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her?

A noise in the other room startled them both. The door swung open, and a tall, elderly, dark complexioned man, recently shaven, hurried into the room.

All the pictures of President Miraflores represent him as the possessor of a luxuriant supply of dark and carefully tended whiskers; but the story of the barber, Estebán, had prepared Goodwin for the change.

The man stumbled in from the dark room, his eyes blinking at the lamplight, and heavy from sleep.

“What does this mean?” he demanded in excellent English, with a keen and perturbed look at the American⁠—“robbery?”

“Very near it,” answered Goodwin. “But I rather think I’m in time to prevent it. I represent the people to whom this money belongs, and I have come to convey it back to them.” He thrust his hand into a pocket of his loose, linen coat.

The other man’s hand went quickly behind him.

“Don’t draw,” called Goodwin, sharply; “I’ve got you covered from my pocket.”

The lady stepped forward, and laid one hand upon the shoulder of her hesitating companion. She pointed to the table. “Tell me the truth⁠—the truth,” she said, in a low voice. “Whose money is that?”

The man did not answer. He gave a deep, long-drawn sigh, leaned and kissed her on the forehead, stepped back into the other room and closed the door.

Goodwin foresaw his purpose, and jumped for the door, but the report of the pistol echoed as his hand touched the knob. A heavy fall followed, and someone swept him aside and struggled into the room of the fallen man.

A desolation, thought Goodwin, greater than that derived from the loss of cavalier and gold must have been in the heart of the enchantress to have wrung from her, in that moment, the cry of one turning to the all-forgiving, all-comforting earthly consoler⁠—to have made her call out from that bloody and dishonoured room⁠—“Oh, mother, mother, mother!”

But there was an alarm outside. The barber, Estebán, at the sound of the shot, had raised his voice; and the shot itself had aroused half the town. A pattering of feet came up the street, and official orders rang out on the still air. Goodwin had a duty to perform. Circumstances had made him the custodian of his adopted country’s treasure. Swiftly cramming the money into the valise, he closed it, leaned far out of the window and dropped it into a thick orange-tree in the little enclosure below.

They will tell you in Coralio, as they delight in telling the stranger, of the conclusion of that tragic flight. They will tell you how the upholders of the law came apace when the alarm was sounded⁠—the Comandante in red slippers and a jacket like a head waiter’s and girded sword, the soldiers with their interminable guns, followed by outnumbering officers struggling into their gold lace and epaulettes; the barefooted policemen (the only capables in the lot), and ruffled citizens of every hue and description.

They say that the countenance of the dead man was marred sadly by the effects of the shot; but he was identified as the fallen president by both Goodwin and the barber Estebán. On the next morning messages began to come over the mended telegraph wire; and the story of the flight from the capital was given out to the public. In San Mateo the revolutionary party had seized the sceptre of government, without opposition, and the vivas of the mercurial populace quickly effaced the interest belonging to the unfortunate Miraflores.

They will relate to you how the new government sifted the towns and raked the roads to find the valise containing Anchuria’s surplus capital, which the president was known to have carried with him, but all in vain. In Coralio Señor Goodwin himself led the searching party which combed that town as carefully as a woman combs her hair; but the money was not found.

So they buried the dead man, without honours, back of the town near the little bridge that spans the mangrove swamp; and for a real a boy will show you his grave. They say that the old woman in whose hut the barber shaved the president placed the wooden slab at his head, and burned the inscription upon it with a hot iron.

You will hear also that Señor Goodwin, like a tower of strength, shielded Doña Isabel Guilbert through those subsequent distressful days; and that his scruples as to her past career (if he had any) vanished; and her adventuresome waywardness (if she had any) left her, and they were wedded and were happy.

The American built a home on a little foothill near the town. It is a conglomerate structure of native woods that, exported, would be worth a fortune, and of brick, palm, glass, bamboo and adobe. There is a paradise of nature about it; and something of the same sort within. The natives speak of its interior with hands uplifted in admiration. There are floors polished like mirrors and covered with handwoven Indian rugs of silk fibre, tall ornaments and pictures, musical instruments and papered walls⁠—“figure-it-to-yourself!” they exclaim.

But they cannot tell you in Coralio (as you shall learn) what became of the money that Frank Goodwin dropped into the orange-tree. But that shall come later; for the palms are fluttering in the breeze, bidding us to sport and gaiety.

Cupid’s Exile Number Two

The United States of America, after looking over its stock of consular timber, selected Mr. John De Graffenreid Atwood, of Dalesburg, Alabama, for a successor to Willard Geddie, resigned.

Without prejudice to Mr. Atwood, it will have to be acknowledged that, in this instance, it was the man who sought the office. As with the self-banished Geddie, it was nothing less than the artful smiles of lovely woman that had driven Johnny Atwood to the desperate expedient of accepting office under a despised Federal Government so that he might go far, far away and never see again the false, fair face that had wrecked his young life. The consulship at Coralio

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