The Sketch-Book of Geoffrey Crayon, Gent. Washington Irving (the lemonade war series TXT) 📖

a proud mind and an empty purse⁠—the keeping up a hollow show that must soon come to an end. Have the courage to appear poor, and you disarm poverty of its sharpest sting.” On this point I found Leslie perfectly prepared. He had no false pride himself, and as to his wife, she was only anxious to conform to their altered fortunes.

Some days afterwards, he called upon me in the evening. He had disposed of his dwelling-house, and taken a small cottage in the country, a few miles from town. He had been busied all day in sending out furniture. The new establishment required few articles, and those of the simplest kind. All the splendid furniture of his late residence had been sold, excepting his wife’s harp. That, he said, was too closely associated with the idea of herself it belonged to the little story of their loves; for some of the sweetest moments of their courtship were those when he had leaned over that instrument, and listened to the melting tones of her voice.⁠—I could not but smile at this instance of romantic gallantry in a doting husband.

He was now going out to the cottage, where his wife had been all day superintending its arrangement. My feelings had become strongly interested in the progress of his family story, and, as it was a fine evening, I offered to accompany him.

He was wearied with the fatigues of the day, and, as we walked out, fell into a fit of gloomy musing.

“Poor Mary!” at length broke, with a heavy sigh, from his lips.

“And what of her,” asked I, “has anything happened to her?”

“What,” said he, darting an impatient glance, “is it nothing to be reduced to this paltry situation⁠—to be caged in a miserable cottage⁠—to be obliged to toil almost in the menial concerns of her wretched habitation?”

Has she then repined at the change?

“Repined! she has been nothing but sweetness and good-humor. Indeed, she seems in better spirits than I have ever known her; she has been to me all love, and tenderness, and comfort!”

“Admirable girl!” exclaimed I. “You call yourself poor, my friend; you never were so rich⁠—you never knew the boundless treasures of excellence you possessed in that woman.”

“Oh! but, my friend, if this first meeting at the cottage were over, I think I could then be comfortable. But this is her first day of real experience; she has been introduced into a humble dwelling⁠—she has been employed all day in arranging its miserable equipments⁠—she has, for the first time, known the fatigues of domestic employment⁠—she has, for the first time, looked around her on a home destitute of everything elegant⁠—almost of everything convenient; and may now be sitting down, exhausted and spiritless, brooding over a prospect of future poverty.”

There was a degree of probability in this picture that I could not gainsay, so we walked on in silence.

After turning from the main road up a narrow lane, so thickly shaded with forest-trees as to give it a complete air of seclusion, we came in sight of the cottage. It was humble enough in its appearance for the most pastoral poet; and yet it had a pleasing rural look. A wild vine had overrun one end with a profusion of foliage; a few trees threw their branches gracefully over it; and I observed several pots of flowers tastefully disposed about the door, and on the grass-plot in front. A small wicket-gate opened upon a footpath that wound through some shrubbery to the door. Just as we approached, we heard the sound of music⁠—Leslie grasped my arm; we paused and listened. It was Mary’s voice singing, in a style of the most touching simplicity, a little air of which her husband was peculiarly fond.

I felt Leslie’s hand tremble on my arm. He stepped forward, to hear more distinctly. His step made a noise on the gravel-walk. A bright beautiful face glanced out at the window, and vanished⁠—a light footstep-was heard⁠—and Mary came tripping forth to meet us. She was in a pretty rural dress of white; a few wild flowers were twisted in her fine hair; a fresh bloom was on her cheek; her whole countenance beamed with smiles⁠—I had never seen her look so lovely.

“My dear George,” cried she, “I am so glad you are come; I have been watching and watching for you; and running down the lane, and looking out for you. I’ve set out a table under a beautiful tree behind the cottage; and I’ve been gathering some of the most delicious strawberries, for I know you are fond of them⁠—and we have such excellent cream⁠—and everything is so sweet and still here⁠—Oh!”⁠—said she, putting her arm within his, and looking up brightly in his face, “Oh, we shall be so happy!”

Poor Leslie was overcome.⁠—He caught her to his bosom⁠—he folded his arms round her⁠—he kissed her again and again⁠—he could not speak, but the tears gushed into his eyes; and he has often assured me, that though the world has since gone prosperously with him, and his life has, indeed, been a happy one, yet never has he experienced a moment of more exquisite felicity.

Rip Van Winkle A Posthumous Writing of Diedrich Knickerbocker

By Woden, God of Saxons,
From whence comes Wensday, that is Wodensday,
Truth is a thing that ever I will keep
Unto thylke day in which I creep into
My sepulchre⁠—

Cartwright

[The following Tale was found among the papers of the late Diedrich Knickerbocker, an old gentleman of New York, who was very curious in the Dutch history of the province and the manners of the descendants from its primitive settlers. His historical researches, however, did not lie so much among books as among men; for the former are lamentably scanty on his favorite topics; whereas he found the old burghers, and still more, their wives, rich in that legendary lore, so invaluable to true history. Whenever, therefore, he happened upon a genuine Dutch family, snugly shut up