Quo Vadis Henryk Sienkiewicz (sight word readers .TXT) 📖

moments that Vinicius was singing a kind of wonderful song, which was instilling itself into her ears, moving the blood in her, and penetrating her heart with a faintness, a fear, and a kind of uncomprehended delight. It seemed to her also that he was telling something which was in her before, but of which she could not give account to herself. She felt that he was rousing in her something which had been sleeping hitherto, and that in that moment a hazy dream was changing into a form more and more definite, more pleasing, more beautiful.

Meanwhile the sun had passed the Tiber long since, and had sunk low over the Janiculum. On the motionless cypresses ruddy light was falling, and the whole atmosphere was filled with it. Lygia raised on Vinicius her blue eyes as if roused from sleep; and he, bending over her with a prayer quivering in his eyes, seemed on a sudden, in the reflections of evening, more beautiful than all men, than all Greek and Roman gods whose statues she had seen on the façades of temples. And with his fingers he clasped her arm lightly just above the wrist and asked⁠—“Dost thou not divine what I say to thee, Lygia?”

“No,” whispered she as answer, in a voice so low that Vinicius barely heard it.

But he did not believe her, and, drawing her hand toward him more vigorously, he would have drawn it to his heart, which, under the influence of desire roused by the marvelous maiden, was beating like a hammer, and would have addressed burning words to her directly had not old Aulus appeared on a path set in a frame of myrtles, who said, while approaching them⁠—“The sun is setting; so beware of the evening coolness, and do not trifle with Libitina.”

“No,” answered Vinicius; “I have not put on my toga yet, and I do not feel the cold.”

“But see, barely half the sun’s shield is looking from behind the hill. That is a sweet climate of Sicily, where people gather on the square before sunset and take farewell of disappearing Phoebus with a choral song.”

And, forgetting that a moment earlier he had warned them against Libitina, he began to tell about Sicily, where he had estates and large cultivated fields which he loved. He stated also that it had come to his mind more than once to remove to Sicily, and live out his life there in quietness. “He whose head winters have whitened has bad enough of hoar frost. Leaves are not falling from the trees yet, and the sky smiles on the city lovingly; but when the grapevines grow yellow-leaved, when snow falls on the Alban hills, and the gods visit the Campania with piercing wind, who knows but I may remove with my entire household to my quiet country-seat?”

“Wouldst thou leave Rome?” inquired Vinicius, with sudden alarm.

“I have wished to do so this long time, for it is quieter in Sicily and safer.”

And again he fell to praising his gardens, his herds, his house hidden in green, and the hills grown over with thyme and savory, among which were swarms of buzzing bees. But Vinicius paid no heed to that bucolic note; and from thinking only of this, that he might lose Lygia, he looked toward Petronius as if expecting salvation from him alone.

Meanwhile Petronius, sitting near Pomponia, was admiring the view of the setting sun, the garden, and the people standing near the fishpond. Their white garments on the dark background of the myrtles gleamed like gold from the evening rays. On the sky the evening light had begun to assume purple and violet hues, and to change like an opal. A strip of the sky became lily-colored. The dark silhouettes of the cypresses grew still more pronounced than during bright daylight. In the people, in the trees, in the whole garden there reigned an evening calm.

That calm struck Petronius, and it struck him especially in the people. In the faces of Pomponia, old Aulus, their son, and Lygia there was something such as he did not see in the faces which surrounded him every day, or rather every night. There was a certain light, a certain repose, a certain serenity, flowing directly from the life which all lived there. And with a species of astonishment he thought that a beauty and sweetness might exist which he, who chased after beauty and sweetness continually, had not known. He could not hide the thought in himself, and said, turning to Pomponia⁠—“I am considering in my soul how different this world of yours is from the world which our Nero rules.”

She raised her delicate face toward the evening light, and said with simplicity⁠—“Not Nero, but God, rules the world.”

A moment of silence followed. Near the triclinium were heard in the alley, the steps of the old general, Vinicius, Lygia, and little Aulus; but before they arrived, Petronius had put another question⁠—“But believest thou in the gods, then, Pomponia?”

“I believe in God, who is one, just, and all-powerful,” answered the wife of Aulus Plautius.

III

“She believes in God who is one, all-powerful, and just,” said Petronius, when he found himself again in the litter with Vinicius. “If her God is all-powerful, He controls life and death; and if He is just, He sends death justly. Why, then, does Pomponia wear mourning for Julius? In mourning for Julius she blames her God. I must repeat this reasoning to our Bronzebeard, the monkey, since I consider that in dialectics I am the equal of Socrates. As to women, I agree that each has three or four souls, but none of them a reasoning one. Let Pomponia meditate with Seneca or Cornutus over the question of what their great Logos is. Let them summon at once the shades of Xenophanes, Parmenides, Zeno, and Plato, who are as much wearied there in Cimmerian regions as a finch in a cage. I wished to talk with her and with Plautius