Struggles and Triumphs P. T. Barnum (the beginning after the end read novel .TXT) 📖

my old friends, Mr. and Mrs. Lynn, of the Waterloo Hotel, had changed very little during my ten years’ absence from England. Even the servants in the hotel were mainly those whom I left there when I last went away from Liverpool⁠—which illustrates, in a small way, how much less changeable, and more “conservative” the English people are than we are. The old headwaiter, Thomas, was still headwaiter, as he had been for full twenty years. His hair was more silvered, his gait was slower, his shoulders had rounded, but he was as ready to receive, as I was to repeat, the first order I ever gave him, to wit: “Fried soles and shrimp sauce.”

And among my many friends in Liverpool and London, but one death had occurred, and with only two exceptions they all lived in the same buildings, and pursued the same vocations as when I left them in 1847. When I reached London, I found one of these exceptions to be Mr. Albert Smith, who, when I first knew him, was a dentist, a literary hack, a contributor to Punch, and a writer for the magazines⁠—and who was now transformed to a first-class showman in the full tide of success, in my own old exhibition quarters in Egyptian Hall, Piccadilly.

A year or two before, he had succeeded in reaching the top of Mont Blanc, and after publishing a most interesting account, which was republished and translated into several languages, the whole world over, he concluded to make further use of his expedition by adapting it to a popular entertainment. He therefore illustrated his ascent by means of a finely painted and accurate panorama, and he accompanied the exhibition with a descriptive lecture full of amusing and interesting incidents, illustrative of his remarkable experiences in accomplishing the difficult ascent. He also gave a highly-colored and exciting narrative of his entire journey from London to Switzerland, and back again, including his trip up and down the Rhine, and introducing the many peculiar characters of both sexes, he claimed to have met at different points during his tour. These he imitated and presented in so lifelike a manner, as to fairly captivate and convulse his audiences.

It was one of the most pleasing and popular entertainments ever presented in London, and was immensely remunerative to the projector⁠—resulting, indeed, in a very handsome fortune. The entertainments were patronized by the most cultivated classes, for information was blended with amusement, and in no exhibition then in London was there so much genuine fun. Two or three times Albert Smith was commanded to appear before the Queen at Buckingham Palace, and at Windsor, and as he gave his entertainment with great success on these occasions, spite of the fact that he could not take his panorama with him, it can readily be imagined that the frame was quite as good as the picture, and that the lecture as compared with the panorama, admirable as both were, was by no means the least part of the “show.”

Calling upon Albert Smith, I found him the same kind, cordial friend as ever, and he at once put me on the free list at his entertainment, and insisted upon my dining frequently with him at his favorite club, the Garrick.

The first time I witnessed his exhibition he gave me a sly wink from the stage at the moment of his describing a scene in the golden chamber of St. Ursula’s church in Cologne, where the old sexton was narrating the story of the ashes and bones of the eleven thousand innocent virgins who, according to tradition, were sacrificed on a certain occasion. One of the characters whom he pretended to have met several times on his trip to Mont Blanc, was a Yankee, whom he named “Phineas Cutecraft.” The wink came at the time he introduced Phineas in the Cologne Church, and made him say at the end of the sexton’s story about the Virgins’ bones:

“Old fellow, what will you take for that hull lot of bones? I want them for my Museum in America!”

When the question had been interpreted to the old German, he exclaimed in horror, according to Albert Smith:

“Mine Gott! it is impossible! We will never sell the Virgins’ bones!”

“Never mind,” replied Phineas Cutecraft, “I’ll send another lot of bones to my Museum, swear mine are the real bones of the Virgins of Cologne, and burst up your show!”

This always excited the heartiest laughter; but Mr. Smith knew very well that I would at once recognize it as a paraphrase of the scene wherein he had figured with me in 1844 at the porter’s lodge of Warwick Castle. In the course of the entertainment, I found he had woven in numerous anecdotes I had told him at that time, and many incidents of our excursion were also travestied and made to contribute to the interest of his description of the ascent of Mont Blanc.

When we went to the Garrick club that day, Albert Smith introduced me to several of his acquaintances as his “teacher in the show business.” As we were quietly dining together, he remarked that I must have recognized several old acquaintances in the anecdotes at his entertainment. Upon my answering that I did, “indeed,” he remarked, “you are too old a showman not to know that in order to be popular, we must snap up and localize all the good things which we come across.” By thus engrafting his various experiences upon this Mont Blanc entertainment, Albert Smith succeeded in serving up a salmagundi feast, which was relished alike by royal and less distinguished palates.

At one of the Egyptian Hall matinees, Albert Smith, espying me in the audience, sent an usher to me with a note of invitation to dine with him and a number of friends immediately after the close of the entertainment. To this invitation he added the request that as soon as he concluded his lecture I should at once come to him through the small door under the stage at