.) Then she forgot her sponge, and ran along the passage naked. That grim old housemaid, Ellen Atkins, went about grumbling⁠—“Suppose any of the gentlemen had seen?” Indeed she did shock people. She was untidy, Papa said.

The strange thing, on looking back, was the purity, the integrity, of her feeling for Sally. It was not like one’s feeling for a man. It was completely disinterested, and besides, it had a quality which could only exist between women, between women just grown up. It was protective, on her side; sprang from a sense of being in league together, a presentiment of something that was bound to part them (they spoke of marriage always as a catastrophe), which led to this chivalry, this protective feeling which was much more on her side than Sally’s. For in those days she was completely reckless; did the most idiotic things out of bravado; bicycled round the parapet on the terrace; smoked cigars. Absurd, she was⁠—very absurd. But the charm was overpowering, to her at least, so that she could remember standing in her bedroom at the top of the house holding the hot-water can in her hands and saying aloud, “She is beneath this roof.⁠ ⁠
 She is beneath this roof!”

No, the words meant absolutely nothing to her now. She could not even get an echo of her old emotion. But she could remember going cold with excitement, and doing her hair in a kind of ecstasy (now the old feeling began to come back to her, as she took out her hairpins, laid them on the dressing-table, began to do her hair), with the rooks flaunting up and down in the pink evening light, and dressing, and going downstairs, and feeling as she crossed the hall “if it were now to die ’twere now to be most happy.” That was her feeling⁠—Othello’s feeling, and she felt it, she was convinced, as strongly as Shakespeare meant Othello to feel it, all because she was coming down to dinner in a white frock to meet Sally Seton!

She was wearing pink gauze⁠—was that possible? She seemed, anyhow, all light, glowing, like some bird or air ball that has flown in, attached itself for a moment to a bramble. But nothing is so strange when one is in love (and what was this except being in love?) as the complete indifference of other people. Aunt Helena just wandered off after dinner; Papa read the paper. Peter Walsh might have been there, and old Miss Cummings; Joseph Breitkopf certainly was, for he came every summer, poor old man, for weeks and weeks, and pretended to read German with her, but really played the piano and sang Brahms without any voice.

All this was only a background for Sally. She stood by the fireplace talking, in that beautiful voice which made everything she said sound like a caress, to Papa, who had begun to be attracted rather against his will (he never got over lending her one of his books and finding it soaked on the terrace), when suddenly she said, “What a shame to sit indoors!” and they all went out on to the terrace and walked up and down. Peter Walsh and Joseph Breitkopf went on about Wagner. She and Sally fell a little behind. Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it⁠—a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!⁠—when old Joseph and Peter faced them:

“Stargazing?” said Peter.

It was like running one’s face against a granite wall in the darkness! It was shocking; it was horrible!

Not for herself. She felt only how Sally was being mauled already, maltreated; she felt his hostility; his jealousy; his determination to break into their companionship. All this she saw as one sees a landscape in a flash of lightning⁠—and Sally (never had she admired her so much!) gallantly taking her way unvanquished. She laughed. She made old Joseph tell her

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